Suchergebnisse

Engl. Zsfassungen

The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.

The cAreworkers 2016 survey maps the situation of women from Slovakia providing elder care in Austria at the time of the survey or those who were providing care in Austria at least until 2013. The purpose was to establish where the carers are employed in Austria, what employment forms they use, how frequent is their commute to Slovakia, how did they find their current work, what kind of care do they provide, which means of transport they use, whom they take care of in Austria and under which conditions. Other sections of the survey focused on the decision to start working in Austria, on the family background and their care responsibilities before working in Austria. The survey replicates the cAreworkers 2011 survey and broadens its scope by questions about life after the return from Austria for those care workers who were no longer active in elder care provision and were living in Slovakia at the time of the survey.