Suchergebnisse

1. "The workingman's bible" and the making of American socialism -- 2. Charles H. Kerr & Company and the Americanization of Marxian socialism -- 3. Activist readers and American socialists' print culture of dissent -- 4. How the Socialist Party created a print culture of dissent without a party-owned press -- 5. Information management and the Socialist Party's Information Department and Research Bureau -- 6. Annotations on the failure of socialism in America -- 7. Conclusion : what a book cannot do.

Frontmatter -- Contents -- Acknowledgments -- Introduction -- CHAPTER 1. No News Is Good News -- CHAPTER 2. The Black and White Veil -- CHAPTER 3. Living Language -- CHAPTER 4. Measured Revolution -- CHAPTER 5. Enlightenment Beyond Reason -- CHAPTER 6. Free Love, Free Print -- Conclusion -- Conclusion -- Works Cited -- Index

This article sets out to explore the emergence of reading and print cultures in Waterford over the period from the opening of the city's Free Public Library to the outbreak of the Second World War in the twentieth century. It is intended to add to the growing body of writing emerging on reading and books in Ireland by honing in on the development of a local reading culture in an era of more democratic access to books, periodicals and other printed matter. By surveying the development of various lending and circulation libraries up to the establishment of the Waterford Free Public Library in 1896 and beyond into the Free State era, the argument will be made that many of the concerns around self-improvement and literacy remained constant despite the shift from member-run libraries to municipal libraries and from Victorian concerns about moral self-improvement to early Irish state concerns about nation-building and Catholic morality in the 1920s and 1930s. The article will also explore the publishing and book trade in the city throughout the same period. This small but significant industry provided employment for some of the very people who were the target of self-improvement and concerns about their ability to consume 'morally dubious' literature.

Front Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Part I: A City and its Library -- "Now We Are a City": Portrait of a Boomtown -- 2. "A Magnificent Array of Books": The Origins and Development of the Muncie Public Library -- 3. Cosmopolitan Trends: Print Culture and the Public Library in 1890s Muncie -- Part II: Reading Experiences -- 4. Borrowing Patterns: The Muncie Public Library and its Patrons -- 5. "Bread Sweet as Honey": Reading, Education, and the Public Library

This essay is a study of the woodblock print culture at Khê Hồi temple in Thường Tín district, Hà Tây province (belonging to present day Hà Nội), a temple that is located in the same area as two other temples addressed in this volume (Thắng Nghiêm temple and Phổ Nhân temple). After describing the temple's history and the various Buddhist schools that have influenced Khê Hồi temple, this essay proceeds to describe and analyze the temple's extant woodblock collection (over 700 plates, and many books), which was discovered in 2001. The essay goes on to examine the circulation of books printed from the temple's woodblock collection by means of: (1) comparing the temple's woodblocks with Buddhist texts in the collection of the Institute of Sino-Nôm Studies and (2) examining neighboring temples to determine whether or not they have preserved books printed from Khê Hồi temple's woodblocks. Through analyzing the history of woodblocks and their circulation pertaining to Khê Hồi temple in the context of nineteenth-century Buddhist woodblocks and texts in Northern Vietnam, this essay argues that Buddhism played a preponderant role in the creation and dissemination of printed texts in nineteenth-century Vietnam. During this period, although Buddhist print culture was already quite developed, the circulation of printed texts was largely limited to temples, and had not yet become widespread in secular society or the "public sphere" at large. This would later change during the "Buddhist Revival" of 1920–1945, when printing and print culture had already taken on their modern form.

Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction: Another World -- 1 Drawing's Stepchild: Lithography and Caricature -- 2 Spreading the News: The Illustrated Press -- 3 The Invention of Comics: Stories in Pictures -- 4 Paths Forgotten, Calls Unheard: Pictures in Stories -- 5 The Curious History of Popular Imagery in France -- Conclusion: A Complete Panorama -- Notes -- Bibliography -- Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z

A challenge to traditional male-centred accounts of the book world in 1820s' Buenos Aires. The woman question was a subject of discussion in post-independence Buenos Aires, reflected in the press and in the book world where writers contemplated the nature, role and status of women, linking the subject to topics such aspolitical transition, reform, modernisation, regional conflict and patriotic culture. This examination of a varied body of works dating from the 1820s, consisting of pamphlets, a history book, conduct literature and periodical literature, demonstrates the impact of transatlantic print networks such as the book trade, and translations from Britain, France, and Spain. Developing our understanding of the post-independence cultural landscape, the study investigates a hitherto unexamined debate that was at the heart of state building in Buenos Aires. It simultaneously challenges traditional male-centred accounts of the period and serves as a counterpoint to historic feministapproaches to print culture. IONA MACINTYRE lectures in Hispanic Studies at the University of Edinburgh.

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution, Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism's remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance

Stories of transported criminals were exchanged in the print culture of the eighteenth-century British Atlantic, creating images of the incorrigibility of transported criminals and of the failures of transportation, with many either re-offending in America or returning to do so in England. This discourse also framed images that each side of the Atlantic had of the other. The British learnt that the plantations were a place of slavery, the Americans that the British viewed them as a 'race of convicts'. This process, involving many layers of discourse in the criminal Atlantic, formed one of the earliest examples of international debates on crime and national identity.

In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders - highwaymen, housebreake