In: Routledge Studies in Cultural History Ser.
Cover -- Half Title -- Series Page -- Title -- Copyright -- Contents -- Acknowledgments -- 1 Introduction -- PART I Producing national and transnational imaginaries -- 2 Negotiating mobile subjectivities: Costume play, landscape, and belonging in the colonial road movies of Shimizu Hiroshi -- 3 Moore's utopia: Canada in the cinematic imagination of Michael Moore -- 4 Seeing Beneath the Veil: Saira Shah and the problems of documentary -- 5 Textual communities and localized practices of film in Maoist China -- 6 Transnational communities of affinity: Patricio Guzmán's The Pinochet Case -- PART II Historical feeling in the sites of production -- 7 Moving intimacy: The betrayals of a mother called "Yesterday," a child called "Beauty" and a father called John Khumalo -- 8 Queer grit: Jane West rides through the violence of the Hollywood Western -- 9 Violence, gender, and community in Atanarjuat -- 10 Memory, affect, and personal modernity: Now, Voyager and the Second World War -- PART III The culture of film and the production of history -- 11 Alterity, activism, and the articulation of gendered cinemascapes in Canadian Indian country -- 12 The Battle of Algiers: Pentagon edition -- 13 Jacob the Liar and historical truth in Berlin and Hollywood -- 14 Abderrahmane Sissako: Les lieux provisoires of transnational cinema -- Contributors -- Index.
In: Routledge studies in cultural history 3
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