Suchergebnisse

The Energy and Commerce Committee in the U.S. House of Representatives developed the 21st Century Cures Act through a fact‐finding process that involved many different stakeholders in the biotechnology field. This effort can be viewed as an example of policy entrepreneurship in that the committee was trying to accelerate the development of new drugs and treatments. Some members of the committee were very active in this process, while others were less engaged. This article investigates what factors influenced individual legislators' participation level in the initiative. We consider whether there is evidence that legislator characteristics and the types of groups actively involved in the initiative contributed to some important viewpoints going unaddressed. The evidence supports a contention in the literature that legislators approach biotechnology with a promotional focus as opposed to placing an emphasis on protecting the public from harm, which may have led to potentially problematic changes in areas such as informed consent.Related Articles

Harvey, Olivia. 2009. "." Politics & Policy 37 (): 51‐71. http://onlinelibrary.wiley.com/doi/10.1111/j.1747-1346.2008.00161.x/abstract


David, Charles-Phillipe. 2015. "." Politics & Policy 43 (): 163‐195. http://onlinelibrary.wiley.com/doi/10.1111/polp.12106/abstract


Delshad, Ashlie B. 2013. "." Politics & Policy 41 (): 213‐240. http://onlinelibrary.wiley.com/doi/10.1111/polp.12009/abstract
Related Media

Films: Harvard T. H. Chan School of Public Health. 2017. "." Harvard T.H. Chan School of Public Health. https://www.youtube.com/watch?v = 43jnxPb0WFc

. 2015. "U.S. Senate Debates the 21st Century Cures Act." https://www.c-span.org/video/?419543-1/us-senate-debates-21st-century-cures-act

n.d. "21st Century Cures: Hearings, Roundtables, and Forums." https://energycommerce.house.gov/cures-events

AbstractResearch which indicates that adverse experiences influence hypothalamic‐pituitary‐adrenal (HPA) axis functioning illustrates the social environment 'getting under the skin'. The present study extended this literature by examining whether positive social forces within the caregiving environment can also impact cortisol functioning. We conducted a prospective investigation of over 300 youth, half of whom were White and half were Black. Attachment, bonding and parental rewards for positive behaviors were observed or reported by the youth as an 8th grader. Twelve repeated measures of salivary cortisol were examined six years later when youth were young adults (mean age 20). Race differences were explored. Stronger attachment, bonding and teen‐reported positive parenting were predictive of high waking cortisol and steeper diurnal slopes six years later. This effect was nonlinear and additive, such that youth whose social contexts were characterized by the strongest attachment, bonding and rewarding parental relationships had the highest waking cortisol. When effects were moderated by race, findings were such that links of positive parenting with HPA functioning were more consistent for White than Black youth. Findings suggest that positive aspects of the caregiving environment can also 'get under the skin' and these effects are additive across a range of caregiving indices. These findings dovetail with an emerging literature on the powerful role of social support for shaping the body's stress response system and are interpreted as consistent with the Adaptive Calibration Model which suggests that cortisol regulation can have adaptive significance. A video abstract of this article can be viewed at: https://youtu.be/8evHXpt_TXM.

Die NPD wird vom Bundesverfassungsgericht nur als verfassungswidrig bezeichnet, aber nicht verboten. AfD-Rechtsausleger Höcke suhlt sich in Anspielungen auf die Sportpalastrede von Hitlers PR-Chef Dr. Joseph Goebbels ("Reichsminister für Volksaufklärung und Propaganda"). Andrej Holm ist inzwischen weder Staatssekretär noch Mitarbeiter der Humboldt-Uni.

Aber auch eine gute Nachricht können wir vermelden: Die Lage erscheint diesmal schon am späten Freitag ...

Trotz der kalten Welt ein schönes Wochenende und einen guten Start in die neue Woche wünschen euch

Philip und Ulf

Hausmitteilung

Bei iTunes ist die Lage der Nation hier zu finden - wir freuen uns über Abos & gute Bewertungen: Eure Sterne und "hilfreich"-Bewertungen helfen beim Ranking und damit dabei, dass neue Hörerinnen und Hörer die Lage finden können.
Wenn euch unser Podcast gefällt freuen wir uns über eine Spende auf das Konto der "Lage der Nation" - und hier könnt ihr auch direkt eine Überweisung in eurem Banking-Programm öffnen, wenn es den BezahlCode-Standard unterstützt
Wenn Ihr nichts mehr verpassen wollt, abonniert Ihr den niederfrequenten Kuechenstud.io-Newsletter.
Unsere beliebten LdN-Shirts und Hoodies bekommt ihr im kuechenstud.io Shop.
Wir haben eine Fanpage auf Facebook und freuen uns über einen Klick auf "Like".
Und bei Twitter sind wir natürlich auch zu finden.


Trump im Amt

Trumps offizieller Twitter-Account als Präsident
Trumps "Inaugural Address"


NPD zwar verfassungsfeindlich, aber nicht verboten

Pressemitteilung des BVerfG
Falschmeldungen in Serie zu angeblichem NPD-Verbot: Qualitätsmedien versagen bei Verfassungsgerichts-Verkündung


AfD-Höcke macht auf Sportpalast

Interne Anweisung von AfD-Chefin Frauke Petry legt Medienstrategie offen - kress.de
Höcke-Rede im Wortlaut
Dr. Joseph Goebbels: Wortlaut der Rede im Berliner Sportpalast vom 18. Februar 1943
Video der Sportpalastrede (Ausschnitt mit den "Zehn Fragen")
Schauen Sie diese Rede - Sascha Lobo, SPON

Tweet von Historiker Moritz Hoffmann


Facebook kooperiert mit deutschen Journalisten



"Warum wollt ihr auf Facebook Fakten checken?" (Correctiv)

News Feed FYI: Addressing Hoaxes and Fake News (Facebook)



Brexit: Theresa May verkündet ihre Ziele

Theresa May's Brexit speech in full
Lage der Nation 016 zum Brexit
Lage der Nation 017 zum Brexit, u.a. mit Sven Giegold MdEP



Anis Amri Taskforce



Marokkanischer Geheimdienst warnte vor Amri (Sueddeutsche)

Clemens Binninger im DLF zu Amri und Behörden-Wirrwarr (mp3)




Feedback

Drei Missverständnisse bei der Debatte um Big Data im Wahlkampf - Michael Seemann, @mspro
Beispiel eines Geschäftsverteilungsplans: GVPl. des Landgerichts Berlin



Werbung



Kuechenstud.io-Podcast "Küchenradio"


Kuechenstud.io-Podcast "Mein Freund der Baum"

T-Shirts ohne Versandkosten (27.1. bis 1.2.2017, Gutscheincode: SHIP17)

Objective: Our goals were to compare three techniques for performing a psychomotor vigilance task (PVT) on a touch screen device (fifth-generation iPod) and to determine the device latency. Background: The PVT is a reaction-time test that is sensitive to sleep loss and circadian misalignment. Several PVT tests have been developed for touch screen devices, but unlike the standard PVT developed for laboratory use, these tests allow for touch responses to be recorded at any location on the device, with contact from any finger. In addition, touch screen devices exhibit latency in processing time between the touch response and the time registered by the device. Method: Thirteen participants completed a 5-min PVT on a touch screen device held in three positions (on a table with index finger, handheld portrait with index finger, handheld landscape with thumb). We compared reaction-time outcomes in each orientation condition using paired t tests. We recorded the first session using a high-speed video camera to determine the latency between the touch response and the documented response time. Results: The participants had significantly faster reaction times in the landscape-oriented position using the thumb, compared with the portrait-oriented position using the index ( M = 224.13 and M = 244.26, p = .045). Using data from 1,241 unique touch events, we found a mean device latency of 68.53 ms that varied highly between individuals. Conclusion: Device orientation and device latency should be considered when using a touch screen version of a PVT. Application: Our findings apply to researchers administering touch screen versions of the PVT.

Wir bleiben am Puls der Diskussion über die richtigen Konsequenzen aus dem Anschlag vom Breitscheidplatz und stellen euch die Vorschläge des Bundesinnenministers vor, der massiv Sicherheitsaufgaben von den Ländern auf den Bund verschieben will - unter anderem sollen die bisherigen Landesämter für "Verfassungsschutz" abgeschafft werden. Außerdem besprechen wir euer Feedback zum Thema Videoüberwachung und gehen ausführlich auf die Kölner Polizei-Kessel in der Silvesternacht und die Diskussionen um "racial profiling" ein. Schließlich: Christopher Lauer outet einen braven Bank-Angestellten als AfD-Anhänger, indem er dessen eMail auf Twitter veröffentlicht - legal oder illegal?

Ein angenehmes Wochenende und viel Freude mit der neuen Lage

Philip und Ulf

Hausmitteilung

Bei iTunes ist die Lage der Nation hier zu finden - wir freuen uns über Abos & gute Bewertungen: Eure Sterne und "hilfreich"-Bewertungen helfen beim Ranking und damit dabei, dass neue Hörerinnen und Hörer die Lage finden können.
Wenn euch unser Podcast gefällt freuen wir uns über eine Spende auf das Konto der "Lage der Nation" - und hier könnt ihr auch direkt eine Überweisung in eurem Banking-Programm öffnen, wenn es den BezahlCode-Standard unterstützt
Wenn Ihr nichts mehr verpassen wollt, abonniert Ihr den niederfrequenten Kuechenstud.io-Newsletter.
Unsere beliebten LdN-Shirts und Hoodies bekommt ihr im kuechenstud.io Shop.
Wir haben eine Fanpage auf Facebook und freuen uns über einen Klick auf "Like".
Und bei Twitter sind wir natürlich auch zu finden.


Vorschläge für einen "starken Staat"

Leitlinien für einen starken Staat in schwierigen Zeiten - Thomas de Maizière, BMinInn, FAZ
Es braucht den Verfassungsschutz gar nicht mehr - Heribert Prantl, SZ
Die Fehler der Terror-Fahnder im Fall Amri - SZ
Der Gefährder - Über die schwierige Arbeit der Terrorfahnder. Von Georg Mascolo - SZ



Nachlese Video-Überwachung

LI094: Über die Nützlichkeit von Videoüberwachung - Lauer informiert
Die Sinfonie der Großstadt - Stummfilm von Walter Ruttmann (1927)
Berlin – Die Sinfonie der Großstadt - Wikipedia


Kölner Kessel und Racial Profiling

Rassistische Großkontrollen zum Jahreswechsel - Neues Deutschland
"Differenzierungskriterium Hautfarbe ist verboten" - Interview mit Prof. Dr. Matthias Bäcker in Deutschlandfunk




Profiling im Netz

Discrimination in Online Ad Delivery (Latanya Sweeney, Harvard University)


Can computers be racist? Big data, inequality, and discrimination

How-To Analyze Everyone – Teil IX: Predictive Policing oder wenn Vorurteile Algorithmen füttern (Netzpolitik)


Machine Bias (ProPublica)



Lauer vs. Rettig: Darf man "private" Mails veröffentlichen?

Bedrohter Politiker outet Sparkassen-Mitarbeiter als AfD-Fan - WAZ
Blogpost zur Rechtslage von Thomas Stadler - internet-law.de



Pressereisen


Mein erstes Mal (Der Freitag)


Die Türkei setzt trotz böser Worte voll auf Europa (FAZ)

Wie Ankara die Welt sieht (Tagesspiegel)

Regierungsvize, Kurde, EU-Freund

International audience ; "Capture Land" is a song from Chronixx's second album (2014), a video clip, and a short film by Nabil Elderkin that came out the same year. I apply a textual and contextual analysis to these materials in order to study the collective memory that they stage. It appears that slavery remains the matrix from which Jamaica understands the socio-economic condition of the majority of its population. The moral condemnation of slavery and of European conquest is articulated to the diasporic sentiment, and Capture Land stages the desire to "return" to Africa. The character of the Rastafari keeps on embodying the racial, social and political identities of Jamaica, and therefore anchors firmly contemporary reggae as the legacy of roots reggae from the 1970s and the 1980s. ; « Capture Land » est à la fois une chanson tirée du deuxième album de Chronixx (2014), un clip vidéo et un court métrage réalisé par Nabil Elderkin sorti la même année. Une analyse textuelle et contextuelle est appliquée à ces matériaux afin d'étudier les mémoires collectives qui y sont mises en scène. Il apparaît que l'esclavage reste la matrice à partir de laquelle la Jamaïque comprend les conditions socio-économiques actuelles de la majorité de sa population. La condamnation morale de l'esclavage et des conquêtes européennes s'articule au sentiment diasporique, et Capture Land met en scène le désir de « retour » en Afrique. La figure du Rastafari continue d'incarner les identités (raciale, sociale et politique) jamaïcaines et ancre ainsi solidement le reggae contemporain dans le patrimoine représenté par le reggae roots des années 1970 et 1980.

My work is a combination of videos, objects, and performances with a multidisciplinary practice that engages with the formal language of sculpture, photography, video/cinema, and drawing while being in dialogue with concepts and concerns about the image, the surface, and the space of representation. I am interested in the poetics and phenomenology of life; and the way one interacts in an environment; and the way digital/virtual media has shifted our experiences in life. Rethinking the way one finds boredom to get away from virtual capitalist spaces is a concern for me. I find inspiration in the wandering through spaces. I find the rural and modern city landscapes as a space to contemplate. I try to be socially and politically aware of the way the work functions, sexaulity colors my politics, the space of queering is something I side with, looking always to find that other space between things. The camera is used as tool, as an extension of my body to make experiences material and to reflect and question them, the projector becomes the light to which I draw on objects and surfaces to mediate a different experience. There is a homespun aesthetic to the work, embracing the imperfect and ametuer hand, I use material that is available around me. The videos lean to the abstract, they live in a dream like poetic state, while the objects are handmade or found. Both videos and objects involve participation either by engaging the viewer in an installation or an interactive way, I am interested in the haptic and sensual experience between the viewer and the work.

International audience ; "Capture Land" is a song from Chronixx's second album (2014), a video clip, and a short film by Nabil Elderkin that came out the same year. I apply a textual and contextual analysis to these materials in order to study the collective memory that they stage. It appears that slavery remains the matrix from which Jamaica understands the socio-economic condition of the majority of its population. The moral condemnation of slavery and of European conquest is articulated to the diasporic sentiment, and Capture Land stages the desire to "return" to Africa. The character of the Rastafari keeps on embodying the racial, social and political identities of Jamaica, and therefore anchors firmly contemporary reggae as the legacy of roots reggae from the 1970s and the 1980s. ; « Capture Land » est à la fois une chanson tirée du deuxième album de Chronixx (2014), un clip vidéo et un court métrage réalisé par Nabil Elderkin sorti la même année. Une analyse textuelle et contextuelle est appliquée à ces matériaux afin d'étudier les mémoires collectives qui y sont mises en scène. Il apparaît que l'esclavage reste la matrice à partir de laquelle la Jamaïque comprend les conditions socio-économiques actuelles de la majorité de sa population. La condamnation morale de l'esclavage et des conquêtes européennes s'articule au sentiment diasporique, et Capture Land met en scène le désir de « retour » en Afrique. La figure du Rastafari continue d'incarner les identités (raciale, sociale et politique) jamaïcaines et ancre ainsi solidement le reggae contemporain dans le patrimoine représenté par le reggae roots des années 1970 et 1980.

This article analyzes the television and video communication technologies revolutionary fascism as inmutation society from the standpoint of the theory of Wilhelm Reich. The author proves the idea that the revolutionary fascism should seen in three ways: on the one hand, as a manifestation of the political and ideological direction, on the other hand, fixing the negative biological and animal desire to be «free» from social sanctions and restrictions with third party as inmutation society. The researcher analyzes the plots of TV news programs and videos posted on social networks «YouTube», «VKontakte» and «Facebook», which reflect overt action «Colorado DNR and LNR» and «Ukrainian Avakov's guards» during anti-terrorist operations in Eastern Ukraine in the summer of 2014. Key words: revolutionary fascism, television programs, videos, Wilhelm Reich, inmutation society. ; Стаття присвячена аналізу телевізійних та відеокомунікаційних технологій революційного фашизму як інмутації суспільства з позицій теорії Вільгельма Рай-ха. Автор статті доводить думку про те, що телевізійні та відеокомунікаційні тех-нології революційного фашизму мають розглядатися троїсто: з однієї сторони, як комплекси-дії політико-ідеологічного спрямування, з другої сторони, як фіксація негативного біологічного та тваринного прагнення бути «вільним» від суспільних санкцій та обмежень, з третьої сторони, як комплекси-дії інмутації суспільства. До-слідник аналізує комунікаційні технології, що застосовуються у сюжетах телеві-зійних новинних програм та відеокомунікаційні технології сюжетів, розміщених у соціальних мережах «YouTube», «ВКонтакті» та «Фейсбук», у яких відбито відверті дії «колорадів ДНР і ЛНР» та «українських гвардійців Авакова» під час проведення антитерористичної операції на Сході України влітку 2014 року. Ключові слова: телевізійні комунікаційні технології, відеокомунікаційні тех-нології, революційний фашизм, телевізійні сюжети, відеосюжети, В. Райх, інмута-ція суспільства.

Este artículo busca contribuir a la comprensión del videojuego como herramienta prosocial, con un creciente potencial en la pedagogía global y en la construcción de comportamientos sociales específicos. Primero, se indaga por los elementos que conforman el concepto del videojuego, sus aspectos sociales, económicos y tecnológicos que lo enmarcan. Luego, se realiza un historial de las implicaciones de los videojuegos en su abordaje de conflictos contemporáneos de alta susceptibilidad. Después, se exploran algunas experiencias que han acogido al videojuego en apoyo a resolución de problemáticas de diversa índole. En ese sentido, se analiza el uso del videojuego por parte de organizaciones y gobiernos para la consolidación de políticas públicas. Finalmente, se explica el desarrollo y la validación de un videojuego prosocial en Colombia, Reconstrucción,para comprender sus alcances. ; This article seeks to contribute to the understanding of the videogame as a prosocial tool with growing potential in global pedagogy and in generation of specific social behavior. First, the elements that comprise the video game concept are explored as well as the social, economic and technological aspects that characterize them. Subsequently, a historical survey is undertaken of the implications of videogames with respect to highly susceptible contemporary conflicts. Then, experiences involving reliance on videogames in support of diverse forms of problem resolution are explored. The use of videogames by organizations and governments for the consolidation of public policies in that context is analyzed and finally, the development and evaluation of a specific prosocial videogame in Colombia, "Reconstruction", is explained in order to clarify its scope.

This article seeks to contribute to the understanding of the videogame as a prosocial tool with growing potential in global pedagogy and in generation of specific social behavior. First, the elements that comprise the video game concept are explored as well as the social, economic and technological aspects that characterize them. Subsequently, a historical survey is undertaken of the implications of videogames with respect to highly susceptible contemporary conflicts. Then, experiences involving reliance on videogames in support of diverse forms of problem resolution are explored. The use of videogames by organizations and governments for the consolidation of public policies in that context is analyzed and finally, the development and evaluation of a specific prosocial videogame in Colombia, "Reconstruction", is explained in order to clarify its scope. ; Este artículo busca contribuir a la comprensión del videojuego como herramienta prosocial, con un creciente potencial en la pedagogía global y en la construcción de comportamientos sociales específicos. Primero, se indaga por los elementos que conforman el concepto del videojuego, sus aspectos sociales, económicos y tecnológicos que lo enmarcan. Luego, se realiza un historial de las implicaciones de los videojuegos en su abordaje de conflictos contemporáneos de alta susceptibilidad. Después, se exploran algunas experiencias que han acogido al videojuego en apoyo a resolución de problemáticas de diversa índole. En ese sentido, se analiza el uso del videojuego por parte de organizaciones y gobiernos para la consolidación de políticas públicas. Finalmente, se explica el desarrollo y la validación de un videojuego prosocial en Colombia, Reconstrucción,para comprender sus alcances.

International audience ; "Capture Land" is a song from Chronixx's second album (2014), a video clip, and a short film by Nabil Elderkin that came out the same year. I apply a textual and contextual analysis to these materials in order to study the collective memory that they stage. It appears that slavery remains the matrix from which Jamaica understands the socio-economic condition of the majority of its population. The moral condemnation of slavery and of European conquest is articulated to the diasporic sentiment, and Capture Land stages the desire to "return" to Africa. The character of the Rastafari keeps on embodying the racial, social and political identities of Jamaica, and therefore anchors firmly contemporary reggae as the legacy of roots reggae from the 1970s and the 1980s. ; « Capture Land » est à la fois une chanson tirée du deuxième album de Chronixx (2014), un clip vidéo et un court métrage réalisé par Nabil Elderkin sorti la même année. Une analyse textuelle et contextuelle est appliquée à ces matériaux afin d'étudier les mémoires collectives qui y sont mises en scène. Il apparaît que l'esclavage reste la matrice à partir de laquelle la Jamaïque comprend les conditions socio-économiques actuelles de la majorité de sa population. La condamnation morale de l'esclavage et des conquêtes européennes s'articule au sentiment diasporique, et Capture Land met en scène le désir de « retour » en Afrique. La figure du Rastafari continue d'incarner les identités (raciale, sociale et politique) jamaïcaines et ancre ainsi solidement le reggae contemporain dans le patrimoine représenté par le reggae roots des années 1970 et 1980.

The article offers a comparative look at the processes of transition to democracy experi- enced by Chilean and Spanish societies in the 1970s and 1980s, focusing on audio-visual sources. The paper reflects on the possibilities that these kinds of sources (both fictional and non-fictional videos) bestow upon historians, who can use them as primary sources and as pedagogical tools. This idea is emphasized in the article through the example of the Spanish election of 1977 and the Chilean referendum of 1988, showing how, by using videos, we can achieve a broader vision of the diverse political viewpoints. In this case, the audio-visual sources show strong similarities between the two countries, where the opposition parties were willing to move forward while the heirs of the dictatorial past were unwilling to change. ; El artículo ofrece una mirada comparada a los procesos de transición a la democracia experimentados por las sociedades española y chilena en los años 70 y 80 del pasado siglo, empleando para ello fuentes audiovisuales. Se re exiona sobre las posibilidades que los documentos en formato de vídeo (tanto cción como no- cción) ofrecen al historiador como fuente y como herramienta pedagógica, ejempli cándolo a través del caso de las elecciones del 77 en España y del plebiscito del 88 en Chile. El texto evidencia cómo, a través del audiovisual, podemos acercarnos a las distintas posiciones del espectro político de ambos países, para las que encontramos similitudes fundamentales, con una oposición dispuesta a mirar hacia el futuro y un sector heredero de la dictadura mucho más inmovilista.

This workshop investigates the power of play between cultures, generations and disciplines, promoting empathy, compassion and positivity in human relations. Groups will work together to deconstruct games and other source materials to invent new ways of playing. Deconstructive approaches from literature, art, theatre and architecture are employed to give insight and generate ideas for cultural and generational interaction. The workshop connects to a project by ACTIVISMO PSD, the Parliament of Social Design, investigating Deconstructive, intergenerational play in Middlesbrough, UK. This session will involve the making of short narrative works (written, performed, produced, built, installed) or proposals for new games to be played. Participation will lead to increased ability to work collectively across cultures and generations. We will work in a studio space with tables, chairs, paper, computer, projector, internet connection and our own devices. We will set up a Video Booth to record descriptions of games to be shared with international partners of the project. What do we mean by Deconstructive Play? Looking at "games" we (or our parents and grandparents) used to play, taking them apart then inventing something else. We will deconstruct games from Asia and Europe by connecting with a group in Japan. We will consider theatre, performance and role play in several cultures. We will learn to translate, interpret and deliberately misinterpret. We will consider learning and unlearning as key attributes in education and look at how we can apply deconstructive principles to the workplace and social spaces. We will work in groups and connect with people from different backgrounds. We will find out if we can play in a foreign language, interpret and misinterpret instructions and rules.

AbstractWeather hazards in the United States inflict both personal and economic tolls on the public. Communicating warnings about weather hazards is an important duty of TV weathercasters. Televised weather warnings are typically conveyed through live radar, live coverage, and warning scrolls. However, these traditional approaches may not be entirely effective given the limited attention some members of the public pay to these warnings. A study comparing individual responses to a traditional warning, an animated warning, and an audio warning was undertaken to evaluate the impact of delivery methods on viewer attention, retention, and preferences during viewing of severe weather warnings. A Tobii T60 eye tracker was used to document visual interactions with on-screen warnings and surveys were used to collect evidence of warning retention and preference. Demographic variables were also collected to describe the study population. Results indicate that viewers of the animated warning retained more pertinent information about the tornado warning than viewers of the traditional warning, and retention during the traditional warning was equivalent to that of the audio warning. In addition, gaze patterns for the traditional warning were much more diffuse than for the animated warning, suggesting that attention was more focused on the animation than the live video. In addition, modifications to reduce visual complexity of traditional warnings may positively impact viewer attention to individual warning elements. Future studies will consider the effectiveness of a hybrid warning containing both traditional and animated components. The current research study can be used to advance current severe weather warning communication techniques and increase public awareness during severe weather events.