Language, Nation, Race: Linguistic Reform in Meiji Japan (1868-1912) (Edition 1)

Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. "Pre-Nation" -- 1. Competing "Languages" -- 2. Sound, Scripts, and Styles -- 3. Zoku as Aesthetic Criterion -- Part II. Race and Language Reform -- Introduction -- 4. Racializing the National Language -- 5. Tropes of Racialization in the Works of Natsume Sōseki -- Notes -- Bibliography -- Index

A free open access ebook is available upon publication. Learn more atwww.luminosoa.org. Language, Nation, Race explores the various language reforms at the onset of Japanese modernity, a time when a "national language" (kokugo) was produced to standardize Japanese. Faced with the threat of Western colonialism, Meiji intellectuals proposed various reforms to standardize the Japanese language in order to quickly educate the illiterate masses. This book liberates these language reforms from the predetermined category of the "nation," for such a notion had yet to exist as a clear telos to which the reforms aspired. Atsuko Ueda draws on, while critically intervening in, the vast scholarship of language reform that engaged with numerous works of postcolonial and cultural studies. She examines the first two decades of the Meiji period, with specific focus on the issue of race, contending that no analysis of imperialism or nationalism is possible without it.

"Language, Nation, Race explores the various language reforms at the onset of Japanese modernity, a time when "national language" (kokugo) was produced in order to standardize the Japanese language. Faced with the threat of Western colonialism, Meiji intellectuals proposed various reforms to standardize the Japanese language in order to quickly educate the illiterate masses with the new forms of Western knowledge. This book liberates these language reforms from the predetermined category of the "nation," for such a notion had yet to exist as a clear telos to which the reforms aspired. Atsuko Ueda draws on, while critically intervening in, the vast scholarship of language reform that arose in the 1990s and that engaged with numerous works of postcolonial and cultural studies. She examines the first two decades of the Meiji period, with specific focus on the issue of race, contending that no analysis of imperialism or nationalism is possible without it"--

Language, Nation, Race explores the various language reforms at the onset of Japanese modernity, a time when a "national language" (kokugo) was produced to standardize Japanese. Faced with the threat of Western colonialism, Meiji intellectuals proposed various reforms to standardize the Japanese language in order to quickly educate the illiterate masses. This book liberates these language reforms from the predetermined category of the "nation," for such a notion had yet to exist as a clear telos to which the reforms aspired. Atsuko Ueda draws on, while critically intervening in, the vast scholarship of language reform that engaged with numerous works of postcolonial and cultural studies. She examines the first two decades of the Meiji period, with specific focus on the issue of race, contending that no analysis of imperialism or nationalism is possible without it. "Language, Nation, Race is an exceptional book. It not only provides a cogent interpretation of Meiji-era linguistic and literary reform movements but also productively challenges the current scholarly consensus regarding the meaning of these movements. Atsuko Ueda makes an entirely original and convincing argument about the relevance of 'whiteness' to the understanding of linguistic, aesthetic, and cultural values within these movements."—JAMES REICHERT, Associate Professor of East Asian Languages and Cultures, Stanford University "A remarkable accomplishment, bound to have a lasting impact in the field of Japan studies and beyond. Ueda's compelling reading of Meiji period literary and linguistic debates opens new avenues for a philosophical questioning of phoneticism and its significance to the formation of the geopolitical categories of 'West' and 'non- West.'"—PEDRO ERBER, author of Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan

Competing "languages" : "sound" in the orthographic reforms of early Meiji Japan -- Sound, scripts, and styles : Kanbun kundokutai and the national language reforms of 1880s Japan -- Zoku as aesthetic criterion : reforms for poetry and prose -- Racializing the national language : Ueda Kazutoshi's Kokugo reform -- Tropes of racialization in the works of Natsume Sōseki.