In: The Sciences Po Series in International Relations and Political Economy Ser
Intro -- Contents -- Editors and Contributors -- List of Figures -- List of Tables -- Chapter 1: Introduction: Understanding Musical Diplomacies-Movements on the "Scenes" -- The Acoustic Turn in IR: Origins and Trajectories -- The Concept of "Scenes": From Sociology to IR -- Dimensions of Musical Diplomacies in International Scenes -- Bibliography -- Part I: Shaping the Musical Scene. Sounds and Voices as Objectives of Diplomacy -- Chapter 2: Europe in Rome/Rome in Europe: Diplomacy as a Network of Cultural Exchanges -- Some Examples of Feste -- Model, Circulation and the Role of Ambassadors -- Conclusion -- Bibliography -- Chapter 3: Eighteenth-Century Diplomats as Musical Agents -- Exchanges -- Collaborations and Interventions -- Connections -- Conclusion: Future Work -- Bibliography -- Chapter 4: Targeting New Music in Postwar Europe: American Cultural Diplomacy in the Crafting of Art Music Avant-Garde Scenes -- Avant-Garde Music in Postwar Europe and America -- Nicolas Nabokov and Art Music Avant-Garde in Europe: A Composer in the Political Play -- Paris's Scene: The Festival L'Œuvre du XXe siècle -- The Symphonic and Lyrical Program -- The Chamber Music Programming -- La Revue Musicale's Special Issue -- The Rome Scene: La Musica nel XX Secolo, Convegno Internazionale di Musica Contemporanea -- Boulez's Reaction -- Fred Goldbeck's Musical Chronicle in Preuves: Outlining The Presence of History in Musical Creation -- Opening Other Paths to Musical Innovation -- Building a New Cultural Scene: Nabokov in West Berlin -- Bibliography -- Part II: Shaping the Diplomatic Scene. Sounds and Voices as Frameworks of Diplomacy -- Chapter 5: The Diplomatic Viol -- Elite Instruments -- Negotiating Materials -- The "Viol" Sound of Diplomacy -- Bibliography
In: The Sciences Po series in international relations and political economy
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