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In: Latin American perspectives, Band 42, Heft 3, S. 92-106
ISSN: 1552-678X
This essay seeks to illuminate a different, more encompassing kind of transition than that from dictatorship to post-dictatorship (and its attendant forms of memory of military brutal force and human rights abuses) often privileged by studies of political violence and social memory. The focus is twofold: first, to describe a transition from the world of the social to that of the post-social, i.e. a transition from a welfare state-centered form of the nation to its neoliberal competitive state counterpart; and secondly, to analyze its attendant memory dynamics. The double articulation of collective memory under neoliberalism, the deep and recurring violence it has involved at both the social and the individual level, and its self-articulation as a social memory apparatus are apparent in two Chilean films exploring the logic (Pablo Larraín's Tony Manero) and the history (Patricio Guzmán's Nostalgia de la luz) of the implementation of this neoliberal memory apparatus in Chile. Este trabajo intenta iluminar una transición más amplia que aquella entre dictadura y post-dictadura ( y sus correspondientes formas de memoria sobre la violencia militar o los abusos a los derechos humanos) que suele ser el objeto de estudio de los trabajos sobre violencia política y memoria social. Mi interés es doble: primero, describir una transición del mundo social al post-social (es decir, una transición desde una forma de estado-nación centrada en el estado de bienestar a su contraparte neoliberal y competitiva; y en segundo lugar, analizar sus correspondientes formas de memoria. La doble articulación de la memoria colectiva bajo el neoliberalismo, la profunda y recurrente violencia presente, tanto a nivel social como a nivel individual, y su autoarticulación como un aparato de la memoria social son evidentes en las dos películas chilenas Tony Manero de Pablo Larraín y Nostalgia de la luz de Patricio Guzmán que exploran la lógica y la historia de la implementación de este aparato de la memoria neoliberal en Chile.
This essay seeks to illuminate a different, more encompassing kind of transition than that from dictatorship to post-dictatorship (and its attendant forms of memory of military brutal force and human rights abuses) often privileged by studies of political violence and social memory. The focus is twofold: first, to describe a transition from the world of the social to that of the post-social, i.e. a transition from a welfare state-centered form of the nation to its neoliberal competitive state counterpart; and secondly, to analyze its attendant memory dynamics. The double articulation of collective memory under neoliberalism, the deep and recurring violence it has involved at both the social and the individual level, and its self-articulation as a social memory apparatus are apparent in two Chilean films exploring the logic (Pablo Larraín's Tony Manero) and the history (Patricio Guzmán's Nostalgia de la luz) of the implementation of this neoliberal memory apparatus in Chile. Este trabajo intenta iluminar una transición más amplia que aquella entre dictadura y post-dictadura ( y sus correspondientes formas de memoria sobre la violencia militar o los abusos a los derechos humanos) que suele ser el objeto de estudio de los trabajos sobre violencia política y memoria social. Mi interés es doble: primero, describir una transición del mundo social al post-social (es decir, una transición desde una forma de estado-nación centrada en el estado de bienestar a su contraparte neoliberal y competitiva; y en segundo lugar, analizar sus correspondientes formas de memoria. La doble articulación de la memoria colectiva bajo el neoliberalismo, la profunda y recurrente violencia presente, tanto a nivel social como a nivel individual, y su autoarticulación como un aparato de la memoria social son evidentes en las dos películas chilenas Tony Manero de Pablo Larraín y Nostalgia de la luz de Patricio Guzmán que exploran la lógica y la historia de la implementación de este aparato de la memoria neoliberal en Chile.
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In: International social science journal, Band 62, Heft 203-204, S. 147-159
ISSN: 1468-2451
Memory studies are a burgeoning industry in American academic circles. But whether considering "flashbulb memories" (Brown and Kulick 1977) or "mnemonic practices" (Olick and Robbins 1998), these studies are usually part of the sociology of knowledge, where it meets psychology and the cognitive sciences. While references to Maurice Halbwachs, the pioneer of the sociology of memory, are not totally absent from these publications, they tend to be reduced to a few obligatory quotations, which do not stimulate thought. Authors most frequently refer to the same compilation of writings translated and edited by Lewis A. Coser towards the end of his career (Halbwachs 1992),2 and seem unaware of Halbwachs' modifications to his theses on memory, made between the publication of Les Cadres sociaux de la memoire in 1925 and the later writings published in the posthumous collection La Memoire collective (Jaisson 2008; Namer 1997). Adapted from the source document.
In: Memory and narrative series
In: The journal of holocaust research, Band 37, Heft 1, S. 38-44
ISSN: 2578-5656
The article examines the concept of memory studies, which is a separate discipline that studies and analyzes memory issues. The phenomenon of memory is an important part of life, although not presented as a necessary condition of mental activity. Memory, the author notes, is a way for people to construct their past through books, movies, documents, ceremonies, and so on. In memory studies, memory arises in various aspects – collective, social, cultural, genetic, and historical. The reason for claiming a worldwide "memory age" is criticism of official versions of history, the return of memory to communities and peoples whose history has been ignored, the activation of various memorial events, and more. It is shown that a social and cultural construct collective memory retains the authentic past as its version and serves as a means to achieve certain goals. Collective memory is in constant change, which is nonlinear, irrational, and not always subject to logical analysis. New events and ideas affect the perception of the past, and patterns of interpretation of the past determine the understanding of the present. The relation between collective and individual memory appears as the relation between memory and history. The primary function of historical memory is to form an identity. The development of memory studies distinguishes the political, functional, cumulative memory that use the past to shape national identity. The context of historical memory includes the concepts of "oblivion", "custom" and "tradition" that help to identify the turning points of history as they are indicators of the emergence of a new society. Historical memory is a tool for using the past to achieve goals dictated by the current situation. Mobilizing memory and collective perceptions of the past has been an integral part of the political process in recent centuries. ; У статті досліджується поняття memory studies в якості окремої дисципліни, в якій вивчається й аналізується проблематика пам'яті. Феномен пам'яті складає важливу частину життя людини, хоча і не є необхідною умовою розумової діяльності. Пам'ять, зазначає автор, це спосіб конструювання людьми свого минулого через книги, фільми, документи, церемонії тощо. В memory studies пам'ять вивчається в різних аспектах – колективна, соціальна, культурна, генетична, історична пам'ять. Ствердження всесвітньої «епохи пам'яті» обумовлено критикою офіційних версій історії, поверненням пам'яті спільнотам і народам, чиє минуле ігнорувалося, активізацією різних меморіальних заходів. Показано, що в якості соціально-культурного конструкту колективна пам'ять зберігає аутентичне минуле в якості його версії і слугує засобом досягнення певних цілей. Колективна пам'ять перебуває в постійних змінах, які нелінійні, ірраціональні і не завжди підлягають логічному аналізу. Нові події та ідеї впливають на сприйняття минулого, а схеми інтерпретації минулого визначають розуміння теперішнього. Співвідношення колективної та індивідуальної пам'яті постає як співвідношення пам'яті та історії. Основна функція історичної пам'яті полягає у формуванні ідентичності. Розвиток memory studies виокремлює політичну, функціональну, накопичувальну пам'ять, які використовують минуле для формування національної ідентичності. В контекст історичної пам'яті включені поняття «забуття», «звичаю» і «традиції». Вони допомагають виявити переломні моменти історії, котрі є індикаторами становлення нового суспільства. Історична пам'ять є інструментом використання минулого для досягнення цілей, що диктуються сучасною ситуацією. Мобілізація пам'яті і колективних уявлень про минуле є невід'ємною частиною політичного процесу впродовж останніх століть.
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In: Memory Politics and Transitional Justice
Focuses on the methodology of research on historical memory and contributes to theoretical discussions concerning the use of historical memory as a variable to explain political action and social movement. The chapters of the book conceptualize the relationship between historical memory and national identity formation, perceptions, and policy-making. The author particularly analyses how contested memory and the related social discourse can lead to nationalism and international conflict.
In: Palgrave Macmillan memory studies
Journalism's memory work Barbie Zelizer and Keren Tenenboim-Weinblatt -- Part I Trajectories of journalism and memory -- Reflections on the underdeveloped relations between journalism and memory studies Jeffrey K. Olick -- Memory as foreground, journalism as background Barbie Zelizer -- Shifting the politics of memory : mnemonic trajectories in a global public terrain Ingrid Volkmer and Carolyne Lee -- Collective memory in a post-broadcast world Jill A. Edy -- Part II Domains of journalism and memory -- Journalism and narrative memory -- Journalism as a vehicle of non-commemorative cultural memory Michael Schudson -- Counting time : journalism and the temporal resource Keren Tenenboim-Weinblatt -- Reversed memory : commemorating the past through coverage of the present Motti Neiger, Eyal Zandberg and Oren Meyers -- Journalism and visual memory -- Hands and feet : photojournalism, the fragmented body politic and collective memory Robert Hariman and John Louis Lucaites -- Journalism, memory and the "crowd-sourced video revolution Kari Andén-Papadopoulos -- The journalist as memory assembler : non-memory, the war on terror and the shooting of Osama Bin Laden Anna Reading -- A new memory of war Andrew Hoskins -- Journalism and institutional memory -- The late news : memory work as boundary work in the commemoration of television journalists Matt Carlson and Daniel A. Berkowitz -- American journalism's conventions and cultures, 1863-2013 : changing representations of the Gettysburg Address Barry Schwartz -- Historical authority and the "potent journalistic reputation": a longer view of legacy-making in American news media Carolyn Kitch -- Argentinian torturers on trial : how are journalists covering the hearings' memory work? Susana Kaiser -- Epilogue Paul Connerton
In: Palgrave Macmillan memory studies
"Memory in Culture is an introduction to one of the most exciting new interdisciplinary fields of research: cultural memory studies. Who was Maurice Halbwachs, and what are the "social frameworks of memory"? What can Aby Warburg's work tell us about the "memory of art"? How do Pierre Nora's lieux de mémoire connect history and memory? Where does the ancient art of memory meet the neurosciences? How do media shape our most personal memories? And can remembrance become globalized? Memory in Culture addresses these and many other questions about the socio-cultural dimensions of remembering, offeringa unique overview of the history and theory of memory studies. With the concise presentation of key concepts from history, sociology, political sciences, anthropology, psychology, literary, art and media studies, it documents current international and interdisciplinary memory research in an unprecedented way."--Pub. desc.
Essays on the status of memory--individual and collective, cultural and transcultural--in contemporary literature, film, and other visual media. Contributors look at memory's representation, adaptation, translation, and appropriation, as well as its mediation and remediation.
In: American political science review, Band 93, Heft 2, S. 249-263
ISSN: 1537-5943
I take up the question of political identity as the continuity of a community across time. In particular, I examine what it means to think of a political community as the subject of attribution across generations, that is, what is meant when it is made the bearer of responsibility for the past and a custodian of the future. In doing that, I focus on identity, memory, and responsibility and discuss that cluster of concepts using as an illustrative example the idea of constitutional patriotism and its relationship to the past.
"Memory plays an integral part in how individuals and societies construct their identity. While memory is usually considered in the context of a stable, unchanging environment, this collection of essays explores the effects of immigration, forced expulsions, exile, banishment, and war on individual and collective memory. The ways in which memory affects cultural representation and historical understanding across generations is examined through case studies and theoretical approaches that underscore its mutability
In: Memory Studies, Band 15, Heft 6, S. 1330-1345
Search engines, such as Google or Yandex, shape social reality by informing their users about current and historical phenomena. However, there is little research on how search engines deal with contested memories, which are subjected to ontological conflicts known as memory wars. In this article, we investigate how search engines circulate information about memory wars related to the Holodomor, a mass famine caused by Soviet repressive politics in Ukraine in 1932-1933. For this aim, we conduct an agent-based audit of four search engines - Bing, DuckDuckGo, Google, and Yandex - and examine how their top search results represent the Holodomor and related memory wars. Our findings demonstrate that search engines prioritize interpretations of the Holodomor aligning with specific sides in the memory wars, thus becoming memory warriors themselves.