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在過去的二十年中,隨著1989 年的革命(以及之後突進的新自由主義經濟政策),信息和通信技術(ICT)的擴散,世界經歷了急劇變化。但高等教育,尤其是英文文學研究有没有根據這一時期的文化、經濟、社會和政治的情況來修正呢?本論文探討從現代主義美學和片面國家論述的小說(英文書寫的),過渡到一個文化和政治驅動並行的後現代形式,及反映一個日益全球化和全球意識的二十一世紀引人注目的問題。通過當代小說的新自由主義全球化的測試 ──或者也被稱為後現代的情况和晚期資本主義的文化邏輯──我們了解世界據稱走向非殖民化只不過掩飾另一種殖民方式,導致葛蘭西的霸權理論效果,使馬克思主義理論的社會力量轉變成促使不同階級的政治權力形式,取決於一個非常關鍵的因素- 共識。 ; The world has experienced rapid changes in the last twenty years concomitant of the Revolutions of 1989 (and the subsequent onrush of neoliberal economic policies) and the proliferation of Information and Communication Technology (ICT), but has higher ed,and particularly, the study of English literature modified in accordance to the cultural, economic, social, and political circumstances of the period? This thesis explores the compelling question by illustrating the transition of contemporary literary fiction (written in English) from modernist aesthetics and one-sided national discourse into a culturally and politically driven postmodern form to parallel and reflect an increasingly global and globally aware 21st century. Through contemporary fiction's examination of neoliberal globalization - or perhaps what is also known as the postmodern condition and cultural logic of late capitalism - we come to understand a return of colonization in a world allegedly moving towards decolonization. What results is the Gramscian theory of hegemony, which gives rise to a Marxist theory of the transformation of social forces into forms of political power adequate to different class projects that depends on a very crucial factor - consensus. ; Detailed summary in vernacular field only. ; Tchan, Chrystal Ching. ; "December 2012." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. ; Includes bibliographical references (leaves 105-110). ; Abstracts also in Chinese. ; Abstract --- p.i ; Table of Contents --- p.ii ; Introduction --- p.1 ; Chapter Chapter One: --- Nationalism and the Decline of Empire --- p.15 ; Chapter Chapter Two: --- The Reflexive Resurgence of Local and National Formations in Hari ...

資本全球擴展至今已經令我們的時代傷痕累累,各種各樣的社會運動應運而生,試圖突破現局。香港近年幾起以空間為本位的社會運動都甚為引人注目,其中利東街社區運動可謂開風氣之先,草擬了香港首份民間規劃方案──啞鈴方案,此後受拆遷影響的社區除了選擇賠償和安置以外,還可以選擇集體抗爭爭取民間規劃。提出了香港首份民間規劃劃方案固然意義重大,不過利東街社區運動留給我們遠不止於此。本論文從頭梳理一遍利東街社區運動的經驗,由一九九八年土地發展公司正式宣佈重建利東街,至市區重建局接手後利東街街坊成立H15重建關注組、提出爭取賠償安置以外的訴求、及後草擬啞鈴方案爭取落實以人為本的規劃。雖然啞鈴方案最後不獲局方接受,無法落實,卻為社區所可以有的政治意義帶來豐富的內容。本論文透過整理利東街社區運動的經驗,歸納並提出社區在資本主義全球化下所能夠展現出來的政治意義。 ; The global expansion of capital has brought to our contemporaries wounds and scars, leading thereby to social movements of all types. In the recent years in Honk Kong, we have witnessed many social movements concerned with spatial issues, among them some are more eye-catching while some of them not. Lee Tung Street community movement, among all the spatially minded social movements, is one with exceptional importance. It has marked a new beginning for other community movements by proposing the first ever community-based redevelopment plan ──Dumbbell Proposal. Although the Dumbbell was rejected in the end despite untiring efforts from the Lee Tung Street community and supports from various public ranks, Lee Tung Street community movement has left us with an enriched concept of "community", which is filled with political meanings, and potentials to fight the hegemonic capitalist globality. This thesis will consolidate experiences in different stages of Lee Tung Street community movement, from the time when Land Development Company first announced the redevelopment project, to the period when the community organized themselves into a group called H15 concern group which launched the famous Dumbbell Proposal. From these events, I will extract and explain the political meanings of "community", which paves a way for alternatives in our globalized society. ; Detailed summary in vernacular field only. ; 陳倩玉. ; Parallel title from English abstract. ; Thesis (M.Phil.) Chinese University of Hong Kong, 2015. ; Includes bibliographical references (leaves 105-113). ; Abstracts in English and Chinese. ; Chen Qianyu.

Chan, Pui Lun. ; "December 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 133-147). ; Abstracts in English and Chinese. ; Abstract of thesis entitled: --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.v ; List of Figures and Tables --- p.viii ; Romanization and Translation --- p.ix ; Chapter Chapter One - --- Introduction --- p.1 ; Chapter 1.1 --- "Motivations, Arguements and Methodology" --- p.2 ; Chapter 1.2 --- Ethnomusicological Studies on Chinese Operas --- p.3 ; Chapter 1.3 --- Studying Peking opera in Hong Kong --- p.5 ; Biographies of Mainland Peking Opera Performers --- p.5 ; Newspapers Reports and Columns --- p.6 ; Interview Transcripts of Peking Opera Artists in Hong Kong --- p.7 ; Government Documents and Archival Data --- p.8 ; Fieldwork --- p.8 ; Challenges and Limitations --- p.9 ; Chapter 1.4 --- Thesis Outline --- p.10 ; Chapter Chapter Two - --- The History of Peking Opera in Hong Kong --- p.14 ; Chapter 2.1 --- The Dual Forces of Cultural Policies --- p.15 ; Tour Performances as Diplomacy --- p.15 ; The First Encounter: Mei Lan-fang's Tour in 1922 --- p.17 ; Cultural Competition between the Two Chinese Regimes --- p.21 ; Cultural Policy of the Colonial Government before 1980 --- p.24 ; Chapter 2.2 --- Early Peking Opera Activities in Hong Kong --- p.26 ; Peking Opera in Recordings and Radio Broadcasting --- p.26 ; Peking Opera Films in the 1940s and 50s --- p.33 ; Integrating Peking Opera with Local Martial Arts Films in the 1960s and 70s --- p.35 ; Local Peking Opera Academies --- p.38 ; Amateur Peking Opera Groups --- p.42 ; Hybridization Between Peking Opera and Cantonese Opera --- p.43 ; Chapter 2.3 --- An Entertainment for Mainland Emigrants --- p.48 ; Chapter 2.4 --- Summary --- p.51 ; Chapter Chapter Three - --- Contemporary Peking Opera Activities --- p.54 ; Chapter 3.1 --- The Continuing Political Influence --- p.55 ; The Shifting Dynamics of Political Influences in the ...