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Emiliano J. Buis examines the sources of classical Greece to challenge both the state-centeredness of mainstream international legal history and the omnipresence of war and excessive violence in ancient times. Making ample use of epigraphic as well as literary, rhetorical, and historiographical sources, the book offers the first widespread account of the narrative foundations of the (il)legality of warfare in the classical Hellenic world. In a clear yet sophisticated manner, Buis convincingly proves that the traditionally neglected study of the performance of ancient Greek poleis can contribute to a better historical understanding of those principles of international law underlying the practices and applicable rules on the use of force and the conduct of hostilities

Δεν παρατίθεται περίληψη στα ελληνικά. ; Yiannis Papatheodorou, a The cruel April of 1944»: Fiction, History and Memory in Straus Tsirkas's Drifting Cities Stratis Tsirkas, a distinguished Greek diaspora novelist in Egypt, published his important and controversial trilogy {The Club, Ariagne, The Bat), in the early '60s. The novel is situated in three colonial Mediterranean cities —Jerusalem, Cairo and Alexandria— drifting towards chaos in a war-torn Middle East, during 1942-1944. As far as the plot is concerned, the trilogy is inscribed to the wider context of postwar European literary «master-narratives» elaborating representations of war, Nazism and resistance, and also opening an agenda to the traumatic phenomena of a discontinuous modernity: violence, social repression, exclusion of the Other. This article discusses the politics of history and memory in Stratis Tsirkas's trilogy Drifting Cities in order to show how he problematizes the tropes of historical representation in a dialogical perspective, by focalizing to the Greek military left underground «movement of April 1944». His historical point of view, which clearly can be identified as the «return of the repressed», is related to the questions of an alternative narration about the past, enriched within a critical and deliberating interpretation of the left collective memory.

The database Cretan Institutional Inscriptions was created as part of the PhD research project in Ancient Heritage Studies Kretikai Politeiai: Cretan Institutions from VII to I century BC, carried out at the University of Venice Ca' Foscari by Irene Vagionakis from 2016 to 2019, under the supervision of Claudia Antonetti and Gabriel Bodard. The research project aimed at collecting the epigraphic sources related to the institutional elements of the many political entities of Crete, with a view to highlighting the specificity of each context in the period between the rise of the poleis and the Roman conquest of the island. The main component of the database consists of the epigraphic collection of the 600 inscriptions constituting the core of the documentary base of the study, for each of which an XML edition compliant with the TEI EpiDoc international standard was created. Each EpiDoc edition includes a descriptive and a bibliographic lemma, the text of the inscription, a selective apparatus criticus and a commentary focused on the institutional data offered by the document. In addition to the epigraphic collection, the database includes a collection of the main related literary sources, a catalogue of the attested Cretan institutions (assemblies, boards, officials, associations, civic subdivisions, social statuses, age classes, months, festivities and other celebrations, institutional practices, institutional instruments, public spaces) and a catalogue of the political entities of Crete (poleis, koina, dependent communities, extra-urban sanctuaries, hegemonic alliances). Data and SW available at https://github.com/IreneVagionakis/CretanInscriptions

Dione di Prusa è una delle personalità più rilevanti della letteratura d'età imperiale, periodo che venne a lungo trascurato dalla critica. L'ampia raccolta dei suoi scritti comprende discorsi politici, dialexeis letterarie, o orazioni epidittiche tenute nei centri più prestigiosi dell'impero: essi ci forniscono, per l'ampiezza del coupus e per la varietà dei temi affrontati, un quadro di primaria importanza dell'attività politica, culturare e filosofica di quest'epoca. Negli ultimi trent'anni sono state pubblicate, sopratutto in Italia, edizioni con traduzione e commento di diverse orazioni; di questa rinascita dionea hanno giovato soprattutto gli scritti più celebri e più impegnativi. Sono stati però trascurati molti brevi scritti di carattere filosofico appartenenti, secondo l'attribuzione del von Arnim, al periodo esiliaco. La mia dissertazione è dedicata appunto ai due scritti filosofici Sull'invidia 77 e 78, negli ultimi cent'anni tradotti esclusivamente in inglese, tedesco e privi sino ad oggi di commento. La dissertazione consta di una introduzione, di una traduzione italiana e del commento di entrambi i discorsi. Obiettivo del presente lavoro è quello di inquadrare le due orazioni Sull'invidia nei loro diversi rapporti con la tradizione filosofica e di riallacciarle alla prassi retorica coeva. Nell'introduzione ho tentato di riassumere la critica dionea nei suoi molteplici orientamenti: datazione e luogo di recitazione delle due orazione; le diverse interpretazioni; per il primo scritto, la 77, ho proposto una nuova interpretazione: ho tentato di valutare l'attività retorica di Dione. Ho analizzato i progymnasmata e li ho confrontati con il discorso di Dione. Il risultato di questa sezione del lavoro è che l'orazione 77 è probabilmente un progymnasma, più precisamente una gnōmē. Nell'analisi della seconda orazione, la 78, ho posto invece in evidenza di punti di contatto con le correnti filosofiche coeve, con un occhio di riguardo per la scuola cinica e stoica. ; Dio Chrysostom is the foremost figure in the first century A.D. of the long time neglected literary movement called Second Sophistic. The wide corpus of his works comprehends political speeches, literary dialexeis, and epideictic speeches he delivered in the major cities of the Roman Empire. The offer is an extensive image of the political, cultural and philosophic thought and practice of his time. During the past thirty years Dio´s work has attracted great attention. Hence many editions of his speeches have been published with translation and commentary, mainly in Italy, England and Germany. These publications analysed the most popular ones. My dissertation is dedicated to the two philosophic speeches, On envy 77 and 78. For the first time I realised the translation of the scripture into Italian. By then there were translations in Latin, German, English and Spanish available only. In addition I composed the first commentary of the two works. To emphasise the importance of these speeches for the understanding of Dio´s philosophical and rhetorical thought, some remarks became necessary, that I tried to illustrate in the introduction: - the definition where and when these speeches were delivered - the validity of Dio´s exile and von Arnim´s division of his life and work in a rhetorical, in a philosophic and in a political phase - their relation to the past philosophic and rhetorical tradition. For the first speech (77), I proposed a new interpretation: I analysed the Progymnasmata, compared them with Dio´s speech and arrived at the conclusion that the 77 is a Progymnasma, a Gnome. In the analysis of the second speech (78) I stressed the points of contact with the coevo philosophic trends, prevailing the cynic and the stoic schools.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Tonia Kafetzaki, Female Contention and Communist Commitment: Working Women in the Midwar Novels and Essays of Galateia Kazantzaki The paper examines the representations of working women in the midwar novels of Galateia Kazantzaki (1881-1962), the relation of these representations to the author's political views on female labor —as articulated in two essays written in the same period—, as well as the manner in which her views are integrated into the discussion of these issues during this time period, specifically in the confrontation between the radical feminists, the socialists and the communists. G. K. was a writer with an enduring interest in the social status of women, an intellectual who actively participated in the debates of the Left regarding the role of art, and unswerving in her commitment to the communist movement. Including women in her work, she intended to denounce the decay of the bourgeois system that imposes upon women additional forms of exploitation, to tackle issues regarding the status of her female contemporaries and to examine women's labor in relation to women's emancipation perceived as a change in mentality and morals. Her prose in its entirety, literary and political, is an interesting expression of female contention in the period between the wars, an expression consistent with the basic tenets of the communist party, conversant with the views of the radical feminist scene, and showing a clear proximity to socialist opinions. Revealing a broader and more liberal attitude regarding women's labor and women's issues than the political party she is affiliated to, she chiefly expresses her concern for attaining a new female ethos, a new consciousness.