Non-Representational Theory and the Creative Arts
In: Springer eBooks
In: Social Sciences
Acknowledgments -- Notes on Contributors -- Foreword: Non-Representational Dreams -- 1 Creative Practice and the Non-Representational -- Part 1 Situated Practices in Art, Craft and Design -- 2 Geo/graphic Design -- 3 Geologic Landscape: A Performance and a Wrecked Mobile Phone -- 4 Micro-Geographies of the Studio -- 5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation -- 6 Feeling Queer Art in Public: The Gay Liberation Monument -- Part 2 Artistic Engagements with Geography -- 7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry -- 8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography -- 9 'Call That Art? I Call It Bad Eyesight': Seeing or Not Seeing in the Context of Responsive Art Practice -- 10 Forward, Back, Together – and the Materialities of Taking Part -- 11 Where Does 'Your' Space End and the Next Begin? Non-Representational Geographies of Improvised Performance -- Part 3 Geographers Exploring Artistic Practice -- 12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition -- 13 Creativity, Labour, and Captain Cook's Cottage: From Great Ayton to Fitzroy Gardens -- 14 Material Conditions in the Post-Human City -- 15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality -- 16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body -- Interlude: Supervising -- Part 4 Sound, Music, and Creative Mobilities -- 17 Audio Recording as Performance -- 18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies -- 19 Walk with Me -- 20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm -- 21 Fragments (formerly Tales from the Asylum) -- 22 On Edge: Writing Non-Representational Journeys -- Afterword: Sensing the World Anew