Exploring youth subculture in Hong Kong: a case study on the local band LazyMuthaFucka (LMF)

Abstract

Chan Ka Yan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. ; Includes bibliographical references (leaves p. 93-100). ; Discography: p. 101. ; Abstracts in English and Chinese. ; Chapter Chapter 1 --- Introduction: Resistance & Incorporation in Subcultural Studies --- p.1 ; Research Objective --- p.1 ; The Case --- p.2 ; Conceptualizing Subcultures --- p.3 ; Resistance: An Antagonistic Relation between Subculture and Dominant Culture --- p.9 ; Incorporation: An Exploitative Relation between Subculture and Dominant Culture --- p.12 ; A Critique on Post-war Youth Subculture Studies --- p.15 ; Local Studies on Subcultures and Alternative Music --- p.17 ; Conceptual Framework --- p.21 ; Research Methods --- p.22 ; Major Argument and Outline of Paper --- p.28 ; Chapter Chapter 2 --- Subcultural Discourse: Textual Analysis on LMF Music --- p.30 ; Lazy Clan: Dominant Values vs. Subterranean Values --- p.31 ; Hong Kong for Sure: Distrust of SAR Government --- p.34 ; Challenging Music Industry --- p.35 ; Attacking the Media: 'Uknuwudafuckimsayin' --- p.36 ; Dramatized Masculinity --- p.38 ; Subcultural Resistance? --- p.40 ; Chapter Chapter 3 --- Youth's Body as a Battleground: Reception Studies --- p.45 ; Domination --- p.50 ; Negotiation --- p.57 ; Resistance --- p.66 ; "Conclusion: Discursive Struggle - Domination, Negotiation and Resistance" --- p.70 ; Chapter Chapter 4 --- Dialectic between Incorporation and Excorporation --- p.73 ; LMF in Mainstream Record Industry --- p.73 ; LMF in Advertisements --- p.75 ; LMF in Media --- p.77 ; Conclusion: Dialectic of Incorporation and Excorporation --- p.80 ; Chapter Chapter 5 --- "Conclusion: Populist Resistance, Multiple Identities and Imagined Authenticity" --- p.84 ; Populist Resistance --- p.85 ; Multiple Identities --- p.87 ; Imagined Authenticity --- p.89 ; References --- p.93