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This article argues that the concept of 'state feminism' no longer adequately captures the complexity of emerging feminist engagements with new forms of governance. It suggests that 'market feminism' offers a new conceptual framework from which feminist engagements with the state can be analysed and evaluated, and the changes within state feminism can be understood. The article documents the growing feminist embrace of the logic of the market, which manifests itself in changed practices and priorities. The article gives examples of 'market feminism' and argues that the move from state feminism to market feminism impacts on both the political practices and policy priorities of women's policy agencies.

This article opens with the questioning of a now established scholarly category, `French feminism'. It proposes that theoretical and polemical understandings of `French feminism' have been founded on an opposition to its counterpart, `Anglo-American feminism'. The measure of this opposition has been defined mostly as geographical, linguistic and cultural. But underneath such constructions often lies the old sameness vs difference debate that has captivated feminism since the suffragettes. The article argues for a less oppositional and less discounting definition of the two strands of feminism. It proposes to read oppositional classifications as motivation for a dialogue addressed to the `other ' of theoretical constructs; questioning the likelihood of foregoing oppositional classification.

Abstract
This chapter reviews a selection of books published in 2018 relevant to feminist critical and cultural theory. The chapter is divided into three sections: 1. Introduction; 2. Feminist Pasts, which reviews Victoria Margree's Neglected or Misunderstood: The Radical Feminism of Shulamith Firestone, Celia Marshik and Allison Pease's Modernism, Sex, and Gender, and Ania Loomba's Revolutionary Desires: Women, Communism, and Feminism in India; 3. Feminist Presents, which reviews Orienting Feminism: Media, Activism and Cultural Representation, edited by Catherine Dale and Rosemary Overell, and Emma Young's Contemporary Feminism and Women's Short Stories.

Der Beitrag versucht, vor allem unter Bezugnahme auf frühere Beiträge in dieser Zeitschrift, die Entwicklung eines sozialistischen Konzepts zur Analyse der Lage der Frauen in ihren Grundzügen nachzuzeichnen. (DÜI-Hns)

This work is based on a theoretical research study on Southern Feminisms and Social Intervention developed at the National University of Mar del Plata, Argentina. The South is understood as a metaphor for human suffering systematically caused by the oppression and domination of an imperialist, capitalist, colonial and patriarchal North. It is a very powerful geo-corporate-political and epistemological metaphor because it reveals and problematises the devices used for oppression and domination. This article uses cartography as a methodology to make explicit the analytical and interpretative matrices present in decolonial feminisms and community feminisms. It also makes explicit the criticisms that these feminisms make of hegemonic-academic-Western feminism. Contributions from feminist experiences in Australia and New Zealand are included and the specific contributions of Southern Feminisms to the theory and practice of social work are made explicit.

Bei Artikulationen von Feldakteur*innen ansetzend nimmt dieser Beitrag Bezugnahmen auf (anti‑)feministische Diskurse in den Blick. Ziel ist die Annäherung an Subjektivierungspotenziale, die mit der Kategorie Geschlecht interferierenden Diskursen inhärent sind. Dafür galt es zunächst jedoch die Frage aufzuwerfen, von welchen "Feminismen" und "Antifeminismen" auf der Ebene des Alltags überhaupt die Rede sein kann.

Abstract
This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, "Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies," revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender studies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines.