Suchergebnisse

The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media-including comics, caricature, the illustrated press, illustrated books, and popular prints-tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. "Another World" unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history

1. "The workingman's bible" and the making of American socialism -- 2. Charles H. Kerr & Company and the Americanization of Marxian socialism -- 3. Activist readers and American socialists' print culture of dissent -- 4. How the Socialist Party created a print culture of dissent without a party-owned press -- 5. Information management and the Socialist Party's Information Department and Research Bureau -- 6. Annotations on the failure of socialism in America -- 7. Conclusion : what a book cannot do.

Frontmatter -- Contents -- Acknowledgments -- Introduction -- CHAPTER 1. No News Is Good News -- CHAPTER 2. The Black and White Veil -- CHAPTER 3. Living Language -- CHAPTER 4. Measured Revolution -- CHAPTER 5. Enlightenment Beyond Reason -- CHAPTER 6. Free Love, Free Print -- Conclusion -- Conclusion -- Works Cited -- Index

Intersection between oral tradition, manuscript, and print cultures in Charlotte Brooke's Reliques of Irish poetry (1789) / Lesa Ní Mhunghaile -- Garbling and jumbling : printing from dictation in eighteenth-century Limerick / Andrew Carpenter -- Lost in translation : reading Keating's Foras feasa ar Éireann, 1635-1847 / Marc Caball -- "And this deponent further sayeth" : orality, print and the 1641 depositions / Marie-Louise Coolahan -- Gaelic texts and English script / Nicholas Williams -- "James Cleland his book" : the library of a small farming family in early nineteenth-century Co. Down / John Moulden -- Reading and orality in early nineteenth-century Ulster poetry : James Orr and his contemporaries / Linde Lunney

Front Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Part I: A City and its Library -- "Now We Are a City": Portrait of a Boomtown -- 2. "A Magnificent Array of Books": The Origins and Development of the Muncie Public Library -- 3. Cosmopolitan Trends: Print Culture and the Public Library in 1890s Muncie -- Part II: Reading Experiences -- 4. Borrowing Patterns: The Muncie Public Library and its Patrons -- 5. "Bread Sweet as Honey": Reading, Education, and the Public Library

"The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism 'from below', and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism"--

Introduction: material formalism and dynamic materiality -- Play with periodical pagescapes. Henry James experiments with print culture pagescapes in transatlantic periodicals -- Bookish bodies. Reading the body of Boni & Liveright's & Djuna Barnes's A book -- Broken arcs and black super-vaudeville: design and dismemberment in the Boni & Liveright production of Jean Toomer's Cane -- Mixed-media material aesthetics. Reframing the book -- Mixed-media modernism and the book-as-object

Introduction -- Advertising in Ireland 1850-1914. Prologue -- the Irish advertising scene from the 1850s to the 1880s; Advertising and the nation in the Irish revival -- Print culture. The Shan van vocht (1896-1899) and The leader (1900-1936): national identity in advertising; The Sinn féin depot and the selling of Irish sport; The lady of the house (1890-1921): gender, fashion and domesticity; Unionism, advertising, and the Third Home Rule Bill -- "High" culture. Oscar Wilde as editor and writer: aesthetic interventions in fashion and material culture; Consumerism and anti-commercialism: the Yeatses, print culture, and home industry; Advertising in Ireland 1914-1922; Advertising, Ireland, and the Great War -- Coda - from the Armistice to the Saorstsst

A challenge to traditional male-centred accounts of the book world in 1820s' Buenos Aires. The woman question was a subject of discussion in post-independence Buenos Aires, reflected in the press and in the book world where writers contemplated the nature, role and status of women, linking the subject to topics such aspolitical transition, reform, modernisation, regional conflict and patriotic culture. This examination of a varied body of works dating from the 1820s, consisting of pamphlets, a history book, conduct literature and periodical literature, demonstrates the impact of transatlantic print networks such as the book trade, and translations from Britain, France, and Spain. Developing our understanding of the post-independence cultural landscape, the study investigates a hitherto unexamined debate that was at the heart of state building in Buenos Aires. It simultaneously challenges traditional male-centred accounts of the period and serves as a counterpoint to historic feministapproaches to print culture. IONA MACINTYRE lectures in Hispanic Studies at the University of Edinburgh.

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution, Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism's remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance

In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders - highwaymen, housebreake

Anglophone periodicals as cosmopolitan publics -- The China critic: writing the city, the nation, and the world -- T'ien hsia: cosmopolitanism in crisis -- Internationalism as a culture of translation: Anglophone internationalist magazines and literary translation -- Migration and diaspora: the afterlife of Chinese cosmopolitanism