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Frontmatter -- CONTENTS -- Preface -- Introduction: The Problem of Propaganda -- 1. Propaganda in the History of Political Thought -- 2. Propaganda Defined -- 3. Propaganda in Liberal Democracy -- 4. Language as a Mechanism of Control -- 5. Ideology -- 6. Political Ideologies -- 7. The Ideology of Elites: A Case Study -- Conclusion -- Acknowledgments -- Notes -- Bibliography -- Index

Coincident with the outbreak of the "cold war" the Soviet Union began a series of propagandistic attacks on the United States, its leaders and its policies, using every medium of communication for this purpose, but with special emphasis on radio propaganda. For some time the United States Government suffered these attacks to go unanswered, but in February, 1947, the "Voice of America" began to include among its other foreign programs regular broadcasts in Russian to the Soviet Union. At first these programs were confined almost entirely to music and straight news reports, but gradually more and more time was devoted to answering Soviet attacks considered hostile to the United States or harmful to its national interests.In retaliation Moscow, on April 24, 1949, embarked on a vast effort to jam the American programs, and is at present devoting over 1000 broadcasting stations to this single purpose. The American Government protested through diplomatic channels and to the International Telecommunications Union against this jamming campaign. Furthermore, jamming was condemned by the United Nations Sub-Commission on Freedom of Information and of the Press at its Montevideo meeting in May, 1950, as a violation of accepted principles of freedom of information. Also, the Economic and Social Council, at its eleventh session, held in Geneva during the summer of 1950, adopted a resolution recommending to the General Assembly that it call on all Members to refrain from jamming.

Texto y fotographías ; ilustraciones, fotografía color, fotografía blanco y negro ; El objetivo de mi investigación ha sido aclarar inquietudes acerca de mi papel como artista en la sociedad contemporánea. Detrás de la investigación está mi necesidad de equilibrar los elementos que llevan a cabo la creación de obras de arte. Ahondar en las preguntas que conciernen la creación de imágenes en un mundo que cambia constantemente. Las circunstancias en las que he llevado a cabo mi investigación han sido muy especiales en el contexto histórico mundial. Estos dos años han transcurrido bajo la influencia de cambios que no radicales que no podemos ignorar. Mi investigación ha sido una contribución a mi búsqueda y un esfuerzo de fusionar mi vocación artística con la actualidad política y social de mi entorno. Durante la cuarentena adopté la disciplina de hacer un diario de dibujos. Ha sido un gesto en la evolución de mi obra que ha desatado en un espectro de nuevas posibilidades. (Texto tomado de la fuente) ; The objetive in my investigation has been to clarify my inquieries in regards to my roll as an artista in contemporary society. Behind the investigation is my necesity to balance the elements that result in the creation of art. Deepen my inquisition that concern the creation of images in an ever changing world. The sircumstances in which I have done my investigation have been very special in a global historical context. These past two years have elapsed under the influence of radical changes that we cannot ignore. My investigation has been a contribution to my quest and an effort to fuse my vocation with my political and social surrounding. During the quarantine I adopted the discipline of making a diary from drawings. It has been a gesture in the evolution of my work that has unleashed a spectrum of new possibilities. ; Alejandro Ortiz Mejía ; Arte, Propaganda e ideología ; Maestría ; Maestría en Artes Plásticas y Visuales ; Creación y Teoría del Arte ; Es una investigación academica y empírica que gira en torno al dibujo

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