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Internationale Krisen wie die Corona-Pandemie oder die globale Erderwärmung wirken in nahezu alle privaten und öffentlichen Lebensbereiche und erzwingen ebenso schnellen wie tiefgreifenden Wandel, der irreversibel erscheint. Auf persönlichen wie institutionellen Ebenen erfordert dieser Wandel ein ungekanntes Ausmaß an Resilienzen und wird damit auch zur "Zeitenwende" für Aus-, Fort- und Weiterbildung in der Bundeswehr. Vier Leitfragen gliedern den Kongress inhaltlich: "Ab jetzt resilient!" Welchen Beitrag kann Bildung in einer digitalisierten Lebens- und Arbeitswelt leisten? ; "Was lernen wir daraus?" Folgerungen für die künftige Aus-, Fort- und Weiterbildung nicht nur von Einsatzkräften ; "Geht das (so) noch?" Veränderungen von Bildungsinstitutionen und -organisationen ; Best Practice: Beispiele aus der Bildungspraxis zur Bewältigung und Mitgestaltung der Digitalisierung.

26 Buchstaben, 26 Begriffe mit kurzen Begriffserläuterungen, die politische Sachverhalte abbilden, und solche, die Aktivitäten zum Verstehen von Politik kennzeichnen. Es geht vor allem um Themen wie Einheit, Trennung, Vielfalt und Zusammenhalt zu tun haben. Mit Illustrationen von Schwarwel.

"A groundbreaking and profoundly moving exploration of the Armenian genocide, told through the traces left in the memories and on the bodies of its women survivors. Foremost among the images of the Armenian Genocide is the specter of tattooed Islamized Armenian women. Blue tribal tattoos that covered face and body signified assimilation into Muslim Bedouin and Kurdish households. Among Armenians, the tattooed survivor was seen as a living ethnomartyr or, alternatively, a national stain, and the bodies of women and children figured centrally within the Armenian communal memory and humanitarian imaginary. In Remnants, these tattooed and scar-bearing bodies reveal a larger history, as the lived trauma of genocide is understood through bodies, skin, and--in what remains of those lives a century afterward--bones. With this book, Elyse Semerdjian offers a feminist reading of the Armenian Genocide. She explores how the Ottoman Armenian communal body was dis-membered, disfigured, and later re-membered by the survivor community. Gathering individual memories and archival fragments, she writes a deeply personal history, and issues a call to break open the archival record in order to embrace affect and memory. Traces of women and children rescued during and after the war are reconstructed to center the quietest voices in the historical record. This daring work embraces physical and archival remnants, the imprinted negatives of once living bodies, as a space of radical possibility within Armenian prosthetic memory and a necessary way to recognize the absence that remains"--

"Elizabeth A. Davis's Artifactual explores two different kinds of knowledge-making through an engagement with forensic science and documentary filmmaking in post-war Cyprus. Part One follows the forensic archaeologists and anthropologists who work to locate, exhume, identify, and repatriate the remains of Cypriots killed in episodes of violence and buried in secret graves before and during the war, from 1963 to 1974. Specifically, this section follows Davis's ethnographic work with Cyprus's Committee on Missing Persons (CMP), a bi-communal body established under UN auspices that is charged with determining the location and identity of the bodies of over two thousand Cypriots who went missing during the violence of the 1960s and 70s. Part Two addresses the visual archive of violence in Cyprus. Davis traces the development of an aesthetics of the archive in Cypriot films and how this archive has been used in artistic and political projects of reckoning with the past through documentary film. The two parts are juxtaposed as ways of trying to reconstruct and narrate the past, in what is both an epistemological and ethnographic consideration of representation, science, and ethnography itself"--