Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989: re-visions
In: BASEES/Routledge series on Russia and East European studies
In: BASEES 97
Introduction -- On Spaces and Nations. Ewa Mazierska: Squeezing Space, Releasing Space: Spatial Research in the Study of Eastern European Cinema -- Lilya Kaganovsky: Thinking again about Cold War Cinema -- Duan Radunovic: Incommensurable Distance: Versions of National Identity in Georgian Soviet Cinema -- Ideologies of Representation. Evgenija Garbolevsky: Mirrors of Death: Subversive Subtexts in Bulgarian Cinema, 1964-1979 -- Monica Filimon: Popular Cinema in Late 1960s Romania -- John Haynes: Stalinist Cinema and the Search for Audiences: Liubov Orlova and the Case for Star Studies -- (Re)recordings, (Re)focusings, (Re)discoveries. Catherine Portuges: The Political Camera: Comparing 1956 in Three Moments of Hungarian History -- Jeremy Hicks: Back to the Archives: The Testimonial Power of Soviet Silent Footage of the Holocaust -- Sanja Bahun: The Human and the Possible
In: BASEES/Routledge series on Russia and East European studies
In: BASEES 97
Introduction -- On Spaces and Nations. Ewa Mazierska: Squeezing Space, Releasing Space: Spatial Research in the Study of Eastern European Cinema -- Lilya Kaganovsky: Thinking again about Cold War Cinema -- Duan Radunovic: Incommensurable Distance: Versions of National Identity in Georgian Soviet Cinema -- Ideologies of Representation. Evgenija Garbolevsky: Mirrors of Death: Subversive Subtexts in Bulgarian Cinema, 1964-1979 -- Monica Filimon: Popular Cinema in Late 1960s Romania -- John Haynes: Stalinist Cinema and the Search for Audiences: Liubov Orlova and the Case for Star Studies -- (Re)recordings, (Re)focusings, (Re)discoveries. Catherine Portuges: The Political Camera: Comparing 1956 in Three Moments of Hungarian History -- Jeremy Hicks: Back to the Archives: The Testimonial Power of Soviet Silent Footage of the Holocaust -- Sanja Bahun: The Human and the Possible
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