Suchergebnisse

Momentography of a failure brings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city. It explores the gradual transition of rural-urban space, inner-city migration, emerging and disappearing spaces, and commoning in public space. Momentography of a failure is established at the verge of a hyper-documented world, a hybrid space of digital sociability. While the media production, its reception, and distribution was pluralized by digitization, practices such as "media-sharing" and "citizen journalism" established new conditions for visibility, reinvented the authorial image, and promoted yet another dematerialization of authorship. The author camouflages in the cloud(s). Adoption, appropriation, and recycling are standardized. Authorship becomes secondary to content and alternative models of authorship are formulated: co-authoring, collaborative creation, interactivity, and strategic anonymity, in which cultural activism is reinforced. Momentography of a failure sets out on this point and draws up a multidisciplinary artistic and urban research platform that calls for practicing forms of participatory citizenship through collaborative thinking, creation, and reflection. Momentography of a failure is a network of artists, urbanists, writers, and activists that stand where aesthetic-artistic practice and sociopolitical activism come together to explore failure--and its various realities--and claim, reaffirm, and dream alternatives

"The crusading movements provoked a vast and diverse mass of reactions in the medieval West. While Latin sources provide official versions of its preaching, organisation and events, the vernacular lyrics of the troubadours and trouvères present a secular perspective, through a cornucopia of on-the-spot responses in France, Occitania, Italy, the Iberian Peninsula, Cyprus, Syria and Greece. This book constitutes the first comprehensive, modern analysis of Old French and Occitan lyric texts relating to the crusades. It brings out their full range, from propaganda for the crusades, to criticisms of crusading and crusaders through vituperation, humour or cynicism, to their use as a pretext for political or personal wrangling. It also shows how they shed light on many aspects of medieval life, among them chivalric and courtly values (often in tension with clerical ones), regional politics, sexual behaviour, personal experiences of crusading and captivity, the complex interaction of Christians, Greeks and Muslims, and bafflement in the face of failure and God's imponderable purposes"--Back cover image

"Two Medieval Toll Registers from Tarascon presents an edition, translation, and discussion of two vernacular toll registers from fourteenth and fifteenth-century Provence. These two registers are a valuable new source for the economic, linguistic, and transportation history of medieval France, offering a window onto the commercial life of Tarascon, a fortified town on the east bank of the Rhône between Avignon and Arles. William D. Paden discusses the developing fiscal policy of the counts of Provence, for whom the tolls were collected, and the practice and vocabulary of medieval toll-keeping. An afterword considers the toll registers in relation to the poetry of troubadours, arguing that the realism of the registers and the idealism of troubadour poetry overlapped in the world of medieval Tarascon. "--