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In: Reclams Universal-Bibliothek Nr. 14373
Wie könnte ein gerechter Staat aussehen? Wie eine gerechte Gesellschaft? In seiner "Politeia" entwirft Platon einen Idealstaat: Männer und Frauen der herrschenden Klasse sind gleichberechtigt, es gibt weder Heirat noch Familie oder persönlichen Besitz, alle Kinder werden gemeinsam erzogen, eine kultivierte Elite wacht über Recht und Ordnung, und Philosophen lenken die Staatsgeschicke. Nicht das persönliche Glück ist das Ziel, sondern das Wohl des Staates.
In: Cambridge Greek and Latin classics
"Offers intermediate Greek students a reliable, up-to-date introduction to Plato's most influential work. Plato's Greek is not difficult, but his ideas have generated considerable controversy. Book I serves as a dramatic introduction to them, with its memorable confrontation between Socrates and the sophist Thrasymachus over the nature of justice"--
In: Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press Series
"If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, sooner or later Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the fragile social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were, at every turn, predicated upon the work of enslaved and free people of color. Their labor amassed the wealth that afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. They set the type, dried the paper, and folded the pages that created his legacy. Every beautiful book Moreau designed contains an embedded story of hidden violence. Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau's world"--
Englische Ausgabe mit griechischen Abstracts / English edition with Greek abstracts Taking Action rückt die nachhaltige Gestaltung urbaner Transformation und die Vorbereitung dicht strukturierter Stadträume auf zukünftige Herausforderungen in den Fokus. Wie lassen sich Klimawandel und räumliche Disparitäten unter Krisenbedingungen und angesichts begrenzter räumlicher und sonstiger Ressourcen bewältigen? Wie können ehrgeizige und umfassende Ziele mit der Realität lokaler Bedingungen und Alltagsräumen in Einklang gebracht werden? Und wie kann Wissen in Handeln umgesetzt werden? Während derzeit überall in Europa die grundlegenden räumlichen Beziehungen in Städten neu verhandelt werden, konzentrieren sich in Athen einige der dringlichsten urbanen Probleme und machen die Stadt zu einem einzigartigen Experimentierfeld. Die Autor*innen nähern sich diesen multidimensionalen Fragen aus verschiedenen Perspektiven an, um mögliche Interventionsräume zu identifizieren, neue Transformationsmodelle vorzuschlagen und die Potenziale der urbanen Landschaften für einen positiven Wandel zu aktivieren
In: Cambridge Greek and Latin classics
"This is an anthology of private funerary poems in Greek from the archaic period until later antiquity. The vast majority of these poems were inscribed on tombs or grave stelai and served to identify, celebrate and mourn the dead. It is not in fact very difficult to distinguish such 'funerary' poems from other types of inscription, even if there are important overlaps in style and subject between, say, some honorific and some epitaphic verse-inscriptions; what can be much more difficult, however, is to distinguish 'public' from 'private' inscriptions, and indeed to decide what, if anything, is at stake in the distinction and how that distinction changed over time. Our earliest verse epitaphs seem to be 'private', in the sense that, as far as we can tell, they were designed and erected by the family of the deceased. For the fifth century, however, our evidence is predominantly Attic, and, from the first three-quarters of the century in particular, we have very few clearly 'private' such inscriptions, as opposed to those either sponsored or displayed (or both) by public authorities; this was the age of public burials and public commemorations in polyandry or 'multiple tombs', which (quite literally) embodied the spirit of public service demanded of male citizens. 'Private' poems too, of course, reflected the ideology of the city in which they were displayed, and we must not assume that a 'public-private' distinction mapped exactly on to some ancient equivalent of a modern 'official-unofficial' one. 'Private' inscriptions, for example, might need 'public' blessing to be erected in a particularly prominent place or even to use a particular language of praise."--
In: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber Band 15
In: Commentaria in Aristotelem Graeca et Byzantina (CAGB)
In: Series academica Band 7
In: Espaces, territoires et sociétés
In: Veröffentlichungen der Griechischen Gesellschaft für Rechtsphilosophische und Rechtshistorische Forschung 1