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This groundbreaking book reconceptualizes slavery through the voices of enslaved persons themselves, voices that have remained silent in the narratives of conventional history. Focusing in particular on the Islamic Middle East from the late eighteenth to the early twentieth century, Ehud R. Toledano examines how bonded persons experienced enslavement in Ottoman societies. He draws on court records and a variety of other unexamined primary sources to uncover important new information about the Africans and Circassians who were forcibly removed from their own societies and transplanted to Middle East cultures that were alien to them. Toledano also considers the experiences of these enslaved people within the context of the global history of slavery.The book looks at the bonds of slavery from an original perspective, moving away from the traditional master/slave domination paradigm toward the point of view of the enslaved and their responses to their plight. With keen and original insights, Toledano suggests new ways of thinking about enslavement

Silent Violence engages the harsh reality of malaria and its effects on marginalized communities in Tanzania. Vinay R. Kamat presents an ethnographic analysis of the shifting global discourses and practices surrounding malaria control and their impact on the people of Tanzania, especially mothers of children sickened by malaria. Malaria control, according to Kamat, has become increasingly medicalized, a trend that overemphasizes biomedical and pharmaceutical interventions while neglecting the social, political, and economic conditions he maintains are central to Africa's malaria problem. Kamat offers recent findings on global health governance, neoliberal economic and health policies, and their impact on local communities. Seeking to link wider social, economic, and political forces to local experiences of sickness and suffering, Kamat analyzes the lived experiences and practices of people most seriously affected by malaria—infants and children. The persistence of childhood malaria is a form of structural violence, he contends, and the resultant social suffering in poor communities is closely tied to social inequalities. Silent Violence illustrates the evolving nature of local responses to the global discourse on malaria control. It advocates for the close study of disease treatment in poor communities as an integral component of global health funding. This ethnography combines a decade of fieldwork with critical review and a rare anthropological perspective on the limitations of the bureaucratic, technological, institutional, medical, and political practices that currently determine malaria interventions in Africa.

Silent Violence engages the harsh reality of malaria and its effects on marginalized communities in Tanzania. Vinay R. Kamat presents an ethnographic analysis of the shifting global discourses and practices surrounding malaria control and their impact on the people of Tanzania, especially mothers of children sickened by malaria. Malaria control, according to Kamat, has become increasingly medicalized, a trend that overemphasizes biomedical and pharmaceutical interventions while neglecting the social, political, and economic conditions he maintains are central to Africa's malaria problem. Kamat offers recent findings on global health governance, neoliberal economic and health policies, and their impact on local communities. Seeking to link wider social, economic, and political forces to local experiences of sickness and suffering, Kamat analyzes the lived experiences and practices of people most seriously affected by malaria—infants and children. The persistence of childhood malaria is a form of structural violence, he contends, and the resultant social suffering in poor communities is closely tied to social inequalities. Silent Violence illustrates the evolving nature of local responses to the global discourse on malaria control. It advocates for the close study of disease treatment in poor communities as an integral component of global health funding. This ethnography combines a decade of fieldwork with critical review and a rare anthropological perspective on the limitations of the bureaucratic, technological, institutional, medical, and political practices that currently determine malaria interventions in Africa.

The article attempts to tease out some of the contradictions & ambiguities of Hollywood cinema, with regards to its depictions of modern technology & ecopolitics. Cinema, it is suggested, is often developing ideas in a manner that resonates with the critiques created in sectors of critical theory. The article focuses on movies that appear to offer a critique of the use of technology in capitalist modernity, such as Jurassic Park & The Lost World. At the same time as these movies offer a critique of modernist uses of nature, they are also commodities (often designed to market other types of goods) & have limited emancipatory potential. The article concludes by arguing that there are few areas of contemporary cinema that create a space of resistance to antiecological development. Adapted from the source document.

International audience ; This paper discusses indigenous cinema from Siberia and how this media is being used by the Siberian minorities as a means to (re)build their national identity after the collapse of USSR. It focuses on films from Sakha (Yakutia) Republic and the Republic of Khakassia, both autonomous republics within the Russian Federation, which are experiencing an ethnicity-based cultural revival. It shows that cinema plays a full part in this revitalization process. The article begins with a brief history of Sakha and Khakas feature films, which form the core of the studied corpus. Based on interviews of Khakas and Sakha filmmakers, it analyses why and how film can be considered a good vehicle for identity strengthening. Then, focusing on films themselves, be they amateur or more professional quality productions, if not commissioned by the local government, it examines how those films are rethinking the supranational (Russo-Soviet) narrative, re-imagining geography and trying to reconnect with Sakha and Khakas peoples' own past and traditions. Finally, it highlights the differences between Khakas and Sakha cinema through showing how these "national" film productions can express a strong or a weak feeling of identity.

International audience ; This paper discusses indigenous cinema from Siberia and how this media is being used by the Siberian minorities as a means to (re)build their national identity after the collapse of USSR. It focuses on films from Sakha (Yakutia) Republic and the Republic of Khakassia, both autonomous republics within the Russian Federation, which are experiencing an ethnicity-based cultural revival. It shows that cinema plays a full part in this revitalization process. The article begins with a brief history of Sakha and Khakas feature films, which form the core of the studied corpus. Based on interviews of Khakas and Sakha filmmakers, it analyses why and how film can be considered a good vehicle for identity strengthening. Then, focusing on films themselves, be they amateur or more professional quality productions, if not commissioned by the local government, it examines how those films are rethinking the supranational (Russo-Soviet) narrative, re-imagining geography and trying to reconnect with Sakha and Khakas peoples' own past and traditions. Finally, it highlights the differences between Khakas and Sakha cinema through showing how these "national" film productions can express a strong or a weak feeling of identity.