The essence and the margin: national identities and collective memories in contemporary European culture
In: Studia imagologica 15
Preliminary Material -- ACKNOWLEDGEMENTS -- TOWARDS A EUROPEAN MODE OF CULTURAL IMAGINARY? /Anna Saunders -- HISTORY AND FORMS OF COLLECTIVE IDENTITY IN EUROPE: WHY EUROPE CANNOT AND SHOULD NOT BE BUILT ON HISTORY /Stefan Berger -- THE DISCURSIVE CONSTRUCTION OF MINORITY IDENTITIES IN CONTEMPORARY FRANCE: A COMPARATIVE ANALYSIS OF THREE 'HUMAN' EXHIBITIONS /Sophie Watt -- SHORN WOMEN, RUBBLE WOMEN AND MILITARY HEROES: GENDER, NATIONAL IDENTITY AND THE SECOND WORLD WAR IN BRITAIN, FRANCE AND GERMANY, 1944–1948 /Wendy Webster -- WORKING CLASS COMMUNITIES AND THE NEW NATION: ITALIAN RESISTANCE FILM AND THE REMAKING OF ITALY /Marian Hurley -- THE PERSISTENCE OF THE IMAGO-MYTH: BRAM STOKER'S DRACULA /Iulius Hondrila -- THE NEW WAVE AND CITATION: SUMMONING A NEW FRENCH SPECTATOR (AND CITIZEN) TO APPEAR /Franck Le Gac -- FOR WHOM THE DOMINANT MEMORY TOLLS: THE SUPPRESSION AND RE-EMERGENCE OF REPUBLICAN MEMORY AND IDENTITY IN SPAIN /Lorraine Ryan -- 'THINGS WE POSSESS': THE PAST LIVES ON IN THE PRESENT. RECENT FICTION BY ROMANIAN-GERMAN WRITER RICHARD WAGNER /David Rock -- LOCATION AND IDENTITY IN CONTEMPORARY ITALIAN CRIME NARRATIVE: THE CASE OF MARCELLO FOIS'S CRIME NOVELS /Lucia Rinaldi -- 'RESCUING THE GAZE': SEEING AS REMEMBERING IN GIANNI CELATI'S STRADA PROVINCIALE DELLE ANIME /Laura Rorato -- POLITICAL ARCHITECTURE AND THE SEDUCTION OF PLACE: THE FORM OF PARLIAMENTS AND EUROPEAN IDENTITY /Giovanni Rizzoni -- SILICON SAXONY:NEWLIFE IN ANOLDCOUNTRY /Joachim Schwend -- NOTES ON CONTRIBUTORS -- INDEX.