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Abstract
Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Ranciere: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Ranciere, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Ranciere's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, identity politics, phenomenology and perception are key themes throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' and 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Ranciere, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Ranciere, develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns
"Chapter 1 Introduction: The Schizophrenia of Impossible Identification, and the Impossible Identification of Schizophrenia" -- "Notes" -- "Chapter 2 Redistributing the Sensible: The Art of Borders, Maps, Territories and Bodies" -- "Notes" -- "Chapter 3 Politics as the Interruption of Inequality, and the Police as the Miscount" -- "Archipolitics, parapolitics and metapolitics" -- "Notes" -- "Chapter 4 Art as Dissensus: Moving Beyond the Ethical and Representative Regimes with the Help of Kant and Hegel" -- "Notes" -- "Chapter 5 Framing and Reframing Rancière's Critical Intervention: Foucault and Kant" -- "Notes" -- "Chapter 6 Form and Matter" -- "Notes" -- "Chapter 7 Feminist Art Disrupting and Consolidating the Police Order" -- "Notes" -- "Concluding Reflections" -- "Notes
Zugriffsoptionen:
Die folgenden Links führen aus den jeweiligen lokalen Bibliotheken zum Volltext:
Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order
Zugriffsoptionen:
Die folgenden Links führen aus den jeweiligen lokalen Bibliotheken zum Volltext:
