Suchergebnisse

Long description: Dieses Jahrbuch des Frankreichzentrums verbindet zwei Schwerpunkte: Es befasst sich zum einen mit dem Zusammenhang von Europa und Literatur, zum anderen mit dem Verhältnis von Interkulturalität und Krieg. Der erste Teil fragt, wie der Text Europa den Ort Europa konstituiert - und umgekehrt. Die Beiträge thematisieren u.a. Deleuzes Konzept des Nomadischen, die Geokritik sowie Werke von Paul Valéry und Romain Gary. Der zweite Teil widmet sich aus interdisziplinärer Perspektive einer provokativen Frage: Sind Kriege Motor interkultureller Kommunikation und Verständigung? Am Beispiel der Weltkriege und der Entkolonialisierungskonflikte des 20. Jahrhunderts sowie anhand von filmischen und literarischen Fallstudien aus dem frankophonen Kulturraum werden Phänomene wie Fremdwahrnehmung und interkulturelle Kommunikation analysiert

Conceptualizing the dualism of Greek foreign policy -- Hegemony, dependence and the US policy review of 1952 -- The domestic structures of the post-civil war political system -- From dependence to dualism : Cyprus enters Greek foreign policy -- Dependent nationalism : 'operating between two notionsh' -- The semi-internationalization of the Cyprus question : the UN appeal -- The dualist aspects of foreign economic policy.

Preliminary Material /Louis Clerc , Nikolas Glover and Paul Jordan -- Representing the Small States of Northern Europe: Between Imagined and Imaged Communities /Louis Clerc and Nikolas Glover -- The Nationalisation of Swedish Enlightenment Activities Abroad: Civil Society Actors and Their Impact on State Politics /Andreas Åkerlund -- Open Diplomacy and Minority Rights: The League of Nations and Lithuania's International Image in the Early 1920s /Chiara Tessaris -- Countering "The Obtuse Arguments of the Bolsheviks": Estonian Information Work in Sweden, the United States and Britain, 1940–1944 /Kaarel Piirimäe -- The Office for Cultural Relations: Representing Norway in the Post-War Period /Svein Ivar Angell -- A Public Diplomacy Entrepreneur: Danish Ambassador Bodil Begtrup in Iceland, Switzerland and Portugal, 1949–1973 /Kristine Kjærsgaard -- A Total Image Deconstructed: The Corporate Analogy and the Legitimacy of Promoting Sweden Abroad in the 1960s /Nikolas Glover -- "Gaining Recognition and Understanding on her own terms": The Bureaucracy of Finland's Image Policy, 1948–66 /Louis Clerc -- American Mirrors and Swedish Self-Portraits: US Images of Sweden and Swedish Public Diplomacy in the USA in the 1970s and 80s /Carl Marklund -- Diplomacy and Diasporas, Self-Perceptions and Representations: Baltic Attempts to Promote Independence, 1989–1991 /Una Bergmane -- Walking in Singing: Brand Estonia, the Eurovision Song Contest and Estonia's Self-Proclaimed Return to Europe, 2001–2002 /Paul Jordan -- Public Diplomacy vs Nation Branding:The Case of Denmark after the Cartoon Crisis /Mads Mordhorst -- Benevolent Assistance and Cognitive Colonisation: Nordic Involvement with the Baltic States since the 1990s /Kazimierz Musiał -- Small-State Identities: Promotions Past and Present /Christopher Browning -- Bibliography /Louis Clerc , Nikolas Glover and Paul Jordan -- Name Index /Louis Clerc , Nikolas Glover and Paul Jordan -- Subject Index /Louis Clerc , Nikolas Glover and Paul Jordan.

This book focusses on Russia's cultural statecraft in dealing with a number of institutional cultural domains such as education, museums and monuments, high arts and sport. It analyses to what extent Russia's cultural activities abroad have been used for foreign policy purposes, and perceived as having a political dimension. Building on the concept of cultural statecraft, the authors present a broad and nuanced view of how Russia sees the role of culture in its external relations, how this shapes the image of Russia, and the ways in which this cultural statecraft is received by foreign audiences. The expert team of contributors consider: what choices are made in fostering this agenda; how Russian state authorities see the purpose and limits of various cultural instruments; to what extent can the authorities shape these instruments; what domains have received more attention and become more politicised and what fields have remained more autonomous. The methodological research design of the book as a whole is a comparative case study comparing the nature of Russian cultural statecraft across time, target countries and diverse cultural domains. It will be of interest to scholars and students of Russian foreign policy and external relations and those working on the role of culture in world politics