The cultural life of capitalism in Yugoslavia: (post)socialism and Its other

The Cultural Life of Capitalism in Yugoslavia -- Acknowledgements -- Contents -- Chapter 1 Introduction: Cultural Capitalism the (Post)Yugoslav Way -- Capitalism: A Restructured Feeling -- Cultural Hybridity and the Yugoslav State of (Non-)Exception -- Notes Towards Cultural Capitalism -- References -- Part I Capital(ism) and Class Cultures -- Chapter 2 The Strange Absence of Capital(ism) -- References -- Chapter 3 Fictions of Crime in a State of Exception -- Yugoslav Exceptionalism -- Crime Fiction -- A Specimen Story -- A Socialist Masochism -- References -- Chapter 4 Rethinking Class in Socialist Yugoslavia: Labor, Body, and Moral Economy -- On Liminality -- The Bodies -- The Gaze -- Conclusion -- References -- Chapter 5 The Restoration of Capitalism After Yugoslavia: Cultural Capital, Class and Power -- Class as a Discursive Object: "Nation-Talk" and "Class-Talk" in Post-Yugoslav Capitalism -- Cultural Boundary-making: Culture as Capital -- Egalitarianism, Neoliberalism and the Myth of Middle-classness -- Five Cultural Types and Their Class: Localism vs Cosmopolitanism -- Aesthetic Cultures and Their Class Affiliation -- Social Character and Moral Economy of Cultural Types: Class, Gender and Ethnicity -- Conclusion: Middle Classes in Search of Mythical Fullness -- References -- Chapter 6 Class and Culture in Yugoslav Factory Newspapers -- I -- II -- III -- IV -- V -- References -- Chapter 7 Post-Yugoslav Notes on Marx's Class Theory and Middle-Class Classism -- Introduction -- Two Theories of Class in Marx -- Class and Culture -- Middle Class and Classism -- References -- Part II Trajectories of Capitalism: Culture and Everyday Life -- Chapter 8 On Yugoslav Market Socialism Through Živojin Pavlović's When I Am Dead and Pale (1967) -- Black Wave Films Preceded the Minerva's Owl of 1968