Suchergebnisse

"No Excuses" charter schools are at the center of many debates in education policy. First, what accounts for their test success, excellent learning environments or merely test preparation? Second, are strict behavior policies necessary to create efficient learning environments or are they harmful to students and their ability to navigate authority? This study uses classroom observations, student surveys, and interviews of administrators, teachers and students to understand the dynamics of pedagogy and discipline in two high-performing charter schools in New York City. Surprisingly, what makes these top "no excuses" schools successful is what distances them from the "no excuses" standard definitions. The schools displayed progressive mathematics pedagogy, reflective and abridged discipline practices, and strong school cultures that retained both students and teachers. These findings suggest that there are more nuances in the "no excuses" model than previously known and which need to be understood before continued replication.

Historians have argued that Canada's Diamond Jubilee of Confederation in 1927 represents one of the federal government's most sustained and successful attempts at nation building in the interwar period. In this mass outpouring of patriotic celebration, schools in particular played an important role in producing commemorative events, but also in constructing an engaging and accessible historical narrative for public consumption. At the heart of these events was the staging of hundreds of historical pageants, including many performances produced by teachers and students. This article examines how progressive pedagogies, such as active and play-based learning, came to be aligned with nation-building initiatives in widely produced historical pageants. Furthermore, it examines two published historical pageant scripts performed in Ontario's schools to reveal the dominant themes of the historical narratives being promoted in relation to Indigenous-settler relations, gender, and national identity. ; Les historiens conviennent généralement du fait que le Jubilé de diamants de la Confédération, en 1927, constitue, de la part du gouvernement fédéral, l'une des tentatives de l'entre-deux- guerres les plus durables et les plus fructueuses d'édification de la nation. Lors de cet important mouvement de célébration patriotique, les écoles, plus spécifiquement, ont joué un rôle déterminant non seulement dans la production d'événements commémoratifs, mais aussi dans l'élaboration d'un récit historique destiné au grand public. Au centre de ces événements se trouvaient notamment de fameuses reconstitutions historiques dont certaines mises en scène et produites par les enseignant.e.s et leurs élèves. Cet article étudie la façon dont, à travers ces reconstitutions historiques largement produites, ces pratiques pédagogiques innovantes se sont alignées sur les efforts de construction d'une nation alors déployés. En outre, il analyse deux publications de reconstitutions historiques scénarisées jouées dans les écoles de l'Ontario afin de mettre en lumière les thèmes dominants, reliés à la nature des relations entre Autochtones et colons, au genre et à l'identité nationale, des récits historiques alors mis de l'avant.

Abstract
The beginning of the XX century was the time when the contradictions of the capitalism pass into imperialism and leaded to the World War Two. The imperialist relationships between states and the abnormal aggravation of the classes, divergences between bourgeoisie and proletariat extended the activity of bourgeoisie regarding the variety of culture. The fear for the existence of the bourgeoisie class and the desire for the preservation of the capitalist system were seen in the cultural attempts of the beginning of the XX century. In this period is seen the birth of the new pedagogy, which is recognised as the progressive pedagogy gaining role and importance in the capitalist world. The movement started first in the United States of America in the first hundred years of the XX century. The new ideas were first developed by some young teachers who tried to put these into practice. Step by step those ideas were supported by a wider scale of teachers or scholars. The pedagogic progressive movement was strengthened during the last twenty years of the XX century, reaching its peak with the foundation of the "Progressive Education Association".

This article describes how an Early Childhood Teacher Education program in Hawaii builds upon a history of progressivism in the field of early education in the U.S. to encourage students to become critical thinkers and agents of change. Reflecting through the historical lenses of educators such as Jane Addams, Patty Smith Hill and Lucy Sprague Mitchell, two progressive teacher educators call on their students to become ―transformative intellectuals‖ (Giroux, 1988) and move from being agents of surveillance to agents of change (Foucault, 1972, 1995). Student data from blogs and action research projects illustrate how students challenged habituated practices in the field of early child education (ECE), which has been rapidly moving toward a narrow focus on academic readiness and the standardization of children and programs as a consequence of No Child Left Behind legislation and the Race to the Top competition for federal funds.

University staff from African, Asian and other Minoritised Groups (AAMG) are not resigned to the pervasiveness of white supremacy in the corridors, classrooms, and lecture theatres of the academy. This article articulates a self-study, where we employ our own narratives and stories, as leaders, teachers, and students on a race-specific initiative. The work presented here attempts to offer a counter-narrative to the colour-evasive discourse and policymaking throughout the English Higher Education sector that perpetuates deficit perspectives for AAMG students. In addition to this, we propose a 'Progressive Relational Pedagogy' that provides a strong foundation for meaningful work across the Higher Education sector. In doing so, we provide a way forward in policy and practice to sustain the cultural richness, heritages, and authenticities of AAMG students. The narrative concludes with pragmatic steps towards enhancing organisational alignment, integration and governance through a race inclusion lens, courtesy of leveraging steps from a Race Inclusion Framework that is underpinned by the LEAD Enterprise Ontology (von Rosing and Laurier, 2015; Caine and von Rosing, 2018).

This study looks at Angel DeCora, Winnebago artist and teacher (1871-1918) with regard to her visionary influence as an Indian school art teacher. By exploring interactions among DeCora, policy makers, and American Indians, this chronological study addresses: how DeCora's Indian arts curriculum and aesthetics influenced her American Indian students at Carlisle; how DeCora used elements of her Winnebago culture, the Pan-Indian culture, and the Euro-American viewpoints to serve her purposes as an arts educator and activist; and what her aesthetic motivations were as embodied by her art, curriculum design, and students' work. Educated on the Winnebago Reservation in Nebraska until age12, she was taken to Hampton Normal and Agricultural Institute, Virginia's Freedman Bureau School also serving American Indians. She attended Smith College, studied at Drexel Institute becoming a professional artist before accepting her position as Director of Native Industries at Carlisle Indian Industrial School. The military barracks at Carlisle, Pennsylvania, 1879 -1918, housed the first federally funded, off-reservation, secular, Indian Boarding School. Carlisle's military structure and vocational curriculum influenced non-reservation boarding schools during the Assimilation era. Assimilationist Indian boarding schools coerced students in strict regimented methods to learn the English language, writing, culture, and vocations. Investigating this history is vital to understanding the two-way influence of Native American and Euro-American worldviews represented in art. The sample student studies represent visual expressions of values and culture specific to the era. Images created under DeCora's tutelage show cultural resilience and relationships between Indian teacher and student. Topics specific to her curriculum are revealed for the first time through student work. By validating female leadership as Director, she mirrored the shared gender roles in many Native cultures. DeCora affirmed the depth of student potential and cultural heritage while refuting the racial deficit model. She promoted expression of Native worldviews by emphasizing the unique contributions of Native arts. She foreshadowed postmodern, pluralistic rhetoric by elevating decorative design over the tenets of Western illusion asserting the holistic framework of Native aesthetics. DeCora used the cultural empowerment potential of art education within her pedagogy to strengthen cultural ties and create a small space for students to thrive.

Gerald Lopez's ground breaking book, Rebellious Lawyering: One Chicano's Vision of Progressive Law Practice, introduced new critical pathways and perspectives for clinical educators to better understand and enhance their advocacy, teaching, and scholarship. Indeed, Lopez's interdisciplinary investigation of the local, sociocultural context of the lawyering process produced a marked shift in both the pedagogy and the practice of public interest law, particularly civil rights and poverty law. A quarter century after its publication, Rebellious Lawyering stands out not only for its contextual critique of lawyering theory and practice, but also for its multifaceted integration of law, cultural studies, race and ethnicity, grassroots politics, and social movement history. At the same time, because it is descriptively anecdotal, rather than empirical, and prescriptively normative, rather than strictly methodological, it remains a work of organic and evolving clinical pedagogy and practice. The purpose of this article is to examine Rebellious Lawyering as a transformative, albeit unresolved, work of clinical theory and practice, and, thus, to underscore the continuing need to revise its teachings and practices to address a new century of poverty and inequality in America.

This dissertation marks out a modernist counter-tradition, analyzing a set of texts that locate critical potential in outmoded, paradigmatically pre-modern educational forms. I show that such an anachronism, common to Italian and English-language literary culture and, later, cinema, organizes works by Walter Pater, Giovanni Pascoli, James Joyce, Pier Paolo Pasolini, and Glauber Rocha. All of these figures, I argue, oppose ideologies of progress by returning to the Latin class long since left behind by progressive educators. Across the political spectrum, modernizing reformers claimed that old-school education, often disparagingly called "instruction," had become a dead weight, an impediment to progress. From Jean-Jacques Rousseau to John Dewey and Giovanni Gentile, these theorists declared instruction obsolete, deemed it empty, mechanical, infantilizing, and futile. Time and again, the discourse of progressive education targeted Latin in particular; the dead language—taught through such time-tested means as recitation, memorization, copying out, and corporal punishment—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. By contrast, the authors I study look to instruction's techniques precisely, and they find unlikely resources for a critique of modernity in the very practices that progressive reformers sought to clear away. Registering the past's persistence, these authors themselves persist in what look like most retrograde attachments—to tradition, transmission, scholastic rites, and repetitive verbal forms. But the pedagogies of constraint that they devise—pedagogies that I call "counter-progressive"—repeat the past to radical effect. Thus, against his own early liberal tendencies and a backdrop of broad educational reforms, Pater assigns "mechanical exercise" in his late essays, lectures, and fiction. Pascoli's Paedagogium makes the case for the embattled classical school, complementing the author's defense of this school against a range of reformist detractors. Joyce re-imagines the pensum, or punitive copying of text, as a literary form in "Oxen of the Sun," and Pasolini's Salò radicalizes other instructional rites. Rocha's Claro, finally, marks the limits of the counter-progressive pedagogy that it continues, returning, like all of the works I consider, to school, to Rome, and to a history that it cannot escape.

Historically, educators and philosophers have struggled with defining the role and the value of formal curriculum and its impact on classroom praxis. As the current accountability movement dominates discussions in education, educators are pressured to implement increasingly standardized curricula. The authors of this work consider these tensions, situated first within contrasting theories on teaching and learning. They then explore the concept of phronesis through an interpretive biography of one teacher-artist, Frieda, whose praxis also demonstrates the aesthetic and artistic side of the teaching-learning process. This ninety-year- old teacher-artistlsquo3Bs experiences with implementing her curriculums suggest that it is always possible to implement onelsquo3Bs praxis, despite any potential societal or legislative impediments. Frieda23393Bs story shows how a teacherlsquo3Bs praxis can incorporate Eisnerlsquo3Bs artistic approach to curriculum as well as many of Deweylsquo3Bs principles of child-centered pedagogy.

Literary modernism co-developed with modern pedagogy, particularly progressive education's pedagogy of experience. But although many modernists were teachers, the deep relationship between the writer and the classroom has not had the critical attention it deserves. Since the 1970s, progressivism has been caricatured as an individualist affirmation of the given self at the expense of learning from tradition. But its real roots, like much of modernism's, lie in the process ontologies of Bergson, James and Dewey, which essay an interactive, environment-dependent account of persons as developing systems. During the 1920s and 30s, both modernist experiments in narrative and progressive experiments in the classroom let characters, selves and meanings emerge from their environmental situations. Both drew attention to the processes of the mind in formation, to the way language mediates the self to itself, and to the unfinished nature of all understanding. 'Education', remarked Dewey, 'must be considered as a continuing reconstruction of experience', and the same is true for the reader of modernism, who is continually faced with the gap between experience in the happening and the words to make sense of it.

Trump, the Alt-Right and Public Pedagogies of Hate and for Fascism: What Is To Be Done? uses public pedagogy as a theoretical lens through which to view discourses of hate and for fascism in the era of Trump and to promote an anti-fascist and pro-socialist public pedagogy. It makes the case for re-igniting a rhetoric that goes beyond the undermining of neoliberal capitalism and the promotion of social justice, and re-aligns the left against fascism and for a socialism of the twenty-first century.Beginning with an examination of the history of traditional fascism in the twentieth century, the book looks at the similarities and differences between the Trump regime and traditional Western post-war fascism. Cole goes on to consider the alt-right movement, the reasons for its rise, and the significance of the internet being harnessed as a tool with which to promote a fascistic public pedagogy. Finally, the book examines the resistance against these discourses and addresses the question of: what is to be done?This topical book will be of great interest to scholars, to postgraduate students and to researchers, as well as to advanced undergraduate students in the fields of education studies, pedagogy, and sociology, as well as readers in general who are are interested in the phenomenon of Trumpism.