Photography in Portuguese Colonial Africa, 1860–1975

In: Cambridge Imperial and Post-Colonial Studies

Abstract

Chapter 1. Caught on Camera: An Introduction to Photography in Portuguese Colonial Africa -- Part I Charting the Empire: Knowledge, Control, Power -- Part I Charting the Empire: Knowledge, Control, Power -- Chapter 2. Photographing Tropical Plants in the Late Nineteenth Century: Scientific Practices and Botanical Knowledge Production -- Chapter 3. Stopping for the Camera: Photographs of the Portuguese Expedition to Báruè, Mozambique, 1902 -- Chapter 4. Ethnographic Album of Angola: Overlaps Between Photography, Knowledge and Empire (1930s–1940s) -- Chapter 5. An Africanist Photo-ethno-graphy in the Portuguese New State (1928–1974) -- Chapter 6. To See Is to Know? Anthropological Differentiations on Portuguese Colonial Photography Through the Work of Mendes Correia -- Part II Showcasing the Empire: Propaganda, Media, Exhibitions -- Chapter 7. Visions of Wildlife and Hunting in the "Sportsmen's Paradise": Exploring Photography from the Mozambique Company's Archive -- Chapter 8. Industrial Landscapes in Colonial Mozambique: Images from an Economic Magazine -- Chapter 9. To See, to Sell: The Role of the Photographic Image in Portuguese Colonial Exhibitions (1929–1940) -- Chapter 10. Images of Angola and Mozambique in the Imperial Metropolis: Photographic Exhibitions Held at the Palácio Foz (1938–1960) -- Chapter 11. Vision and violence. Black women's bodies on display (1900–1975) -- Part III Holding the Empire: Political Violence, Labour, Struggle -- Chapter 12.Images That Kill: Counterinsurgency and Photography in Angola Circa 1961 -- Chapter 13. Colonial War/Liberation Struggle in Guinea Bissau: From Personal Photographs to Public Silences -- Chapter 14. Curating the Past: Memory, History, and Private Photographs of the Portuguese Colonial Wars -- Chapter 15. Photographic Colonial Agency: The Work of Agostiniano de Oliveira at the Diamang (1948–1966) -- Chapter 16. 'Our Nightly Bread': Women and the City in Ricardo Rangel's Photographs of Lourenço Marques, Mozambique (1950s–1960s)./.