Divergent Accounts of Equivalent Narrative: Russian-Swedish Interdevochka Meets Swedish-Russian Lilya 4-ever
In: PORTAL: Journal of Multidisciplinary International Studies, Band 4, Heft 2, S. [np]
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In: PORTAL: Journal of Multidisciplinary International Studies, Band 4, Heft 2, S. [np]
ISSN: 0047-7354
In: The Economic History Review
ISSN: 1468-0289
AbstractIn this paper we present the first estimate of the full income distribution in pre‐industrial Sweden (including present‐day Finland). We draw on the schedule and the individual assessments devised by the authorities to distribute the 1613 Älvsborg ransom taxation to estimate income inequality, as well as the income shares of the top quantiles and of various social groups. We find that Sweden was relatively equal compared with other early modern European societies, for two main reasons: first, because the nobility, the clergy, the burghers, and other middle‐rank social groups all held relatively small shares of the total income, and second, because the landless groups were less numerous in Sweden than in other societies. This resulted in a large share of the total income going to the relatively homogeneous group of landed peasants, who made up the majority of the population. Our study thus speaks to the political historiography of early modern Sweden, within which negotiation and collaboration between the landed peasantry and the state has been seen as pivotal to the state formation process.
There has been a significant increase in the number of history programmes and documentary films about history shown on television since the 1990s. This is due to technological and institutional changes in international television but also to the wider commodification of history. The new technological means and approaches have also provided new opportunities for filmmakers in the field of history documentaries. In this article, we are interested in the role of history in television and documentary filmmaking in general, and in how developments in television and documentary filmmaking have affected the nature of historical documents on television. We are particularly interested in the relationship between history documentaries and academic historical research. What do these changes mean from the point of view of both academics and filmmakers? We approach the question from the standpoints of media practice and the concepts of truth and history culture. As a case study, we focus on the documentary film A Man from the Congo River (2010), directed by one of the writers. ; Peer reviewed
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In: International journal of academic research in business and social sciences: IJ-ARBSS, Band 14, Heft 4
ISSN: 2222-6990
In: Cultural critique, Band 91, Heft 1, S. 167-189
ISSN: 1534-5203
In: Cultural Critique, Band 91, S. 167
In: Political communication, Band 23, Heft 2, S. 241-243
ISSN: 1058-4609
In: Cultural studies, Band 20, Heft 1, S. 48-88
ISSN: 1466-4348
In: Presidential studies quarterly: official publication of the Center for the Study of the Presidency, Band 35, Heft 1, S. 212-214
ISSN: 1741-5705
In: Presidential studies quarterly, Band 35, Heft 1, S. 212-214
ISSN: 0360-4918
In: Frontiers: a journal of women studies, Band 19, Heft 3, S. 190
ISSN: 1536-0334
"Examines the cinematic and cultural discourse surrounding work, the worker, organized labor, and the working class in 20th century America, and how these films are not merely products of their times, but also producers of ideological stances concerning the status of capitalism, class struggle, and democracy in America. Themes include: reform and revolution in affecting change"--Provided by publisher
In: Theory and research in social education, Band 46, Heft 4, S. 642-648
ISSN: 2163-1654