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Intro -- Preface -- Contents -- Livre no mundo/ Free in the world -- Contributors -- Introduction - Fragmented connectivity in lusophone diasporic spaces (Rosana Martins & -- Massimo Canevacci) -- Portugal -- 1 - Representation and the sense of belonging in São Paulo and Lisbon (Rosana Martins) -- 2 - Graffiti, visual culture and ethnicity: the black neighbourhood of Kova da Moura (Ricardo Campos) -- 3 - Spaces of representation: Identity, otherness and transformation in Portuguese hip-hop (Teresa Fradique) -- 4 - The sampling of Lisbon: Hip-hop and the lusophone imagination (Jorge de La Barre) -- Brazil -- 5 - B-boys (Rio de Janeiro) and rappers (Lisbon) in search of recognition: a brief comparison (Otávio Raposo) -- 6 - PiXação: In praise of the strength and 'useless' beauties of Brazilian youth (Gustavo Coelho) -- 7 - 'Manos e Minas': The TV show (Rosana Martins & -- Claudia Garrocini) -- 8 - Urban quilombo: Maranhão's hip-hop, the periphery and 'Africanness' (Ana Stela Cunha & -- Rosenverck Estrela Santos) -- 9 - 'Os anos de chumbo': Grupo Tupinãodá and the possibilities of street art for resistance (Holly Eva Ryan) -- Africa -- 10 - Chronotope identification in kriolu rap (Derek Pardue) -- 11 - Rap and the representation of public space in Praia City (Redy Wilson Lima) -- 12 - Who has the word?: MC Azagaia's intervention into past and politics in Mozambique (Anna Pöysä & -- Janne Rantala) -- 13 - Hip-hop in Angola Social intervention rap (Gilson Lázaro & -- Osvaldo Silva) -- 14 - From radios to stages Juvenile political participation and dissent through rap (Miguel de Barros) -- Conclusion - Performative metropolis Self-representation, expanded codex, digital culture, trans-urban subject (Massimo Canevacci) -- Index.
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