The Politics of Remembrance and the Remembrance of Politics in Yisang's Poetry

Abstract

Yisang (1910–1937), one of the most renowned and best-studied poets of Korea's colonial period, is usually remembered as a bohemian, as an intoxicated master of modernist language games. But a close reading of the poetologically charged poems with which Yisang introduced himself to his audience as a Koreanlanguage poet in July 1933 reveals that the engagement with Korean history and identity took center place in his own view of his poetical endeavors. However, different from more simple-minded nationalist authors, Yisang recognized the doubleedged quality of "history" and "nation" — constituting both a treasure and a burden. It is argued that this complication of the "love for the nation" instigated by his poetry has been one of the reasons why the political layer of Yisang's poetry has kept being forgotten — notwithstanding repeated rediscoveries — in the scholarship in recentdecades. More than anything, it is his distrust of a celebratory politics of remembrance that makes a celebratory remembrance of Yisang's politics so difficult.