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On sait depuis longtemps que les juifs furent, parmi bien d'autres au Caire, victimes de violences pendant la révolte du gouverneur ottoman Ahmed Pacha (1523-1524), et qu'ils commémorèrent chaque année leurs épreuves au cours d'une fête locale de Pourim. Ce livre mobilise pour la première fois une riche documentation en turc, italien et arabe sur ces violences et leur contexte. Il souligne l'apport de Capsali (m. 1550), dont la chronique de la révolte en hébreu, négligée par les chercheurs, est traduite ici ; il invite à reconsidérer l'histoire de la chronique liturgique ( megillah ) anonyme, donc aussi celle de la fête. Dernier avatar d'une tradition historiographique vieille de cinq siècles, il renouvelle en profondeur l'exposé des faits et l'analyse des dynamiques sociales à l'œuvre dans la révolte, en les inscrivant dans l'histoire de la transition des Mamelouks aux Ottomans en Égypte et en Syrie. It has been long known that Jews, among many others in Cairo, were victims of violence during the revolt of the Ottoman governor Ahmed Pasha (1523-1524), and that they would commemorate their sufferings each year, during a local Purim festival. For the first time, this book draws on a wealth of documentation in Turkish, Italian and Arabic on these acts of violence and their context. It highlights the contribution of Capsali (d. 1550), whose chronicle of the revolt in Hebrew – neglected by scholars – has been translated here; it also prompts readers to reconsider the history of the anonymous liturgical chronicle ( megillah ), and therefore that of the festival as well. As the last avatar of a five-century-old historiographical tradition, it thoroughly recasts the presentation of facts along with an analysis of the social dynamics at work in the revolt, contextualizing them within the history of the transition from the Mamluks to the Ottomans in Egypt and Syria

"If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, sooner or later Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the fragile social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were, at every turn, predicated upon the work of enslaved and free people of color. Their labor amassed the wealth that afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. They set the type, dried the paper, and folded the pages that created his legacy. Every beautiful book Moreau designed contains an embedded story of hidden violence. Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau's world"--