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World Affairs Online
Music History
In: The Salisbury review: a quarterly magazine of conservative thought, Band 27, Heft 3, S. 46-47
ISSN: 0265-4881
Touching type keyboard
In: Report on New Industrial Investment Opportunities, Investment product Nr. 66
General explanation of the keyboard and its principal technology. Production/marketing status in foreign countries and in Taiwan. (Economische Voorlichtingsdienst)
World Affairs Online
The globalization of music in history
In: Routledge studies on history and globalization 2
Music and capitalism: a history of the present
In: Chicago studies in ethnomusicology
In: Big issues in music
"In this book, Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry's shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries. Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why"--Provided by publisher
Keyboard injuries--putting your finger on it
In: Labour research, Band 79, Heft Aug 90
ISSN: 0023-7000
Ears, Open. Keyboards, Click
In: Marine corps gazette: the Marine Corps Association newsletter, Band 99, Heft 1, S. 56
ISSN: 0025-3170
Music and international history in the twentieth century
In: Explorations in culture and international history, volume 7
Introduction: Sonic history, or, Why music matters in International history / Jessica C. E. Gienow-Hecht -- Part I: Music, international relations and the absence of the state. The wicked Barrisons / David Monod. The International Society for Contemporary Music and its political context (Prague 1935) / Anne C. Shreffler -- Part II: Music, international history, and the state. Music and international relations in occupied Germany, 1945-49 / Toby Thacker. Instruments of diplomacy : writing music into the history of Cold War international relations / Danielle Fosler-Lussier. "To reach... into the hearts and minds of our friends" : America's symphonic tours and the Cold War / Jonathan Rosenberg. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 / Emily Abrams Ansari. Intimate histories of the musical Cold War : Fred Prieberg and Igor Blazhkov's unofficial diplomacy / Peter J. Schmelz. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988 / Andrea F. Bohlman
World Affairs Online
The N-word in music: an American history
The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
With Mouse and Keyboard. How the Internet Changed Politics
In: German politics: Journal of the Association for the Study of German Politics, Band 13, Heft 3, S. 543-544
ISSN: 0964-4008
Customize Your Computer Keyboard For Parliamentary Procedure
In: Parliamentary journal, Band 40, Heft 3, S. 91-92
ISSN: 0048-2994
A critical history of new music in China
"With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteenth- and early twentieth-century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government."--[book cover]