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Abstract
The nation-state of Prussia, colonialism, and the age of industrialization -- The First World War and the hygiene movement -- The development of storage- and plant protection -- Definition of pesticides -- Control of wood-destroying insects, textile pests, and harmful insects on natural history objects -- Protective and human toxic effect of historical pesticides and their suitability test -- Typological recording of pesticides -- Spatial conditions and personnel requirements for the preservation of the collections at the Königliches Museum für Völkerkunde in Berlin from the end of the 19th to the beginning of the 20th century -- Explorers, collectors, and adventurers at the Königliches Museum für Völkerkunde in Berlin from the end of the 19th to the beginning of the 20th century -- Active ingredients and agents for the protection of persons and goods on expeditions -- Developments and experiments on pest control at the Königliches/Staatliches Museum für Völkerkunde in Berlin -- Knowledge transfer and product application from industry, commerce, and trade at the Königliches/Staatliches Museum für Völkerkunde in Berlin -- Orders and consequences for the use of pesticides at the Königliches/Staatliches Museum für Völkerkunde in Berlin from the end of the 19th to the beginning of the 20th century -- Knowledge transfer, exchange, and dissemination of knowledge at the national and international level -- Implementation of pest control measures in a national and international context during the period under investigation.
"The Toxic Museum examines the use of pesticides in German museum collections at the end of the 19th and early 20th centuries. It reconstructs the research of substances against harmful insects in museum collections within the historical context of the formation of nation states, colonialism, a strengthening chemical industry, the First World War and the resulting, broad-based hygiene movement, through the lens of the Ethnologisches Museum (Ethnological Museum) in Berlin. Due to their persistence, the consequences of the use of pesticides in museum collections are now unmistakable and well documented in many places. Numerous objects are highly contaminated and only accessible under difficult conditions regarding occupational health and safety. This creates obstacles for conservation and scientific processing, as well as for mediation in the context of exhibitions and external loans. The most precarious and difficult situations arise when contaminated museum objects are repatriated to their countries of origin. This monograph examines contemporary challenges in the 21st century museum landscape and contextualizes the history of pesticide use at the turn of the 20th century. The Toxic Museum will be of great interest to students and scholars working in conservation, museology, monument preservation, art and cultural studies, ethnology, history, and economics"--
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