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In The Fundamental Voter, John H. Aldrich, Suhyen Bae, and Bailey K. Sanders explain why the notion that we are divided into tribal loyalties is, at best, only partially correct, and discuss how the divisions rest on much more substantive politics than they once did. In the past, the American public based voting primarily on partisan loyalties; today they do so on five fundamental forces: party, ideology, issues, race, and economics. Since the 1980s, these fundamentals have grown increasingly important, such that voters are now sorted into two bitterly divided sides. Voters have come to deeply dislike the opposition, a state of affairs that threatens the peaceful progress of democratic politics in the United States.

"Petroturfing presents an incisive look into how Canada's pro-oil movement has leveraged social media to rebrand the extractive economy as a positive force. Revealing the deep divide between Canada's environmentally progressive reputation and the economic interests of government and private companies operating within its borders, Jordan B. Kinder highlights the limitations of social media networks in the work of promoting environmental justice"--

This book weaves the stories of activists, writers, artists, entrepreneurs, and scholars who shaped Little Saigon in Orange County, California, into a cherished haven for Vietnamese refugees. Each narrative resonates with a history of pain, beauty, disunity, solidarity, failure, and resilience, reimagining community building through storytelling in the US.

This book will be the first book that systematically analyzes the different waves of consumer nationalism in China, the types of its nationalistic consumer actions, and the critical impact of the new wave which has increased the possibility of a consumer base that could turn hostile at any moment.

The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts.

Drawing on fiction, sociology, political speech, autobiography, and performance, Sandhya Shukla develops a living theory of Harlem, in which peoples of different backgrounds collide, interact, and borrow from each other, even while Blackness remains crucial.