Suchergebnisse

No news is good news : William Morris's utopian print -- The black and white veil : Shaw, mass print culture, and the antinovel turn -- Living language : print drama, live drama, and the socialist theatrical turn -- Measured revolution : poetry and the late Victorian radical press -- Enlightenment beyond reason : theosophical socialism and radical print culture -- Free love, free print : sex radicalism, censorship, and the biopolitical turn

The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media-including comics, caricature, the illustrated press, illustrated books, and popular prints-tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. "Another World" unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history

Intersection between oral tradition, manuscript, and print cultures in Charlotte Brooke's Reliques of Irish poetry (1789) / Lesa Ní Mhunghaile -- Garbling and jumbling : printing from dictation in eighteenth-century Limerick / Andrew Carpenter -- Lost in translation : reading Keating's Foras feasa ar Éireann, 1635-1847 / Marc Caball -- "And this deponent further sayeth" : orality, print and the 1641 depositions / Marie-Louise Coolahan -- Gaelic texts and English script / Nicholas Williams -- "James Cleland his book" : the library of a small farming family in early nineteenth-century Co. Down / John Moulden -- Reading and orality in early nineteenth-century Ulster poetry : James Orr and his contemporaries / Linde Lunney

"The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism 'from below', and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism"--

Introduction: material formalism and dynamic materiality -- Play with periodical pagescapes. Henry James experiments with print culture pagescapes in transatlantic periodicals -- Bookish bodies. Reading the body of Boni & Liveright's & Djuna Barnes's A book -- Broken arcs and black super-vaudeville: design and dismemberment in the Boni & Liveright production of Jean Toomer's Cane -- Mixed-media material aesthetics. Reframing the book -- Mixed-media modernism and the book-as-object

Introduction -- Advertising in Ireland 1850-1914. Prologue -- the Irish advertising scene from the 1850s to the 1880s; Advertising and the nation in the Irish revival -- Print culture. The Shan van vocht (1896-1899) and The leader (1900-1936): national identity in advertising; The Sinn féin depot and the selling of Irish sport; The lady of the house (1890-1921): gender, fashion and domesticity; Unionism, advertising, and the Third Home Rule Bill -- "High" culture. Oscar Wilde as editor and writer: aesthetic interventions in fashion and material culture; Consumerism and anti-commercialism: the Yeatses, print culture, and home industry; Advertising in Ireland 1914-1922; Advertising, Ireland, and the Great War -- Coda - from the Armistice to the Saorstsst

"Anarchist collectives and associations have a long and robust history of independent publications and journals. Letterpress Revolution explores the radical print history of anarchism in the US and England from the late-19th century to the present to show how anarchist print culture has thrived through a combination of media technology, epistolary relations, and radical scholarship. Kathy Ferguson tells the story of anarchist presses, often located centrally in the homes, offices, and community centers of anarchist movement and run by everyone from professional union printers laboring in their off hours to lay artists and craftspeople learning new skills. These presses created what Ferguson calls a "fugitive public" that produced anarchist knowledge outside of formal educational institutions. Although anarchists are politically committed to dispersed and independent collectives, Ferguson argues that anarchist print culture has created an assemblage of dynamic and entangled networks that brings the movement together. Finally, Ferguson considers contemporary letterpress printers and other anarchist formations around material and intersectional politics that continue today-including Food Not Bombs, Protect Maunakea ʻOhana, and the feminist bookstore movement-which, she argues, strengthens anarchist theory by incorporating thing power and a critical analysis of anti-Blackness into anarchist politics"--

The woman question was a subject of discussion in post-independence Buenos Aires, reflected in the press and in the book world where writers contemplated the nature, role and status of women, linking the subjects to topics such as political transition, reform, modernisation, regional conflict and patriotic culture. This examination of a varied body of works dating from the 1820s, consisting of pamphlets, a history book, conduct literature and periodical literature, demonstrates the impact on these discussions of transatlantic print networks such as the book trade, and translations from Britain, France, and Spain

Anglophone periodicals as cosmopolitan publics -- The China critic: writing the city, the nation, and the world -- T'ien hsia: cosmopolitanism in crisis -- Internationalism as a culture of translation: Anglophone internationalist magazines and literary translation -- Migration and diaspora: the afterlife of Chinese cosmopolitanism

Was Australian culture born modern or has it always been behind the game, never quite modern enough? Carter's essays examine the complete engagements of Australian writers, artists, editors and consumers with 20th-century modernity, social and political crisis, and the impact of modernisms