Decoding International Law: Semiotics and the Humanities
Intro -- Contents -- Acknowledgments -- A. INTRODUCTION TO SEMIOTICS AND THE LAW -- Chapter 1. Introduction -- Chapter 2. Legal Semiotics -- I. Introduction -- II. Sources of Semiotics -- III. Conclusion -- B. TERRORISM -- Chapter 3. A Semiotic Approach to a Legal Definition of Terrorism -- I. Introduction -- II. Elements of the Crime of Terrorism -- III. The Many Definitions of Terrorism -- IV. What is the Difference Between International and Domestic Terrorism? -- V. Terrorism is not only a Crime but a Method to Achieve Self-Determination -- VI. International Crimes are also Methods of Committing Terrorism -- VII. If Terrorism is not only a Crime, but a Method or an Act of War, Then What Court Should Try International Terrorists? -- VIII. The Paradoxes Inherent in the Meaning of Terrorism -- IX. Literary and Cinematographic Representations of Terrorism -- X. Conclusion -- Chapter 4. State-Sponsored Terrorism, the Laws of War, and the Role of Storytelling as a Self-Help Remedy: Law, Literature, and Semiotics -- I. Introduction -- II. The Legitimacy of an Interdisciplinary Method -- III. Laws of Armed Conflict Represented in The Pianist -- IV. Retributive Justice After World War II and the Nuremberg Trials -- V. Restorative Justice and the Power of Art as Self-Help Remedy -- VI. Conclusion -- C. CIVIL DISOBEDIENCE -- Chapter 5. Deconstructing Civil Disobedience: A Semiotic Definition -- I. Introduction -- II. The Deep Structure of Civil Disobedience -- III. Civil Disobedience and Terrorism -- IV. Arguments for and Against Civil Disobedience -- V. Civil Disobedience is not Protected by the Constitutional Right to Dissent or Free Speech -- VI. Conclusion and the Delicate Balance -- Chapter 6. Semiotics and Martin Luther King's Letter from Birmingham Jail -- I. Introduction: The Letter -- II. Semiotics -- III. Role of the Reader.