The Mercury - May 1900 ; Gettysburg College Mercury; College Mercury; Mercury
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MAY, 1900. ocThe Qettysbur Mercury CONTENTS Voices Around College 69 The Ivove of Nature as Por-trayed by Milton's Poetry 70 College Songs 79 Seen Through a Glass 80 A Reverie 83 Autobiography of a Silver Dollar 85 A College Friendship 90 Editor's Desk 93 Is Power in Debate Declining. 95 College L,ife Involves More than the Acquisition of Knowledge 100 Exchanges.'. 101 FAVOR THOSE WHO FAVOR US. For Fine- Printing go to Tk Jo E. Wilt Wgtiii M©«e CARLISLE ST. GETTYSBURG, PA. C. B. Kitzmiller Dealer in Hats, Caps, Boots and . Douglas Shoes GETTYSBURG, PA. 11 ELLIOTT Dealer In Hats, Caps, Shoes and. Gents' Furnishing Goods Corner Center Square and Carlisle Street GETTYSBURG, PA. EDGAR 5. MARTIN, ^CIGARS AND SMOKERS' ARTICLES. %}*** tj*^ \>^* Chambersburg St., Gettysburg. Like to learn Spanish ? An easy Ian- f guage to learn. " / HossfeXd's Spanish Method. Self-teaching. $1.00 / / Suanish-English,Engli8h-SpanishDiction'y, El.00 ' / /y Hossfeld's Italian Method, Self-teaching. 41.00 / jT Italian-English, English-Italian Dictionary. 81.00 / ' S Hossfeld's German Method. Self-teaching. $1.00 S/ S s German-English,Enplish-GermanDictionary.s%2.Q0 / / Hossfeld's French Method. Self-teaching. $1.00 f/ ' / French-English, English-French Dictionary. $2.00 /, X Brooks'1st Latin Book. £0 ct«. / * Latin-English, English-Latin Dictionary. $3.00 / / Brooks' 1st Greek Lessons. fiO cts. / Greek-English, English-Greek Dictionary, $3.00 // Literal Translation! of the ClassicB—Latin, /y Qxeek, German, French. Eighty-five volume*, X sold separately, 60 eta. each. Sendfor list. *S ELTTDS & NOBLE, Publishers •/ I4-S-1S-14 Cooper Inrtituto N.Y.City / SchooVbooJcs ofall pub-lishers at one store. orsome other language? i .THE. GETTYSBURG MERCURY. VOI,. IX. GETTYSBURG, PA., MAY, 1900. No. 3 VOICES AROUND COLLEGE. HEARD BY AN OLD GKAD. Bursts of merry laughter through the open doors As we pass reflective down the corridors— Sunny-faced Allegro, genius of the scene, Satisfy our wonder; say, what can this mean ? With spirits light and jolly We scatter melancholy, Helping our genial task with mirth and fun ; Fair wisdom seems the sweeter And toilsome hours are fleeter, And every trouble's ended ere it's half begun. Shouts for victor athletes on the level field, Cheers for strong endeavor on our ears have pealed ; Stout and agile fellows on this classic ground, Why profane these precincts with such boisterous sound ? With spirits strong and jolly We rout old melancholy, And help our genial task with sport and game ; Fair wisdom seems the sweeter, Her triumphs are completer, When bounding health and vigor thrill the frame, i Strains of music quiver on the evening air, All the sweet inventions aiding song are there ; Saint Cecilia tell us, hast thou chosen this Academic garden for thy bower of bliss ? With hearts attuned and jolly We banish melancholy, And mix our genial task with glee and song ; Fair wisdom seems the sweeter, Her cup with joy repleter, When her gentle sister Music fares along. 7° THE GETTYSBURG MERCURY. Hail, indulgent Mother, crowned with glorious years, This our boyish tumult thy loved name endears ! In the busy future oft shall Fancy deem That she hears it echo softly in her dream. With hearts aglow and jolly We scoff at melancholy ; Our genial task proceeds with mirth and cheer ; As Alma Mater listens, Her eye with feeling glistens, And her blessing falls upon her children dear. THE LOVE OF NATURE AS PORTRAYED BY MILTON'S POETRY. ROBERT D. CLARE, '00—GRAEF PRIZE ESSAY. " T TE who would not be frustrated in his hope to write well ■*• hereafter in laudable things ought himself to be a true poem." Thus wrote the youthful Milton as he stood upon the threshold of that wonderful career of literary activity, which not only made his age one of peculiar interest in the development of English literature, but also gave to our language at least one of its noblest masterpieces of poetic art. A poet is one who is himself a true poem. This definition might well stand for all ages as the highest and most beautiful conception of the real follower of the poetic art. It would not, however, possess for all the same meaning, inasmuch as it also involves a second definition of the poet's art, and its rightful province, about which there is a decided difference of opinion. In order that it may serve our present purpose, we must consider it in the light of what we know of the character and convictions of its author. To Milton the writing of poetry was a prophetic office, to be exercised by none save the most godly and consecrated. The true poet must, above all, be in perfect harmony with his poetry —"not presuming to sing high praises of heroic men or famous cities, unless he have in himself the experience and practice of all that is-praiseworthy." According to Milton, the three great con-stituents of the poetical nature were knowledge, virtue and reli-gion. Anyone not recognizing these constituents was not worthy the dignity of the office. It is to his conscientious adherence to this standard, probably more than to any other cause, that most of the adverse criticism which has been passed upon his poetry is i^Ml 7 THE GETTYSBURG MERCURY. 71 due. Some of his critics have been pleased to find fault with his treatment of natural phenomena on the grounds that it lacks fidelity, and does not conform to the generally accepted poetical standards. Were poetry what many of our later writers seem to think it is, merely an interpretation of natural phenomena, these criticisms would be in part just; but hi the realm of poetry there must be liberty both in the selecting of themes, and in the treat-ment of the same. Milton's non-conformance to general rules should not expose him to criticism. Poetry deals primarily with man and nature. The higher life, however, encompassing both man and nature, adds another object—God. Milton recognized this last object as constituting the most important of these three poetical entities. It was to none other than the Omnipotent himself that he looked for his greatest theme, as well as his inspiration. It was to his wondrous dealings with man, the second entity, that he looked for the sub-ject- matter for his great masterpiece. It was to nature that he looked for illustration, ornamentation and a suitable setting. In thus subordinating nature, Milton did not under-estimate its importance in the poetic art; but he rather exalted to an ex-ceptionally high degree the importance of the other two entities. Anftther explanation of this seeming neglect of nature may be found in the fact that Milton was not a man who could be content with worshiping or glorifying his Creator by a laudation of his works in verse, but, in true Puritan faith and simplicity, desired rather to draw near and commune with Him face to face. Iyet us now consider the second thought involved in the defini-tion, " A poet is one who is himself a true poem." According to Milton's conception, poetry is largely subjective. The agency of nature is by no means eliminated, but rather is limited to the implanting in the mind of the first forms for the imagination. Thus furnished with material drawn from nature's great store-house, the mind can create for itself not only landscapes of sur-passing beauty, but also worlds and starry systems. It is this subjective element which gives to Milton's poetry its most char-acteristic qualities. In the later years of our poet's life, when his sight failed him, and he was left with nothing but a fertile mind and a strong imaginative faculty, this element is particularly ap-parent in his writings. However, at no period of his literary activity was he disregardful of nature's teachings, or lacking in a 72 THE GETTYSBURG MERCURY. due appreciation of all her varied phenomena, as has sometimes been asserted. It must be borne in mind that Milton was a man of books, not a man of the field. Although open to impressions from the world of nature, he was not a naturalist, closely observ-ing for the sake of classification all natural phenomena. " He was not concerned to register the phenomena and facts of nature, but to convey the impressions they made upon a sensitive soul. The external forms of things are to be presented to us as trans-formed through the heart and mind of the poet."—Pattiso?i. We are now able to examine with some degree of intelligence and appreciation the works of this great poet, with a view to de-termining in a more or less perfect manner the character and ex-tent of his love for nature. For our present purpose a few quotations from his best productions must suffice, although the subject merits the most careful, deliberate and painstaking study. Were we to confine ourselves to a study of Milton's earlier poems, the most likely conclusion for us to reach with reference to the criticisms to which we have already referred, would be that they are entirely groundless. Throughout this splendid collec-tion of sonnets and weightier poems there is displayed a most exquisite taste for the beauties and charms of nature. To the devout mind of our poet, nature was the glorious handiwork of the almighty Creator, and contained many of his wonderful secrets. Regarding her in this light, he could not fail to be im-pressed by her subtle influences. However, as we have before implied, he was never guilty of worshiping nature to the neglect of the great First Cause—the divine Creator—Who was back of her. By Milton, nature was regarded as the poet's ever-ready and helpful handmaid. "Willingly," to quote from Emerson, "does she follow his steps with the rose and the violet, and bend her lines of grandeur and grace to the decoration of her darling child. Only let his thoughts be of equal scope, and the frame will suit the picture. A virtuous man is in unison with her works, and makes the central figure of the visible sphere. Homer, Pindar, Socrates, Phocian, associate themselves fitly in our memory with the whole geography and climate of Greece. The visible heavens and earth sympathize with Jesus. And in common life, whoso-ever has seen a person of powerful character and happy genius, will have remarked how easily he took all things along with him THE GETTYSBURG MERCURY. 73 —the persons, the opinions and the day—and nature became an-cillary to a man." To treat the great body of Milton's poetry in any save a very general way would be entirely beyond the scope and purpose of this essay; hence, we shall confine ourselves for the present to a brief consideration of only a few of the works of each of the two periods of poetic activity which we recognize in Milton's life. To the former period, extending from about 1625 to 1640, belong most of his shorter poems, among which special mention should be made of L/Allegro, II Peuseroso, Arcades, Comus, L,ycidas, and a number of sonnets. To the latter period, extending from about 1660 to the year of his death, 1674, belong Paradise L,ost, Paradise Regained and Samson Agonistes. Of the earlier poems, the companion pieces, 1,'Allegro and II Penseroso, L,ycidas and Comus, are richest in their natural beauty and freshness, although these qualities are by no means wanting in the other poems of the period, as may be seen from these beau-tiful lines from '' On a May Morning :'' " Now the bright morning- star, day's harbinger, Comes dancing- from the east; and leads with her The flowery May, who from her green lap throws The yellow cowslip and the pale primrose." We may search throughout the whole realm of poetry and find nothing to surpass 1/Allegro and II Penseroso in choice and faithful description of the many charms of country life. Although the poems are the expressions of opposite moods, they both fur-nish us with idealized rural scenes. Note the richness of natural description in these lines from I/Allegro : —" Right against the eastern gate, Where the great sun begins his state, Robed in flames and amber light, The clouds in thousand liveries dight; While the ploughman, near at hand, Whistles o'er the furrowed land, And the milkmaid singeth blithe, And the mower whets his scythe, And every shepherd tells his tale Under the hawthorn in the dale." That Milton was not impressed only by the great and magnifi-cent in nature is attested by many passages in his works. In II Penseroso not only the feathered songsters, but even the busy lit-tle bees, are included in his thought. ■ 74 THE GETTYSBURG MERCURY. " Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy ! Thee, chantress, oft the woods among I woo, to hear thy even song'." * * * * * * * —" Hide me from day's garish eye, While the bee with honeyed thigh, That at her flowery work doth sing, And the waters murmuring, "With such consort as they keep, Entice the dewy-feathered sleep." In Lyridas, that superb creation of poetic art, we find the author, in his deep grief over the loss of his friend, giving life to the forms and forces of nature, and holding sad converse with them. "Yet once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year." When he reverts to his boyhood companionship with Lycidas we find that it is inseparably associated with wild, free nature. " For we were nursed upon the self-same hill, Fed the same flock, by fountain, shade and rill; Together both, ere the high lawns appeared, Under the opening eyelids of the morn." As he proceeds in his plaintive song he fancies that not only the sorrowing shepherd—who is in fact himself—but nature, too, is lamenting over the loss of I,ycidas. "Thee, shepherd, thee, the woods and desert caves, With wild thyme and the gadding vine o'ergrown, And all their echoes mourn." In the whole range of pastoral poetry no more beautiful and lofty, yet exquisitely delicate, lines can be found than the follow-ing : " Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honeyed showers, And purple all the ground with vernal flowers, Bring the rathe primrose that forsaken dies, The tufted crow-toe and the pale jessamine, The white pink and the pansy streaked with jet, THE GETTYSBURG MERCURY. 75 The glowing violet. The musk-rose, and the well-attired woodbine, With cowslips wan, that hang the pensive head, And every flower that sad embroidery wears, Bid amaranthus all his beauty shed, And daffodils fill their cups with tears, To strew the laureate hearse where Lycid lies." The sweet mournfulness with which the poem begins is sus-tained to the end. In this poem Milton reached the very acme of his genius. It is in this production that he reveals his true poetic nature, and it is for this reason that we have dwelt upon it at such great length. Of the remaining poems of this earlier period we shall say but little, having presented Lycidas as the representative work of Milton's genius at this period of his life. Although the Comus, as well as several of the other shorter poems and sonnets, abound in natural richness, time and space forbid a treatment of them in this essay. We now turn to the latter period of Milton's poetic activity— the period which gave to us that wonderful epic, Paradise I_ost. It is with ithis poem that we are chiefly concerned at present. Paradise Regained and Samson Agouistes, grand as they are, do not represent our poet at his best, having been written at the close of a life that had long before been cast into darkness—a darkness springing not only from destroyed vision, but also from increasing sorrow and disappointment. The question arises : What can be said of Milton's love for nature as portrayed in Paradise L,ost; was it diminished in in-tensity or different in character ? Before answering, let us con-sider certain circumstances which are inseparably connected with a proper treatment of this question. Milton was now an old man; years of domestic trials and political strife had left upon him their evil effects ; moreover, he was now blind. Conditions such as these surely are not conducive to poetical activity. Neverthe-less, Milton still had before him his great life's work, and would never rest'satisfied till it was accomplished. Paradise I A REVERIE. CHAS. W. WEISER, '01. I. There's a beauty in the spring-time, When the first warm rays beat down From the bright, blue sky in Heaven, Giving- life to all around ; When but here and there is seen Float a white and fleecy cloud, Like a dove the messag-e bringing:— "God is wisdom, God is love." II. When the trees in all their splendor Now are robed in living green; When the woods now crowned with glory Glimmer in the morning sheen ; As we tread with heart so blithesome Through each leafy, shady bower, In pursuit of fairest nature, Sauntering after rarest flower, We drink in her grandest blessing— Glorious sunshine, purest air. And in stumbling o'er the rock-beds, By the side of rippling stream, Suddenly there bursts upon us Charming, bright, and glorious scene. In the middle of the forest Basks a meadow in the sun, And down thro' its grassy pastures, 84 THE GETTYSBURG MERCURY. Waters fresh do gently run. On we saunter o'er the meadow Gently plucking- tender flowers, Finding there the grass—the blue-eyed- And the pretty yellow-star Looking upward in the sunlight, Pointing- upward to the sky. III. As the sparkling mountain torrent Flows into the muddy river, And the waters, swiftly flowing Soon are blended into one; So the scented breeze of springtime Soon is blended with the summer. Yes, the busy, humming summer With its fields of rip'ning- grain, And its clattering-, rattling reaper, With its band of busy men, With its red'ning, rip'ning- cherries Hanging- tempting on the trees, With its apples in the orchard, And the clover, and the bees. All are busy, all are bustling, Gathering- in a bounteous store, While the earth is full of blessing-s, Ere the harvest-time is o'er. IV. From the ants, the bees, the harvest, We may learn a lesson true :— The work is great, the time is short, In which we have to do. The moments lost, the time ill-spent Shall never come again ; But our deeds shall yield a harvest Which will give us joy or pain. V. Slowly creeping- in its course, Southward moves the summer's sun, Quietly o'er the mountain sneaking, With his sting-, Jack Frost has come. Soon the leaves are turned to crimson, And the fruit to golden brown, Nuts are ripened, quickly gathered, As they fall upon the ground. Fruit is plucked and corn is garnered, THE GETTYSBURG MERCURY. Everything- is gathered in, Leaves are falling, winds are blowing, And the winter now begins. VI. Wind is howling, snow is falling1, Fire's crackling loud within, Corn is popping, apples roasting, Merry chatter, laugh and din. All are snug and warm to-night While the earth is decked with white. 85 od style and at less cost than you can obtain same elsewhere. They are located among the mountains but their work is metropolitan. You can be convinced of this if you give them the opportunity. Mt. Holly Stationery and Printing Co. *SPRINGS, PA. H. S. BENNER, .DEALER IN. Groceries, Notions, Queensware, Glassware, Etc, Tobacco and Ggars. Yl CHAMBERSBURG ST. WE RECOMMEND THESE BUSINESS MEN. Pitzer House, (Temperance) JNO. E. PITZER, Prop. Rates $1.00 to $1.25 per day. Battlefield a specialty. Dinner and ride to all points of interest,including the tb ree days* fipht, $1.25. No. 127 Main Street. MUMPER & BENDER Furniture Cabinet Making, Picture Frames Beds, Springs, Mattresses, Etc. Baltimore St., GETTYSBURG, PA. You will find a full line of Pure Drugs and Fine Sta- People's Drug Store Prescriptions a Specialty. .GO TO. fjotel (Bettysburg, Barker Sfyop. Centre Square. B. M. SEFTON J. A. TAWNEY_^ Is ready to furnish Clubs and Bread, Rolls, Etc. At short notice and reasonable rates. Washington & Middle Sts., Gettysburg. XWYT. Tr*. rLnAnJ-LnHDJKT1, Successor to 8imoil j. Codori Dealer in Beef, Pork, Lamb, Veal, Sausage. Special rates to Clubs. York St., GETTYSBURG. Davib Croxd, Dealer in $'me (groceries anb Hotions «^c4Jork Street. .GO TO. CHAS. E. BARBEHENN, Barber In the Eagle Hotel, Cor. Main and Washing-ton Sts. YOHN BROS. Agents for the Keystone State, Waldo, Washbum, Groupner & Meyer. Highest Grade Mandolins, Guitars, Banjos, Mandollas and Mandocellos. Headquarters for Phonographs, Graphophones and supplies. Trimmings of every description. All sheet music one-half off. Large discounts on Books and studies. 326 Market St., Harrisburg, Pa. in-mmum n FAVOR THOSE WHO FAVOR US. Spalding's OFFICIAL Athletic Goods Officially adopted by the leading Colleges, Schools and Athletic Clubs of the Country. Every requisite ior Baseball, Football, Golf, Tennis, Athlet-ics, Gymnasium. Spalding's Offi-cial League Ball is the Official Ball of the Na-tional League and all the lead-ing college asso-ciations Handsome cata-logue of Athletic Sports free to any address. Spalding's Baseball Guide for 1900,10 cts. A. Q. SPALDING & BROS. New York Chicago ROWE. YOUR GROCER Carries Pull Line of Groceries, Canned Goods, Etc, Best Coal Oil and Brooms at most Reasonable Prices. OPPOSITE COLLEO.E CAMPUS. S. J. CODORL *# Druggists* Dealer in Drugs, Medicines, Toilet Articles, J> Stationery, Blank Books, Amateur Pho-tographic Supplies, Etc., Etc. BALTIMORE ST. R. H. CULP PAPER HANGER, Second Square, York Street. COLLEGE EMBLEMS. EMIL ZOTHE, ENGRAVER, DESIGNER AND MANUFACTURING JEWELER. 19 S. NINTH ST. PHILADELPHIA, PA. SPECIALTIES: Masonic Marks, Society Badges, College Buttons, Pius, Scarf Pins, Stick Pins and Athletic Prizes. All Goods ordered through A. N. Beau. To Repair Broken Arti-cles use Major's Cement Remember MAJOR'S RUBBER CEMENT, MAJOR'S LEATHER CEMENT. Meneely Bell Co. TROY, N. Y. MANUFACTURERS OF SUPERIOR BELLS The 2000 pound bell now ringing in the tower of Pennsylvania Col-lege was manufactured at this foundry. PATRONIZE OUR ADVERTISERS. The Pleased Customer Is not a stranger in our establish-ment— he's right at honie, you'll see him when you call. We have the materials to please fastidious men. J. D. LIPPY, Merchant Tailor 39 Chambersburg- St., Gettysburg-, Pa. G. E. SPANGLER, Dealer in Pianos, Organs, Music, Musical Instruments, Strings, Etc. YORK STREET, 1ST SQUARE. GETTYSBURG. L. D. Miller, GROCER Confectioner and Fruiterer. Ice Cream and Oysters in Season. 19 Main St. GETTYSBURG City Hotel Main St. Gettysburg. Jt Free 'Bus to and from all Trains Thirty seconds' walk from either depot Dinner with drive over field with four or more, $1.35 Rates $1.50 to $2.00 per day John E. Hughes, Prop. Capitol Cit£ Cafe Cor. Fourth and Market Sts. HARR1SBURG, PA. First-Class Rooms Furnished. Special Rates to Private Parties. Open Day and Night. European Plan. Eunch of All Kinds to Order at the Restaurant. ALDINGER'S CAPITOL CITY CAFE. POPULAR PRICES. CALL ON F. 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These are the words of Goethe, the great German poet, and are as true in our day as when uttered. In these times of defective vision it is good to know something about eyes. A great deal has been learned about the value of glasses and their application since Goethe lived. Spectacle wearers have increased by thousands, while at the same time, persons losing their eyesight, have been greatly diminished. If your eyes trouble you in any way let me fell you the cause. Examination free and prices reasonable. We grind all our own lenses and fit the best lenses (no matter what anyone else has charged you) for $2.50 per pair and as cheap as SO cents per pair, or duplicate a broken lens if we have one-half or more of the old one, at a reasonable charge, returning same day received. .E. L. EGOLF. 807 and 809 North Third Street, HARRISBURG, PA. PATRONIZE OUR ADVERTISERS. ^entpol JJotel, ELIAS FISSEL, Prop. (Formerly of Globe Hotel) Baltimore Street, Gettysburg, Pa. Two doors from Court House. 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