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Intro -- Title Page -- ACKNOWLEDGEMENTS -- FOREWORD -- INTRODUCTION -- 1| THE WORLD MUST BE CHANGED, APPARENTLY -- 2| ARE YOU A MISOGYNIST IF YOU ONLY HATE FEMINISTS? -- 3| WHAT IS FEMINISM IN THE MODERN ERA? -- 4| MISANDRY (THE HATRED OF MEN) -- 5| HOW FEMINISTS VIEW THE WORLD: WELCOME TO THE GRIM WORLD OF DUALISM -- 6| WHY MEN HAVE NIPPLES, AND MY SEX CHANGE STORY -- 7| ARE FEMINISTS LESS INTELLIGENT THAN NORMAL WOMEN? -- 8| WHY ARE FAT WOMEN FAT? -- 9| ARE FEMINISTS LESS ATTRACTIVE THAN NORMAL WOMEN? -- 10| DO FEMINISTS SUFFER FROM PPS (PERMANENT PREMENSTRUAL SYNDROME)? -- 11| FEMINISM: THE TRIUMPH OF EMOTION OVER REASON? -- 12| THE DIFFERENT NATURES OF MEN AND WOMEN -- 13| THE DENIAL OF THE DIFFERENT NATURES OF MEN AND WOMEN -- 14| FEMININITY -- 15| FEMINIST THEORY: BUILDING CASTLES IN THE AIR -- 16| FEMINIST ACADEMICS AND MANGINAS -- 17| TOM MARTIN -- 18| BIG FAT FEMINIST MYTHS AND LIES: FEMALE SOLIDARITY AND FEMINIST REPRESENTATIONS OF WOMEN -- 19| ARE FEMINISTS DELUSIONAL? IS THE POPE A CATHOLIC? DO BEARS CRAP IN WOODS? -- 20| THE EVOLUTION OF NAGGING -- 21| WOMEN HAVE A RIGHT TO COMPLAIN, BUT DO FEMINISTS ABUSE THE PRIVILEGE? -- 22| ARE FEMINISTS DEPRESSED AS WELL AS DEPRESSING? -- 23| POLITICS AND FEMINISM: AN EXPLOSIVE MIXTURE -- 24| WHY DO LEFTIES NEVER LEARN? -- 25| SHOULD WE TREAT FEMINISTS AS WE TREAT OTHER DIFFICULT PEOPLE? -- 26| WHY IS FRANCE ALMOST A FEMINIST-FREE COUNTRY? -- 27| THE LADIES FAWCETT -- 28| ARE SOME FEMINISTS (E.G. TRACEY EMIN) A PAIN IN THE ARTS? -- 29| DOES HARRIET HARMAN SUFFER FROM MAD COW DISEASE? -- 30| CAUTION: WOMEN AT WORK -- 31| HOW FEMINISTS ARE KILLING MEN AND WOMEN -- 32| THE FEMINISATION OF THE UNITED KINGDOM -- 33| THE FEMINIST ASSAULT ON MEN -- 34| THE FEMINIST ASSAULT ON WOMEN -- 35| THE LESBIAN FEMINIST ASSAULT ON HETEROSEXUALITY -- 36| THE FEMINIST ASSAULT ON MARRIAGE.

'Feminism' wrote Marie Shear in 1986, 'is the radical notion that women are people'. But, simple and powerful though this definition is, feminism is not a single, clear narrative. It doesn't begin with a specific event at a particular moment in time, it can't be identified with any one political organization or movement, and it isn't defined by the contributions of a handful of great thinkers. Here, Professor Deborah Cameron unpicks the various strands that constitute one of history's most important intellectual and political movements. In her clear and incisive account, she discusses oppression, sexuality, violence, academic theory and practical activism, shows how feminism can be a way of viewing the world and provides an overview of its history. In an era of #metoo, pay gap scandals and online harrassment, it's impossible to deny that gender inequality is a fact of life. And as long as that continues to be true, we will need to understand and engage with the ideas and history of the feminist movement

Film ab für 120 Kino-Klassiker. Blechtrommel, Casablanca, Citizen Kane, Easy Rider, Fahrenheit 451, Fitzcarraldo, Der Himmel über Berlin, Matrix, Panzerkreuzer Potemkin, Psycho, Pulp Fiction, Zwölf Uhr mittags und viele andere werden mit kompletter Filmografie vorgestellt. Ein Muss für Cineasten und solche, die es werden wollen

Pop and circumstance : why pop culture matters -- American dreams, stifled realities : women and pop culture in the 1940s, '50s, and '60s -- We haven't come a long way, and don't call me baby : the 1970s and '80s -- What women want : the 1990s -- Women under the influence : pop culture now and beyond

In Parker Posey's latest film, Price Check, she takes on a modern iteration of workplace feminism. Written and directed by Michael Walker, the film follows Susan, a forty-something corporate go-getter. Walker's film also represents a troubling trend in cinema: the disappearance of the mid- budget film. Adapted from the source document.

During the 1970s, Spanish comics began to reflect gender questioning as a consequence of the Spanish Feminist Movement that arose after the death of Francisco Franco. This gender questioning lead to several transformations in the female characters, until that moment mostly subaltern, passive and sexually objectified. In the first part, this article investigates the position of women in the comic before the Feminist Movement, focusing on Francoism and the Democratic Transition and revealing the cultural construction behind themes and stereotypes. Secondly, I consider the work of pioneer women authors who broke with misogynist stereotypes and were open to innovation both in terms of graphics and content. Research for this paper is based on the analysis of original comics, both published and unpublished illustrations, interviews and private archives. ; Durante los años setenta, el cómic español empieza a reflejar un cuestionamiento de género como consecuencia del movimiento feminista español que se había hecho visible después de la muerte de Francisco Franco. Este cuestionamiento de género determina una serie de transformaciones en el personaje femenino hasta entonces relegado a un rol subalterno, pasivo y como objeto sexual. El presente artículo investiga, en su primera parte, el papel de la mujer en el cómic antes de la eclosión del movimiento feminista, centrándose en el franquismo y en la Transición, estudiando la construcción cultural de sus tópicos y estereotipos. En su segunda parte se estudia la obra hecha por las dibujantes españolas que rompen los estereotipos machistas del cómic y abren a una innovación gráfica y de contenido. Para llevar a cabo esta investigación se han empleado revistas de cómics originales, ilustraciones ya publicadas y algunas inéditas, entrevistas y archivos privados.

This article argues that the concept of 'state feminism' no longer adequately captures the complexity of emerging feminist engagements with new forms of governance. It suggests that 'market feminism' offers a new conceptual framework from which feminist engagements with the state can be analysed and evaluated, and the changes within state feminism can be understood. The article documents the growing feminist embrace of the logic of the market, which manifests itself in changed practices and priorities. The article gives examples of 'market feminism' and argues that the move from state feminism to market feminism impacts on both the political practices and policy priorities of women's policy agencies.