Appendix-Olofsson-Rashid
In: Sozialer Fortschritt: unabhängige Zeitschrift für Sozialpolitik = German review of social policy, Band 60, Heft 3, S. 1-2
ISSN: 1865-5386
In: Sozialer Fortschritt: unabhängige Zeitschrift für Sozialpolitik = German review of social policy, Band 60, Heft 3, S. 1-2
ISSN: 1865-5386
In: The journal of Israeli history: politics, society, culture, Band 34, Heft 1, S. 23-44
ISSN: 1744-0548
In: Middle East report, Heft 153: Islam and the state, S. 19-22
World Affairs Online
In: Middle East report: Middle East research and information project, MERIP, Heft 153, S. 19
In: East European Jewish affairs, Band 38, Heft 1, S. 3-5
ISSN: 1743-971X
In: International Letters of Social and Humanistic Sciences, Heft 42, S. 82-87
This article is based on an attempt to introduce and study a new-found manuscript containing four Hadith books: "Tohfa-al-seddigh, Fasl-al-khetab, Ons-al-lohfan, Matlubon-kolle-taleb." These four Hadith books include Hadiths of the first four caliphs, interpreted by Rashid-al-din Vatvat; distinguished writer of sixth century in Kharazmshahian court. The remarks of two hadith books (Fasl-al-khetab and Matlubon-kolle-taleb) are also changed into persion poem. With a thematic point of view, some scribes have collected these four Hadith books into one book and named it: "Remarks of the four Chosen fellows" or " Hundred remarks of the four prophets fellows". This manuscript is written in Naskh in the same style by Taher.
In: Die politische Meinung, Band 47, Heft 389, S. 45-48
ISSN: 0032-3446
In: Nka Journal of Contemporary African Art, Band 2001, Heft 15, S. 90-91
In: Middle East report: Middle East research and information project, MERIP, Heft 153, S. 23
In: Journal of Palestine studies, Band 34, Heft 1, S. 23-36
ISSN: 1533-8614
The films of Rashid Masharawi, one of the leading Palestinian ""exilic"" directors of the younger generation, are set almost entirely in the occupied territories, especially in refugee camps, and unfold in a seemingly timeless present shaped by a past catastrophe (1948) never explicitlyevoked. The author examines Masharawi's some dozen films, both documentary and feature, thematically and technically, showing how the films' structure and camera work emphasize the sense of confinement, narrowing horizons, and psychological siege depicted. The author concludes that though almost relentlessly bleak and stripped of any hint of romanticism, the films also convey a stubborn will to survive and endure, and together presenta powerful allegory of life in the occupied territories.
In: Bulletin of the World Health Organization: the international journal of public health = Bulletin de l'Organisation Mondiale de la Santé, Band 98, Heft 7, S. 447-448
ISSN: 1564-0604
In: The world today, Band 68, Heft 3, S. 46-48
ISSN: 0043-9134
In: Politique internationale: pi, Heft 124, S. 249-268
ISSN: 0221-2781