This revised and updated edition of a hugely successful book brings together the most valuable and stimulating writings on subcultures, from the early work of the Chicago School on 'deviant' social groups to the present day reasearch and theories. This new edition features a wide range of articles from some of the biggest names in the field including Dick Hebdige, Paul Gilroy and Stanley Cohen, and expertly combines contemporary essays and critique with classic and canonical texts on subcultures. Examining an eclectic array of subcultures, from New Age travellers, to comic book fans, "The Reader" looks at how they are defined through their social position, styles, sexuality, politics and their music, and this new edition gives expression to the diversity of subcultural identifications, from scenes and 'tribes' to the 'global underground'. With specially selected articles, grouped sections, editors introductions and a general introduction which maps out the field, it gives students and teachers of cultural studies an invaluable study aid.
Intro -- Contents -- Acknowledgements -- 1 Back to Reality? My Experience with Cultural Studies -- 2 A Neo-Weberian Approach to the Study of Subcultural Style -- 3 Postmodern Subcultures and Aesthetic Modernity -- 4 Distinctive Individuality and Subcultural Affiliation -- 5 Commitment, Appearance and the Self -- 6 Change, Continuity and Comparison -- 7 Resistance, Incorporation and Authenticity -- 8 Cultural Expression or Class Contradiction? -- Appendix: Fieldwork Details and Interview Schedule -- Bibliography -- Subject Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- L -- M -- N -- P -- Q -- R -- S -- T -- W -- Author Index -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.
"Subcultures: The Basics is an accessible and engaging introduction to subcultures in a global context. This fully revised new edition adds new case studies and an additional chapter on the digital lives of subculturists as well as reflections on the relationships between subcultures and globalisation and the resurgence of the far-right. Blending theory and practice, this text examines a varied range of subcultures including hip hop, graffiti writing, heavy metal, punk, gamers, burlesque, parkour, riot grrrl, straight edge, roller derby, steampunk, b-boying/b-girling, body modification, and skateboarding. Subcultures: The Basics answers the key questions posed by those new to the subject, including: - What is a subculture? What are the significant theories of subculture? - How do subcultures emerge, who participates and why? - How do subcultural identities interact with other aspects of self, such as social class, race, gender, and sexual identity? - What is the relationship between deviance, resistance and the 'mainstream'? - How have both progressive and reactionary subculturists contributed to social change? - How does society react to different subcultures? - How have subcultures spread around the world? - In what ways do digital technologies and social media influence subcultures? - What happens when subculturists age? Tracing the history and development of subcultural theory to the present day, this text is essential reading for all those studying subcultures in the contexts of sociology, cultural studies, history, media studies, anthropology, musicology, and criminology. It pushes the field forward with cutting-edge theories of resistance and social change, place and space, critical race and queer studies, virtual participation, and ageing and participation across the life course. Key terms and concepts are highlighted throughout the text whilst each chapter includes boxed case studies and signposts students to further reading and resources"--
The term "disaster subculture", was introduced in the 1960s and 1970s, but has since not been given a great deal of attention. Even though it is still referred to in passing, the elements of disaster subculture are rarely discussed. After considering some examples of the phenomenon and its characteristics, concludes that disaster or emergency subculture does not seem to be an appropriate application of the wider sociological concept of subculture. It is not an alternative to the mainstream culture of a society but represents an aspect of that dominant culture that only manifests itself under particular circumstances. Proposes that, like other aspects of culture, it is learned by society and its members from past experience, personal as well as societal. It entails many features typical of society's cultural heritage and often entails role and behaviour changes deemed appropriate in emergencies. Concludes that, in light of this discussion, it would seem reasonable to change the term subculture as applied to disaster behaviour to bring the name in line with generally accepted usage.
'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book - Time Out This book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era - The New York Times.