Suchergebnisse

Abstract
The necessity of operational urban development becomes obvious if we intend to respond with a planned urban development to the challenges posed by an environmentally, socially, and economically sustainable urbanization. We all know the means necessary to enable operational urban development, the ones making planned urban development possible in the most developed founding Member States of the EU as well as in Central Europe – the region of the former 'Mitteleuropa'. Operational urban development needs to be fully consistent with its objective in a constantly changing public policy, market, economic, and social environment while also being guided by the current local conditions, which is why improving and developing its toolbox and methodology according to scientific standards is an ongoing task. In terms of the evolution of this process, the culture ensuring its control is a crucial factor, wherefore not only the existing toolbox and methodology, serving as its subject, is worth investigating but the very historical foundation it relies on. Indeed, this is a factor that, even despite an uncertain public policy and social environment, can prove conclusively that operational urban development, acting as a prerequisite for a conscious and planned urban development, is possible not merely because there is an established and rich toolbox in place in the most developed Western European EU Member States, which has been functioning continuously and efficiently since the end of World War II and which has, since 1990, increasingly provided for the reintegrating countries of Central Europe too, allowing for adaptation to the local conditions, but it is also possible because what we call in today's terms operational urban development is not some questionable practice of uncertain past but is nearly as ancient as the present-day European civilization with thousands of years of history, taken root in the wake of the Greek, Roman, Jewish, and Christian cultures – and this statement holds true not only for the most developed and richest countries but for those of Central Europe as well. The activity known today by the name of operational urban development already yielded some results in the past without which our cities would not be the same. This is not just the case in Western Europe but also in Central Europe. The mainstream of the European history of operational urban development that can be identified in connection with Italy, France, Germany, Spain, and England is a better-known and internationally more addressed topic in the literature even if it does not emerge in public awareness directly by this name but as a phenomenon integrated in other dimensions of the history of urbanism and architecture, the history of ideas, engineering, history, and geography. At the same time, although the turning points in its Central European history are increasingly present in scientific publications, the latter is still awaiting substantive treatment. In the above-specified context, the present study aims to facilitate this European cognitive process focused on Central Europe for 'the history of science is science itself'.

"Gathering together nearly 300 objects, including paintings, prints, scientific illustrations, textiles, sculpture, metalwork and furniture, Making Her Mark illuminates the astonishing diversity and breadth of female contributions to art of the pre-modern era (c. 1400–1800). In this important re-examination of early modern European art, an international team of scholars and curators assess the critical concepts that have shaped Western culture's understanding of what constitutes great art. In its recalibration of gender imbalances, this impressive volume offers an alternative view of the history of European art and sheds light on the collaborative nature of the creation of individual works and the interconnected histories of literature, politics, religion, science, and economics. Ambitious in its scope, Making Her Mark is a bold corrective to the assumption that female artists of the past were rare and that their work was unremarkable. The result is a dynamic introduction to scores of women artists whose names are entirely new and a long-overdue reassessment of the art, culture, and history of early modern Europe."--

"The eleven essays in this volume explore the surprising resilience of productive instabilities enclosed in historical asymmetries, cultural paradoxes, and misplaced topographies. The recent history of Central Europe - a history that vividly blurs the line between imagination and reality - is a particularly vibrant case study of such dynamics, the same dynamics that lie at the heart of modern perception. It investigates how varied and opposing tendencies co-exist and are transposed from one cultural and temporal register to another; how they emerge and are maintained in constantly renewed, productive tensions - what we call 'inhabited ruins.' Along the way the reader will encounter music from the Terezin concentration camp as a reversed Potemkin village, the BMW as an itinerant lieu de memoire, Mies van der Rohe's architecture as spaces belonging nowhere, anxious geographies, extra-territorial sounds, misremembered avant-gardes, and post-apocalyptic identities that fell out of time"--