Gab es doch einen Tomatenwurf der Kunsthistorikerinnen? : Die Kunsthistorikerinnentagungen (1982-2002) in der Perspektive von 1968

Abstract

The article explores the interdependencies between feminist in art history in Germany and the political and social upheavels around 1968. It lays its focus on the fact that the theoretical debates initiated by feminist scholars in art history profited a lot from feminist art of the 1960s and 1970s.