Song of Songs (review)
In: Shofar: a quarterly interdisciplinary journal of Jewish studies ; official journal of the Midwest and Western Jewish Studies Associations, Band 25, Heft 2, S. 196-198
ISSN: 1534-5165
19908 Ergebnisse
Sortierung:
In: Shofar: a quarterly interdisciplinary journal of Jewish studies ; official journal of the Midwest and Western Jewish Studies Associations, Band 25, Heft 2, S. 196-198
ISSN: 1534-5165
In: Shofar: a quarterly interdisciplinary journal of Jewish studies ; official journal of the Midwest and Western Jewish Studies Associations, Band 21, Heft 3, S. 162-164
ISSN: 1534-5165
This item is part of the Political & Rights Issues & Social Movements (PRISM) digital collection, a collaborative initiative between Florida Atlantic University and University of Central Florida in the Publication of Archival, Library & Museum Materials (PALMM).
BASE
In: The Yale review, Band 108, Heft 3, S. 106-107
ISSN: 1467-9736
In: Small axe: a journal of criticism, Band 11, S. 77-90
ISSN: 1534-6714
In: Small axe: a journal of criticism, Band 6, Heft 1, S. 77-90
ISSN: 1534-6714
In: African affairs: the journal of the Royal African Society, Band 93, Heft 370, S. 43-74
ISSN: 0001-9909
In: Culture crossroads: journal of the Research Centre at the Latvian Academy of Culture, Band 9, S. 7-19
ISSN: 2500-9974
This attempt to inventory all 1,964 songs performed at the seventy Estonian, Latvian and Lithuanian National Song Celebrations (1869 to 2014) identified twelve songs which are most representative of Song Celebrations tradition as a whole. These are songs which were remembered and repeated across diff erent epochs of Celebration history (Tsarist, Independence, Soviet, and Renewed Independence). Song Celebrations heritage is measurable, in retrospect. At any Song Celebration, the number of songs from previous Celebrations can be counted to assess if the concert is more or less heritage-oriented.
In: Shofar: a quarterly interdisciplinary journal of Jewish studies ; official journal of the Midwest and Western Jewish Studies Associations, Band 27, Heft 1, S. 118-120
ISSN: 1534-5165
In: Women & performance: a journal of feminist theory, Band 13, Heft 1, S. 129-146
ISSN: 1748-5819
In: Canadian Slavonic papers: an interdisciplinary journal devoted to Central and Eastern Europe, Band 42, Heft 3, S. 331-342
ISSN: 2375-2475
In: Student Files
This is the application for admissions to Springfield College, then known as the International YMCA College, for Song Junfu (宋君复), or Chin Foh Song. The application gives basic information such as height, birth and weight, education history, sport experience, religious beliefs, and other basic information about him. ; Song Junfu (宋君复), or Chin Foh Song , was born on March 9st, 1897 in Shaoxing, Zhejiang province. He was educated in private home schools and a local Baptist school until he went to Hangzhou Huilan Middle School (Wayland Academy) where he began to play soccer and basketball. In 1916, he came to America to study physics at Colby College (Maine) through a Chinese government program. Song came to Springfield College in the fall of 1921 to study physical education. After he left Springfield College in 1923, he went back to work for the Hangzhou Huilan Middle School. Song worked for several universities in China, including Shanghai Jianghu University, Shenyang Northeast University, Shandong University, Sichuan University, and Beijing Normal University. He not only contributed to scholarship in physical education and sport, with books like Sport Principle and Women Basketball Training, but also took interest in strengthening Chinese sport facilities. For instance, he designed the Qingdao Stadium in Qingdao, Shandong, China. Song assisted Changchun Liu, the first Chinese Olympic player, in 1932 summer Olympic in Los Angeles as a coach and mentor. For the 1936 Olympics he organized the first Chinese Olympic Men's Basketball Team, coached the Track and Field Team, and was approved as an the International Basketball Referee. In 1948 London Olympics, Song coached the Chinese Men's Basketball Team. Song passed away in Beijing in 1977.
BASE
In: Liquid blackness, Band 5, Heft 2, S. 49-56
ISSN: 2692-3874
Abstract
The essay explores how the invisibility and trauma of Black women are negotiated in Black sonic culture, utilizing Ricardo Cortez Cruz's experimental novel Five Days of Bleeding (1995), in which the primary female character, Zu-Zu, speaks (and sings) primarily using obscure song lyrics and titles, largely drawn from an archive of Black women's performance.
Klappentext: Vor 16070 Tagen wurde das "Georg v. Rauch-Haus" am Mariannenplatz in Berlin-Kreuzberg besetzt (Stand vom 8. Dezember 2015). Durch die Umstände seiner Besetzung wurde es überregional bekannt. Obwohl es immer wieder um seine Selbstbestimmung kämpfen musste, existiert es heute noch als Hausprojekt in Selbstverwaltung, in dem auch Konzerte und andere jugendkulturelle Aktivitäten stattfinden. Und wer war eigentlich Georg von Rauch? Die Politrockgruppe Ton Steine Scherben, die es schon genauso lange gibt, hat einen bekannten Song über diese Hausbesetzung geschrieben, die eine der ersten in Deutschland war und die sie mit-initiiert hatte. Und was macht die ungebrochene Faszination der 68`er Kommune 1 aus, die bis heute sinnbildlich für die freie Liebe steht, obwohl es diese de facto dort kaum gegeben hat? Was war die gesellschaftliche Atmosphäre, aus der all diese Projekte entstanden sind? Und warum war die damalige Zeit genauso brenzlig wie die heutige? Das Buch versucht diesen Fragen mithilfe von Interviews mit den Bandmitgliedern von Ton Steine Scherben Funky K. Götzner, RPS Lanrue und Kai Sichtermann, den Mitbegründern der Kommune 1 Dorothea Ridder und Ulrich Enzensberger und mit vier weiteren Zeitzeugen, die bei der Besetzung dabei waren und die ersten Tage, oder sogar Monate und Jahre dort gelebt haben, auf den Grund zu gehen.