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Source at http://www.alphavillejournal.com/. ; The article considers one dominant tendency of independent filmmaking, and its impact on the treatment of the refugee (broadly conceived): the application of contemporary documentary methods to both fiction and nonfiction works. The goal is a preliminary exploration of the complex, context-sensitive political effects of the approach, sometimes dubbed the "documentary style", as resistance of (and/or submission to) the hegemonic global-nationalist order. To this end, the paper investigates specifically how such filmmaking efforts may—or may not—redirect the phenomenological vehicle of imagination away from narrow nationalist imaginaries towards a broader humanist identification and emotional (and normative) investment in the stranger or "the other" per se. The focus is on two works in particular, Another News Story (Orban Wallace, 2017) and Before Summer Ends (Avant la fin de l'été, Maryam Goormaghtigh, 2017), identifying how the filmmakers' broadly pluralistic techniques help avoid the potentially dehumanising pitfalls of more didactic approaches, but also generate their own potential limitations. While the slackening of the subject's categorical—and the plot's narrative—shape may be liberating, it also risks a phenomenological disconnection on the part of the potentially interested spectator. The cognitive effects—including impediments to memory and recall—may thus weaken the work's potential as a vehicle of cultural awareness and social identification.

Sociologists largely failed to comprehend the emergence of multiracial identities in the United States during the late 1980s and early 1990s. This was due, in part, to hypodescent and the monoracial imperative. These social devices, respectively, categorize offspring of interracial unions between Whites and people of color based exclusively on the background of color, and necessitate single-racial identification. This has prohibited the articulation and recognition of multiracial identities. Hypodescent and the monoracial imperative are so normative that they have been taken for granted by sociologists across the monoracial spectrum, much as the larger society. Sociology's espoused objectivity blinded sociologists to the standpoint of their own monoracial subjectivity. They provided little critical examination of hypodescent and the monoracial imperative in terms of their impact on multiracial identity formations. Some sociologists challenged theories of marginality, which stressed the psychological dysfunction of multiracials. Yet multiracial identities were considered symptomatic of mainly isolated psychological concerns with personal identity. Sociologists were absent from analyses of collective identity and agency speaking to mixed-race concerns. Consequently, they remained on the periphery of social scientific theorizing of multiracial identities in terms of their wider-ranging implications.

This series aims to provide authoritative guidance on all aspects of the law of international organizations. This area of law has, over the years, developed into a separate field of study within the discipline of public international law. While it covers the law of individual organizations such as the United Nations, the World Trade Organization, the International Criminal Court, and the European Union, it also includes thematic institutional law topics such as membership, decision-making, legal personality, and responsibility of international organizations. In these and other areas, international organizations face similar questions and share a number of common characteristics. The series aims to include works written by practitioners as well as academics

Abstract: The article analyzes the political and theoretical potentialof cinematographic language to express and rebuild the relationship between sexual and gender differences. As cultural products, the three films analyzed - A Casa Assassinada (1972), Sunday, bloody Sunday (1971) and Les Amities Particulières (1964) - allude to feminist issues of the time, as well as instigating a reading of gender beyond the narratives, by historicizing the visibility of the female body, heteronormativity, and the subversiveness of forbidden loves as represented through the films' structure. The text argues, from a queer perspective, that the aesthetic nature of twist cinema, within the limits of each style and period, was precisely the boldness to run risks in its visual grammar, not making political concessions in challenging the moral canons of current society.

Abstract: The article analyzes the political and theoretical potentialof cinematographic language to express and rebuild the relationship between sexual and gender differences. As cultural products, the three films analyzed - A Casa Assassinada (1972), Sunday, bloody Sunday (1971) and Les Amities Particulières (1964) - allude to feminist issues of the time, as well as instigating a reading of gender beyond the narratives, by historicizing the visibility of the female body, heteronormativity, and the subversiveness of forbidden loves as represented through the films' structure. The text argues, from a queer perspective, that the aesthetic nature of twist cinema, within the limits of each style and period, was precisely the boldness to run risks in its visual grammar, not making political concessions in challenging the moral canons of current society.

The aim of this thesis is to explore the ramifications of surveillance by comparing aspects of the surveilled states of the GDR and NI during the 1970sand 1980s and their effects. This study will focus on the historical techniques and commonalties exploited by both states, exploringthe influential factors underlying the acceptance of surveillance, along with their impact on individual stakeholders, communities and societies. Foucault,who plays a key role in the theoretical framework of this thesis, in Discipline and Punishprovides ananalysis of Jeremy Bentham's panopticonsuggests, in which he perceivedthe constant threat of surveillance has an altering effect on individual behaviour, surveillanceas Foucault argues:'becomes an internalized disciplinary mechanism that is embedded in social structures and evokes self-regulation' (Foucault,1979,p.15)Current studies have yet to determinewhat impact these surveillance practices will have on the way we function, both as a society and a communities and what influence it will have on the way we interact and communicate with each other.