Das von Fritz Schütze in den 1970er Jahren vorgestellte Erhebungsinstrument des narrativen Interviews gehört mittlerweile in der Bundesrepublik im Bereich der qualitativen Sozialforschung und insbesondere in der Biographieforschung zu einem der bekanntesten Verfahren. Thematisch sind diesem Verfahren kaum Grenzen gesetzt; so sind im Bereich der Pflegewissenschaften Interviews zu Fragestellungen aus dem pflegerisch-therapeutischen Be-reich ebenso wie aus dem Umfeld der Gesundheitspolitik bzw. des Gesundheitsmanagements vorstellbar. Neben sozialwissenschaftlichen Interviews wird diese Form der Gesprächsführung darüber hinaus mittlerweile auch in Beratungs- und Therapiekontexten eingesetzt (vgl. Loch & Schulze 2002; Rosenthal).
The following thesis is an analysis of the self-narratives of the parties in the Swedish Riksdag and how these are used to construct the identities of the parties. For this purpose, we studied narrative theory and theories about identity in order to build a framework which would allow us to investigate the narratives of these parties. To identify the core narratives of the parties, we chose to focus on their respective party programs. Based on the results of our quantitative investigation, we chose four parties (Socialdemokraterna, Liberalerna, Miljöpartiet, and Sverigedemokraterna) to study in a more in-depth manner. Having selected these four parties, we utilized theories about narrative and identity in order to identify the constituent parts of the various parties' narratives contained in their party programs. The parties were found to adhere to our theoretical assumptions about how parties ought to construct narratives, albeit in different ways from party to party.
The United States is a Nation of Immigrants. A central part of the myth and narrative of the United States is based on the historical patterns and phases of various immigrant populations, their struggles, and their assimilation into the diverse culture of the United States. Each of these successive waves of immigration, however, has met with strong resistance by the existing population, a phenomenon that has persisted to the present day. This dual nature of this American narrative is reflected in the simultaneous existence of the Statue of Liberty, as a symbol of welcoming, and the ever-growing U.S.-Mexico border fence, as an adamant sign of isolation. While the immigration narrative in all its complexity is often acknowledged in theoretical terms, the practical importance of continuous immigration to the economy of the United States is treated as a separate societal issue. In fact, the United States' agricultural production depends heavily on the supply of migrant workers, almost entirely made up of immigrants. Due to the inconsistency of this work, farm owners hire immigrants who, unlike most people born in the United States, are willing to live without a permanent address, endure the physical labor, and who are in need of the opportunity, even if it is unstable. I posit that architecture can serve to expose the vital immigration, labor, and consumption processes underlying food production in the United States through a clear narrative made evident by techniques of sequence, mimesis, and composition in a functional monument containing an Immigration Advocacy Center, Community Garden, and Farmer's Market for the city of Sacramento. This project conflates programs associated with different economic groups in a way that reveals their social relationship. The Immigration Advocacy Center, Community Garden, and Farmer's Market that it houses will become vital to the city of Sacramento as a functional monument. A functional monument is a meaningful structure that can be occupied for a specific program; it describes a monument that is not viewed in the round but that a visitor is immersed in as they experience the narrative that it describes. It connects consumers of agricultural produce with the means of production, promoting an acceptance of and appreciation for the immigrant workers who support our economy. The architect has a great potential to construct meaning through the interpretation and implementation of culturally relevant stories and events, or those that have been passed down through history, and which still evoke clear images, emotions, and symbolic meaning in a given culture. The culturally sensitive architect deploys not only forms and technologies, but also symbols, which are defined as "a thing that represents or stands for something else, especially a material object representing something abstract" (Oxford Dictionaries 2013). These symbols are established through stories, which are made familiar to the cultures that participate in an oral or written tradition. There are numerous architectural devices used to indicate narrative. The purpose behind expressing a narrative, whether it is to teach religion, promote a political view, to intimidate, or to encourage, often influences the way in which the narrative is conveyed; everything from the subconscious organization of a plan to the straightforward display of a symbol can indicate the presence of narrative in an architectural work. The role of narrative in architecture has existed for as long as architecture itself; since the first architect, Daedalus, created the labyrinth in Crete (Image 1) to hold the Minotaur, buildings have been a representation and reminder of the stories that inspired them (Image 2). Narratives define architecture by providing a system of associations, symbols, and deep cultural meaning by which a building can be interpreted and understood; the Hindu Bull, the Christian Cross, and the Jewish Star of David each have particular connotations specific to the cultural and religious narratives they participate in. An investigation of various scholarly interpretations of "narrative" in architecture yields a more complex and profound framework for the development of immigration and consumerism as a synthesized, contemporary American narrative. Architectural theorist and historian George Hersey explains parallels between Greek sacrificial practices and Greek ornament; how a temple's order expresses elements of ritual sequence and associated beliefs. He says, "classical ornament represented the remains or trophies of sacrifice." (Hersey 1988) In Giuseppe Terragni's Danteum, Dante's text The Divine Comedy, is embodied architecturally in a promenade, commemorated and used to symbolically reinforce Mussolini's government. Frank Lloyd Wright's synagogue, Beth Sholom, represents Mount Sinai, echoing ideas already present in the form of written tradition. The mastery and manipulation of cultural narratives and their symbolic associations are powerful tools for the architect. By constructing symbols and allegories, architectural work gains stronger cultural relevance and greater conceptual depth. The influential modern architect, theorist and teacher, O.M. Ungers describes allegory as "a dimension of controlled indirectness and double meaning" that "suggests a more deceptive and oblique language." He states that "The allegory arouses in the contemplator a response to levels of meaning and provides the designer with a tool that goes beyond pragmatic representation." Ungers describes the strength that symbols gain in a culturally and historically rich context: "While signs point to something that they represent, as words are artificial signs for ideas and thoughts, symbols are a penetration of mind and image characterized by mystery, depth, and inexhaustible interpretation. To express and visualize something abstract, transcendental or spiritual either symbols or allegories are used." (Ungers 2011) There are many culturally relevant stories in contemporary society: Biblical Parables, Greek Myth, The Iliad and The Odyssey by Homer, The Divine Comedy by Dante, Folk Tales, Fairy Tales, and Urban Legends. People are taught stories by parents, peers, religious following, and public media. These narratives work not in isolation, but form the rich tapestry of law, religion, tradition, poetry, song, and expression that comprises the diverse, yet often interconnected, oral and written cultures of the world. One of the most important cultural narratives in the United States today and throughout history is immigration in the land of opportunity. How an architectural framework manifests this narrative - whether in an impenetrable wall defining the countries border or an image of welcoming known world-wide - defines what the connotations of this narrative are and how it is considered nationally and internationally. While tall fences and intense patrolling at the U.S.-Mexico border are meant to establish security for Americans, this is inconsistent with the promise of Lady Liberty, a symbol that represents the ideals of freedom and opportunity: "Give me your tired, your poor, your huddled masses yearning to breathe free. The wretched refuse of your teeming shore. Send these, the homeless, tempest-test to me. I lift my lamp beside the Golden Door!" Consumerism and immigration each define the United States in their own way, but are mostly viewed as unrelated. They are intrinsically linked, however, through the U.S. economy; thesequence from immigration to labor, transportation, and consumption form an essential American narrative. Agriculture in the United States is strongly dependent on immigration. The expression of a comprehensive narrative would promote a more just and equitable society; in this culture of consumers, the individuals who buy agricultural goods at a grocery store and the immigrant migrant workers who labor to generate the agricultural products are divided. There is a geographical and temporal split that has obfuscated the relationship between consumers and producers in the United States. Agriculture and immigration are interdependent parts of a system founded upon mutually beneficial processes that form a more complete American narrative for both immigration and consumerism. The narrative of immigration in the land of opportunity does not represent our nation fully. By comprehending the interdependence of immigration, labor, transportation and consumption, the United States will be better able to accommodate present and future immigration and its citizens will have a deeper appreciation for the immigrants and laborers that have always worked towards our nation's prosperity.
"Extremistische Narrative orientieren sich an ideologischen Grundaussagen, konzentrieren sich jedoch gleichzeitig auf konkrete Bezüge. Eine mögliche Gegensteuerung scheint in der Entwicklung von Gegen-Narrativen zu liegen. Diese greifen jedoch nur, wenn sie aus dem gleichen kulturellen Ursprung entwickelt werden." (Autorenreferat)