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"This study deals with the effects of film, television and literature on club culture. Chapters reflect club culture's own effect on crime, ethnicity, sexuality and drug use. Each chapter focuses on individual books, films and television shows that reflect the transformation of the club culture into what it is today"--Provided by publisher

Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.

"An on-the-ground history of ordinary Americans who took to the streets when political issues became personal. It is widely believed that Americans of the 1970s and '80s were exhausted by the upheavals of the '60s and eager to retreat to the private realm. When they did take action, it was mainly to express their disillusionment with government by supporting the right. In fact, as Michael Stewart Foley shows, neither of these assumptions is correct. On the community level, the 1970s and '80s saw vibrant new forms of political activity emerge. Tenants challenged landlords, farmers practiced civil disobedience to protect their land, and laid-off workers asserted a right to own their idled factories. Activists fought to defend the traditional family or to expand the rights of women, while entire towns organized to protest the toxic sludge in their basements. In all these arenas, Americans were propelled by their own experiences into the public sphere. Disregarding conventional ideas of "left" and "right," they turned to political action when they perceived an immediate threat to the safety and security of their families, homes, or dreams. Front Porch Politics is a people's history told through on-the-ground experiences. Recalling crusades famous and forgotten, Foley shows how Americans followed their outrage into the streets. Their distinctive style of visceral, local, and highly personal activism remains a vital resource for the renewal of American democracy"--

Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. The 1970s -- 1. The 1970s: An Overview -- 2. Conversion Politics: From Countercultural Revolution to the Born-Again Presidency of Jimmy Carter -- 3. Feminist Challenges: Women and Gender Debates -- Part II. The 1980s -- 4. The 1980s: An Overview -- 5. Christian America: The Era of the New Christian Right and the Reagan Revolution -- 6. Biomedical Challenges: From Abortion to Genetic Engineering -- Conclusion -- Notes -- Bibliography -- Index.

Marianne and the Puritan provides a sociological, political, and aesthetic analysis of French and American cultures as seen through their respective cinemas. Author David I. Grossvogel focuses on highly popular and available French and American films which, taken together and through the th century, treat permutations of the couple.