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International audience ; This paper addresses the relationship between the famous anarchist geographer Pyotr Kropotkin and his most important British editors, John Scott Keltie and James Knowles. It analyses their unpublished correspondence, which has survived, for the most part, in the state archive of the Russian Federation. Drawing on recent literature on anarchist geographies, transnational anarchism and historical geographies of science, it examines the material construction of Kropotkin's works on mutual aid, decentralisation and 'scientific anarchism', which were originally published as articles for British periodicals. The paper argues that Kropotkin's acquaintance with liberal editors was not only a matter of necessity but a conscious strategy on his part to circulate political concepts outside activist milieus, thereby taking advantage of the public venues then available for geographers. In this way, Kropotkin succeeded in getting paid for working almost full-time as an anarchist propagandist. The paper also contributes to the wider field of critical, radical and anarchist geographies by providing early examples of knowledge struggles against Creationism, Malthusianism and environmental determinisms which have lessons for the present.

International audience ; This paper addresses the relationship between the famous anarchist geographer Pyotr Kropotkin and his most important British editors, John Scott Keltie and James Knowles. It analyses their unpublished correspondence, which has survived, for the most part, in the state archive of the Russian Federation. Drawing on recent literature on anarchist geographies, transnational anarchism and historical geographies of science, it examines the material construction of Kropotkin's works on mutual aid, decentralisation and 'scientific anarchism', which were originally published as articles for British periodicals. The paper argues that Kropotkin's acquaintance with liberal editors was not only a matter of necessity but a conscious strategy on his part to circulate political concepts outside activist milieus, thereby taking advantage of the public venues then available for geographers. In this way, Kropotkin succeeded in getting paid for working almost full-time as an anarchist propagandist. The paper also contributes to the wider field of critical, radical and anarchist geographies by providing early examples of knowledge struggles against Creationism, Malthusianism and environmental determinisms which have lessons for the present.

International audience ; This paper addresses the relationship between the famous anarchist geographer Pyotr Kropotkin and his most important British editors, John Scott Keltie and James Knowles. It analyses their unpublished correspondence, which has survived, for the most part, in the state archive of the Russian Federation. Drawing on recent literature on anarchist geographies, transnational anarchism and historical geographies of science, it examines the material construction of Kropotkin's works on mutual aid, decentralisation and 'scientific anarchism', which were originally published as articles for British periodicals. The paper argues that Kropotkin's acquaintance with liberal editors was not only a matter of necessity but a conscious strategy on his part to circulate political concepts outside activist milieus, thereby taking advantage of the public venues then available for geographers. In this way, Kropotkin succeeded in getting paid for working almost full-time as an anarchist propagandist. The paper also contributes to the wider field of critical, radical and anarchist geographies by providing early examples of knowledge struggles against Creationism, Malthusianism and environmental determinisms which have lessons for the present.

This dissertation cuts across established academic disciplines and uses the idea of a kaleidoscope as a productive model to debunk generalized ideas put forward by other scholars and navigate through the complexities of ideas about the Orient in early America. This book combines research into textual mobility and meaning making processes that were shaped from within the ideological, political, and cultural contexts. Therefore, a blend of methodologies―building on knowledge and concepts from distant disciplines like biology and linguistics―and the kaleidoscope as a tool for cultural analysis will provide a rigor with which to approach abstract and sometimes elusive aspects of cultural material. What may seem like a linear narrative turns out to be a choir of overlapping and contradicting voices. This book intends to give a sharper and empirically-derived as well as -driven understanding of many voices; that is, the roles the imagined and sometimes geographical Orients played in the broader cultural, ideological, and political contexts of late colonial as well as early American culture. The goal is to showcase the scope of what the Orient came to mean transcending narrow systems of meaning.

pt. 1. Tamil Muslim origin and literature -- pt. 2. Print culture among the Tamil Muslims -- pt. 3. Muslims and Dravidians up to the 1960s.

In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In 'Amsterdam's Atlantic', historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. 0Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony. The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. 'Amsterdam's Atlantic' puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe

"In the middle of nineteenth century, as Americans contended with rapid industrial and technological change, readers relied on periodicals and books for information about their changing world. Within this print culture, a host of writers, editors, architects, and reformers urged men to commute to and from their jobs in the city, which was commonly associated with overcrowding, disease, and expense. Through a range of materials, from pattern books to novels and a variety of periodicals, men were told of the restorative effects on body and soul of the natural environment, found in the emerging suburbs outside cities such as New York, Boston, and Philadelphia. They were assured that the promise of an ideal home, despite its association with women's work, could help to motivate them to engage in the labor and commute that took them away from it each day. In Suburban Plots, Maura D'Amore explores how Henry David Thoreau, Henry Ward Beecher, Donald Grant Mitchell, Nathaniel Hawthorne, Nathaniel Parker Willis, and others utilized the pen to plot opportunities for a new sort of male agency grounded, literarily and spatially, in a suburbanized domestic landscape. D'Amore uncovers surprising narratives that do not fit easily into standard critical accounts of midcentury home life. Taking men out of work spaces and locating them in the domestic sphere, these writers were involved in a complex process of portraying men struggling to fulfill fantasies outside of their professional lives, in newly emerging communities. These representations established the groundwork for popular conceptions of suburban domestic life that remain today"--

Print culture in colonial Africa / Derek R. Peterson and Emma Hunter -- Transatlantic passages : black identity construction in West African and West Indian newspapers, 1935-1950 / Leslie James -- Creole pioneers in the Nigerian provincial press / David Pratten -- The sociability of print : 1920s and 1930s Lagos newspaper travel writing / Rebecca Jones -- Colonial modernity and tradition : Herbert Macaulay, the newspaper press, and the (re)production of engaged publics in colonial Lagos / Wale Adebanwi -- Experiments with genre in Yoruba newspapers of the 1920s / Karin Barber -- Everyday poetry from Tanzania : microcosm of the newspaper genre / Kelly Askew -- Private entertainment magazines and popular literature production in socialist Tanzania / Uta Reuster-Jahn -- "True to life" : illuminating the processes and modes of Yoruba photoplays / Olubukola A. Gbadegesin -- Komkya and the convening of a Chagga public, 1953-1961 / Emma Hunter -- Making constituency in the province : the Osumare Egba (1935-1937) and the agenda of Ab'okuta modernization / Oluwatoyin Babatunde Oduntan -- "I will decide who will speak" : street parliaments and the newspaper ecology in Eldoret's Kamukunji / Duncan Omanga -- The afterlife of words : Magema Fuze, bilingual print journalism, and the making of a self-archive / Hlonipha Mokoena -- From corpse to corpus : the printing of death in colonial West Africa / Stephanie Newell -- Afterword / Stephanie Newell

Frontmatter --Contents --Illustrations --Acknowledgments --Introduction --1. "Home-Bred Enemies": Imagining Catholics --2. Searching the Bed: Jacobean Anti-Catholicism and the Scandal of Heterosociality --3. The Command of Mary: Marian Devotion, Henrietta Maria's Intercessions, and Catholic Motherhood --4. "The Wretched Subject the Whole Town Talks of": Elizabeth Cellier, Popish Plots, and Print --Afterword --Index