Die Kommentierung umfasst neben der Zivilprozessordnung auch die relevanten Nebengesetze (wie EGZPO, GVG, KapMuG und MediationsG) sowie das europäische und internationale Zivilprozessrecht. Selbstverständlich sind alle relevanten Gesetzesänderungen sowie die neuesten Entwicklungen in Rechtsprechung und Lehre berücksichtigt
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"Criticized as parsimonious and cruel in the later 1800s, the Poor Law for Scotland was first passed in 1845 as a frankly humanitarian measure in response to desperate poverty on display in Paisley and elsewhere in the early 1840s. Poor Law Inspector James Shaw Brown of Paisley Burgh Parish, a compassionate, detail-oriented bureaucrat, was charged with alleviating suffering while limiting expense. In his four-decade career he served the poor, the parochial board, and rate payers of the parish, weaving their conflicting needs and demands though the arcane rules of the law. Inspector Brown and colleagues across the nation interpreted and debated the meaning of the law in correspondence and the courts for decades before it approached its final form. This book delves into Inspector Brown's life and records to reveal how poverty and the poor law shaped life experiences for tens of thousands of ordinary Scots in the middle years of the nineteenth century"--
"The leading dating and confidence coach, and New York Times bestselling author, shares his wisdom and audience-tested advice on finding love through deep confidence, clear boundaries, and a love for life that leaves you fulfilled both within a relationship and before you've found one"--
This groundbreaking handbook leads the way in accelerating the transition to a sustainable circular economy by introducing the concept of a catalyst as a positive and enhancing driving force for sustainability. Catalysts create and maintain favourable conditions for complex systemic sustainability transition changes, and a discussion and understanding of catalysts is required to move from a linear economy to a sustainable and circular economy.
With contributions from leading experts from around the globe, this volume presents theoretical insights, contextualised case studies, and participatory methodologies, which identify different catalysts, including technology, innovation, business models, management and organisation, regulation, sustainability policy, product design, and culture. The authors then show how these catalysts accelerate sustainability transitions. As a unique value to the reader, the book brings together public policy and private business perspectives to address the circular economy as a systemic change. Its theoretical and practical perspectives are coupled with real-world case studies from Finland, Italy, China, India, Nigeria, and others to provide tangible insights on catalysing the circular economy across organisational, hierarchical, and disciplinary boundaries.
With its broad interdisciplinary and geographically diverse scope, this handbook will be a valuable tool for researchers, academics, and policy-makers in the fields of circular economy, sustainability transitions, environmental studies, business, and the social sciences more broadly.
Frank Ankersmit tells historians of their mission: "You can approximate objectivity only as long as you sincerely despair of approximating it." It follows that it is incumbent upon anyone who represents the past to enter that struggle. Whether by keyboard or camera, historians who do not probe and question their suppositions may seek to represent the past, but they do not make history. A prime question for historiophoty is to ask what this struggle looks and sounds like projected off the page. This chapter considers the cinepoetics of historical objectivity through a model of moving images that rewinds the clock to the emergence of film on screens and traces a new path for cinema through to a digital reimagining of what Tom Gunning calls the "cinema of attractions." It explores the documentary methods of narration and reenactment in Sam Green's Live Documentary practice and analyzes the methods by which filmmakers become cine-historians through articulating the historians' dilemma by audiovisual means in the creation of moving history of shared experience and public spectacle.
Taking its cues from the New Narrative writing movement, like a dog considers how sexual identity is morphed, hidden, and denied by cultural forces like film, pornography, rape culture, and sexual semiotics. The speaker of like a dog writes about her sexuality, sexual trauma, and relationships in the epistolary form to explore how the personal becomes collective and how overt sexuality is necessary for questioning dominant ideologies. The intimacy (or perhaps voyeurism) that is opened through the epistolary form is balanced with commentary on the films of Lars von Trier, primarily Nymphomaniac, as a way to move away from the speaker's experiences and into the larger social forces that seek to define us.
Amidst these letters are images from a handwritten journal where blood, hair, vaginal fluids, and other bodily residues are used to direct the shape and content of the writing surrounding them. The tactility of the journal delivers the reader to the body, not as an intellectualized object, but as the physical, messy, oozing force that it is.
Neither fiction nor nonfiction, and inhabiting a realm between gossip and scholarly film analysis, like a dog exists in a liminal zone that offers the speaker a site to rip away the layers of cultural conditioning surrounding sexuality and relationships, and to peek at what lies beneath. This interrogation of identity may not lead to answers but the speaker of like a dog is able to finally hear her own voice and to begin the work of rebuilding an identity that blooms from within.
On the occasion of the 100th anniversary of the death of Elise Hall, a pioneering musician in the history of the saxophone.
The saxophone is a globally popular instrument, often closely associated with renowned players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of women saxophonists in the nineteenth century, shortly after the instrument's invention. Elise Hall (1853–1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career's profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant mark on the history of the instrument. Yet these contributions have been historically undervalued, largely due to gender bias.
This collection of essays, written by mainly women saxophonists/scholars, re-evaluates Elise Hall's legacy beyond a discrete history, updating the narrative by highlighting the ways in which her identity and the saxophone itself have influenced historical accounts. By analyzing the sociocultural factors surrounding this innovative musician through a contemporary lens, the contributors challenge previously held narratives shaped by patriarchal structures and collectively affirm her place as one of the pioneers in the history of the saxophone.
Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). - Contributors: Andrew J. Allen (Georgia College & State University), Kurt Bertels (LUCA School of Arts - KU Leuven), Adrianne Honnold (Lewis University), Sarah McDonie (Indiana University Bloomington), Sarah V. Hetrick (University of Arkansas), Holly J. Hubbs (Ursinus College).
After the emergence and development of Performance and Theatre Studies in literary theory, the invisibility of gendered vulnerability denounced through fictional characters has recently raised an interesting debate turning spectators into active participants in the process of negotiating ethical agency. The intersection of vulnerability and precarity in contemporary theatre might offer a challenging approach to be explored due to the ontological connections between the two concepts. Under the light of Alyson Cole's (2016) "All of Us Are Vulnerable, But Some Are More Vulnerable than Others: The Political Ambiguity of Vulnerability Studies, an Ambivalent Critique", Isabell Lorey's (2015) State of Insecurity: Government of the Precarious, and Judith Butler's (2012) "Precarious Life, Vulnerability, and the Ethics of Cohabitation," among other sources, the objective of this chapter is to explore the nexus between gendered forms of vulnerability and other factors inherent to social and economic precarity present in the plays of the Welsh playwright Gary Owen Iphigenia in Splott (2015) and In the Pipeline (2010). The analysis will demonstrate the necessity to (re)structure social bonds according to the condition of mutual cohabitation and shared responsibility by illuminating the complexity of the precarity/vulnerability ambivalence exposed in the plays.
This chapter focuses on Françoise, a dummy figure of the upper part of the female human body used for calibrating radiation detectors in laboratories around the world. From spring 1962 to the end of 1965, Godofredo Gómez Crespo, a Spanish physicist employed by the International Atomic Energy Agency, travelled the world carrying Françoise in a box-like suitcase that also included a number of standard vessels of various sizes and shapes, containing amounts of mock radioiodine. Gómez Crespo's task was to check the precision of radioiodine uptake tests for quality assurance in in-vivo measurements in several hospital laboratories across the globe. At the time, thyroid uptake tests constituted one of the first diagnostic applications of radioactive tracers, a cutting-edge technique in nuclear medicine. The chapter discusses the unnecessary gendering of physics instrumentation and brings front and centre the legacy of sexism in the nuclear sciences.
This open access book gives a systematic introduction into the spectral theory of differential operators on metric graphs. Main focus is on the fundamental relations between the spectrum and the geometry of the underlying graph. The book has two central themes: the trace formula and inverse problems. The trace formula is relating the spectrum to the set of periodic orbits and is comparable to the celebrated Selberg and Chazarain-Duistermaat-Guillemin-Melrose trace formulas. Unexpectedly this formula allows one to construct non-trivial crystalline measures and Fourier quasicrystals solving one of the long-standing problems in Fourier analysis. The remarkable story of this mathematical odyssey is presented in the first part of the book. To solve the inverse problem for Schrödinger operators on metric graphs the magnetic boundary control method is introduced. Spectral data depending on the magnetic flux allow one to solve the inverse problem in full generality, this means to reconstruct not only the potential on a given graph, but also the underlying graph itself and the vertex conditions. The book provides an excellent example of recent studies where the interplay between different fields like operator theory, algebraic geometry and number theory, leads to unexpected and sound mathematical results. The book is thought as a graduate course book where every chapter is suitable for a separate lecture and includes problems for home studies. Numerous illuminating examples make it easier to understand new concepts and develop the necessary intuition for further studies. ; Self-contained introduction to the theory of quantum graphs First time treatment of inverse problems in detail Numerous examples from physics included Open questions at the end of several chapters
This book explains and explores how collaborations can be built and strengthened between African universities and farming communities to address real-world contemporary challenges.
The book focuses on Community Action Research Platforms, an approach that has successfully enabled African universities to break free of the ivory tower and prove their relevance to society through deep collaborative engagements in targeted agricultural value chains. Developed in a pan-African network of universities (RUFORUM) focused on capacity building in agriculture, the approach has been tested in diverse settings over the last 15 years. The book draws on the experiences and lessons from 21 different projects initiated by RUFORUM member universities in Benin, Botswana, Ethiopia, Ghana, Kenya, Malawi, Namibia, South Africa, Sudan, Tanzania, Uganda and Zimbabwe. It highlights a critical yet underutilised role for African universities as collaborators and catalysts for multisector solutions. These are solutions that increase productivity and address climate change. They develop livelihoods and resilience in rural communities, as well as promote farmers' access to markets, innovation and trade while safeguarding biodiversity and enhancing food and nutrition security. The book makes a case for repositioning African universities as fulcrums of development in society. It shares the rich experiences, learnings and scientific findings of diverse researchers, practitioners and students who have been working towards achieving this reality on the ground.
This multidisciplinary book holds appeal for university leaders, higher education, agrifood and development specialists, researchers and practitioners, policymakers and development agencies engaged in African agriculture and rural development, higher education and sustainable growth.
This chapter addresses the interpretations of the emerging social question in the field of post-revolutionary French liberalism. It focuses on the cholera outbreak of 1832 to describe how it fostered unprecedented and dramatic representations of urban pauperism chiefly marked by feelings of panic and distress with respect to the new "dangerous classes" brought into being by the Industrial Revolution. By analysing the pandemic crisis, the chapter shows that these subjects were initially perceived not merely as a different social class, but also – and especially – as a different "race," according to a conception exemplified by the metaphor of "new barbarians" invading the manufacturing cities. Hence, the chapter retraces a transformation whereby these initial representations of the subaltern classes based on fear and exclusion gradually gave way to the rise of social research on the subaltern classes aimed at elaborating new welfare policies as risk reduction strategies. These initiatives of social investigation are described as marking the origins of the methods and epistemology of modern social sciences, which are the focus of the following chapter.
Emerging from the superpowers' covert attempts to counter their political and ideological influence without direct military confrontations, the Cold War was also enacted in the cultural sphere of many third world countries, especially Africa, which became a 'site of encounter' for the staging of US-Soviet theatre of influence. In West Africa, Ghana and Nigeria were strategically adopted as epicentres of western cultural philanthropy through the funding of cultural institutions and networks of selected artists as well as the organisation, sponsorship and hosting of collaborative artistical events covering drama, music, dance, and the visual arts. This chapter shall discuss selected American-sponsored cultural events and programmes in these territories as a sub-set of the cultural Cold War dynamics directed towards the 'winning of hearts and minds' as well as the institutionalisation of liberal values within these emerging societies. Events such as the 1961 Lagos Festival (sponsored by the American Society of African Culture) and the 1967 Ghana Festival of Arts (sponsored by the United States Information Service) shall be examined to ascertain, from a comparative perspective, the underlying structures of collaboration, organisation and reception of these events within the Cold War context.
Few articles in the humanities have had the impact of Lisa Jardine and Anthony Grafton's seminal 'Studied for Action' (1990), a study of the reading practices of Elizabethan polymath and prolific annotator Gabriel Harvey. Their excavation of the setting, methods and ambitions of Harvey's encounters with his books ignited the History of Reading, an interdisciplinary field which quickly became one of the most exciting corners of the scholarly cosmos. A generation inspired by the model of Harvey fanned out across the world's libraries and archives, seeking to reveal the many creative, unexpected and curious ways that individuals throughout history responded to texts, and how these interpretations in turn illuminate past worlds.
Three decades on, Harvey's example and Jardine's work remain central to cutting-edge scholarship in the History of Reading. By uniting 'Studied for Action' with published and unpublished studies on Harvey by Jardine, Grafton and the scholars they have influenced, this collection provides a unique lens on the place of marginalia in textual, intellectual and cultural history. The chapters capture subsequent work on Harvey and map the fields opened by Jardine and Grafton's original article, collectively offering a posthumous tribute to Lisa Jardine and an authoritative overview of the History of Reading.