Suchergebnisse

AbstractJournalism as it is currently practiced — conveying information, often with questionable objectivity — has contributed to the crisis in our public life. A middle ground exists between disinterest and activism by which the profession can assist in the replenishment of civic capital.

Public journalism is challenging the more traditional notions of mainstream journalism. It represents an attempt to connect journalists with the communities within which they operate. It places citizen input at the center of journalistic concerns. In this essay, we examine the origin and development of public journalism. We note a few of the similarities in this movement to the early muckrakers operating at the turn of the century. We then consider the state of public political knowledge and how this affects public journalism efforts. Finally, we argue for educational reforms to aid public journalism in connecting to a more deliberative public.

Higher education in the United States faces a loss of trust. Much of the response to the public's decreasing confidence has been through the accountability movement's focus on individual, private benefits. Public trust, however, will require proactive societal engagement that provides a compelling case for the contributions that higher education makes to the public good. While these challenges are discussed from a US perspective, there are global implications.

Effective public investment requires governments to address the ""recurrent cost problem"" to ensure operations and maintenance (O&M) expenditures are sufficient to sustain the flow of productive public capital services to private factors of production. Building on the model of Buffie et al (2012), this paper explores the macroeconomic implications of this recurrent cost problem and its resolution in a context that recognizes that taxation is distortionary. The model is also usedto examine stylized fiscal reforms including the replacement of a distortionary output tax with auniform consumption

"This book provides further insight into the interrelationships between artwork, public space and beholder. Public art has been a burgeoning phenomenon across cities in the Western world since the late 1940s. Various axioms have been produced about what public art 'does' to people in certain places and times. These axioms mainly originate from those who produce public artworks and those who are involved in public art's enabling institutional and cultural policy contexts. Until now, public art has hardly been problematised from a geographical perspective. On top of that, little is known about the relationships between art and public space through particularly the perspectives of public art's publics. This work explicitly includes both a geographical perspective and publics' experiences of public art."--P. [4] of cover