Socio-Cultural Manifestation in Literary Texts
In: International journal of academic research in business and social sciences: IJ-ARBSS, Band 12, Heft 12
ISSN: 2222-6990
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In: International journal of academic research in business and social sciences: IJ-ARBSS, Band 12, Heft 12
ISSN: 2222-6990
In: International journal of multicultural and multireligious understanding: IJMMU, Band 8, Heft 12, S. 381
ISSN: 2364-5369
The article presents the main theoretical prerequisites for studying the pragmatics of the literary text. Determining the functions of the text as a means of communication in all a variety of its manifestations refers to the fundamental problems of linguistics.The general problems of the theory of the text, the questions of the pragmatics of the literary text and the observables of its impact and perception are considered. The pragmatics of the text as a global category, which is a mandatory property of each text and reflects the attitude of the addressee to the object of communication, to the communicative act itself and through it to the address.
In: Linguistics and Literature Review, 2018
SSRN
In: Signs: journal of women in culture and society, Band 1, Heft 1, S. 111-118
ISSN: 1545-6943
In: Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2, Jazykoznanie = Lingustics, Heft 1, S. 77-81
ISSN: 2409-1979
In: Vestnik of Kostroma State University, Band 29, Heft 4, S. 133-138
The article is devoted to the value-semantic space of a literary text in the implementation of emotive dominants that reflect the author's intention. The purpose of the study is to determine the functional status of emotives of different levels of text affiliation. The priority research methods are the methods of textual analysis and philological interpretation, which allows us to consider a literary text, including outside the explication of the author's assessment, as the realization of important value meanings of the character and the author, which have an emotional impact on the reader. During the analysis of the text of the story by A.P. Chekhov's "The Black Monk" it was revealed that the functional status of emotive dominants is generally limited by the functions of the character's emotional assessment and the pragmatic impact of emotive meanings on the reader. Textual emotiveness is capable of representing not only the momentary states of the characters associated with one or another episode of plot action. The author deliberately saturates the description of such situations with emotive markers, which correlate the emotional and spiritual experience of the reader and the character, which helps to activate the recipient's memories and a new experience of the events described in the literary text. Implicity of emotive meanings in the story by A.P. Chekhov's "The Black Monk" allows us to focus the reader's attention on the value meanings of the text, which are only indirectly determined in their formation by external plot events. Analysis of the emotive dominants of the text of the story "The Black Monk" helps to identify not only the functional-semantic nature of the category of emotiveness, but also its plot- and text-forming role in a literary text, which opens up broad prospects in the study of textual emotiveness.
In: Annales Universitatis Mariae Curie-Skłodowska. Sectio FF, Philologiae, Band 40, Heft 2, S. 141-154
ISSN: 2449-853X
In: Social sciences: a quarterly journal of the Russian Academy of Sciences, Band 52, Heft 1, S. 129-141
In: Cultura: international journal of philosophy of culture and axiology, Band 10, Heft 2, S. 141-156
ISSN: 2065-5002
In: Medieval feminist forum: MFF ; journal of the Society for Medieval Feminist Scholarship, Band 49, Heft 1, S. 105-107
ISSN: 2151-6073
In: Universal- und kulturhistorische Studien. Studies in Universal and Cultural History
In: Springer eBook Collection
Battle descriptions as literary text: an introduction -- Year Names as Source for Military Campaigns in the Third Millennium BC -- Much Ado about Nothing? Battle Descriptions in Ugaritic Texts -- Victor without Victory? The Lack of Battle Descriptions in the Achaeamenid Empire -- Battle Descriptions in the Hebrew Bible: An Overview with Special Attention to the Book of Joshua.-Plataea, 479 BC -- "Eine Schlacht wie keine andere" – alles nur Literatur, oder was? Agesilaos II., Xenophon und der "Sieg" Spartas in der Schlacht bei Koroneia (14. August, 394 v. Chr.), der vielleicht eher doch eine Niederlage war! -- Parody as a Sign of Generic Consciousness: Battle Descriptions in the Pseudo-Homeric Batrachomyomachia -- The Battle of Gaugamela. A Case Study and Some General Methodological Considerations -- Die "Thermopylenschlacht 2.0" am Persischen Tor (330 v. Chr.) -- Battle Descriptions in Livy's Ab Urbe Condita -- Conversus ad pacem … (Flor. 2.34.65 = 4.12.65) – Battle Descriptions in Florus Reconsidered -- The Impact of Violence as Heroization Technique in Basini's Hesperis, Naldi's Volaterrais and Filelfo's Sphortias -- A Battle of Emperors? Contemporary Poetic and Prose Descriptions of Austerlitz (1805) -- The Impossibility of Deliberate Action in Tolstoy's Descriptions of Battle in War and Peace -- Historical Distance and Literary Re-Presentation. Ancient Battles in German Classical Studies.
In: HUMANITARIAN RESEARCHES, Band 74, Heft 2, S. 106-111
In: Journal of Language and Cultural Education: JoLaCE, Band 11, Heft 3, S. 34-38
ISSN: 1339-4584
Abstract
Feuilleton is a hybrid genre. This genre is important for both literature and journalism because it has literary and journalistic characteristics. There are different opinions about the genre characteristics of feuilleton. So, in studies, it is sometimes characterized only as a journalistic genre. Although some of the studies pay attention to its literary peculiarities, they do not mention its journalistic peculiarities. There are also studies that examine the genre in both literary and journalistic contexts, and such a complex approach is of great importance to the analysis of the genre. Based on the ideas about the hybridity of the genre, our opinion on this matter is that when examining the feuilleton, it is important to thoroughly study it, taking into account the fact that it is a hybrid genre. When conducting research, all features should be studied, no feature should be left out of the study. The artistic colors of feuilleton are distinguished by their realistic and sharp lines. Here, the events are given in all their reality. This is one of the points that form the basis of journalistic works. In this article, the feuilleton genre is examined in the context of literary-journalistic genre; the history of feuilleton, its main features, and its literary and journalistic aspects are studied.
In: Journal of Contemporary Issues in Business and Government, Band 27, Heft 3
ISSN: 2204-1990