In: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde v. 290
In: Southeast Asia mediated v. 5
Preliminary Material /Bart Barendregt -- Sonic Histories in a Southeast Asian Context /Bart Barendregt -- Music on Dutch East Indies Radio in 1938: Representations of Unity, Disunity, and the Modern /Philip Yampolsky -- 'Dirty Dancing' and Malay Anxieties: The Changing Context of Malay Ronggeng in the First Half of the Twentieth Century /Jan van der Putten -- Disquieting Degeneracy: Policing Malaysian and Singaporean Popular Music Culture From the Mid-1960s to Early-1970s /Adil Johan -- Pop Goes Melayu: Melayu Popular Music in Indonesia, 1968–1975 /Andrew N. Weintraub -- Pop Melayu vs. Pop Indonesia: New Interpretations of a Genre into the 2000s /Emma Baulch -- Worlds of Sparkling Lights: Popular Music and Youth Cultures in Solo, Central Java /Lars Gjelstad -- Seductive Pleasures, Eluding Subjectivities: Some Thoughts on Dangdut's Ambiguous Identity /Bettina David -- Notes on Dangdut Music, Popular Nationalism, and Indonesian Islam /Jeremy Wallach -- Politicians who Love to Sing and Politicians who Detest Singing /Kees van Dijk -- Musical Aspects of Popular Music and Pop Sunda in West Java /Wim van Zanten -- Modernizing Songs of the Forest: Indigenous Communities Negotiate Tensions of Change in Malaysia /Tan Sooi Beng -- Index /Bart Barendregt.
In: Southeast Asia Mediated
Sonic Modernities analyses the interplay between the production of popular music, shifting ideas of the modern and, in its aftermath, processes of social differentiation in twentieth-century Southeast Asia.
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