What is the role of cultural institutions given italy's emerging populism? : the case of Fondazione Giangiacomo Feltrinelli
The current report refers to an internship experience in Fondazione Giangiacomo Feltrinelli, Milan, taken place between September 2018 and January 2019. The question "what is the role of cultural institutions given Italy's emerging populism?" framed the research period. This paper's aim is to address the numerous approaches employed by cultural institutions in the current political Italian landscape, shaped by populism. Populism is described as the people wills' impersonation (Müller, 2016; Mudde & Kaltwasser, 2017; Urbinati et al., 2018; Moffit, 2016). Specifically, the "populist moment" is characterized by an ideology with an antagonistic nature: the "corrupt elite" against the "pure people" (Mouffe, 2018; Mudde & Kaltwasser, 2017). The once dominant neoliberal model has been fervently challenged since 2008's financial crisis; global populist movements indistinctly question capitalism's contradictions. Neoliberalism's failure is located within the "crises of knowledge", where all traditional knowledge producers are experiecing a loss of authority (Grossber, 2017). Italy's Lega-Five Star populist coalition exemplifies this frame, given the anti-science and anti-immigration sentiments it propagates. Intellectuals' are in privileged positions of opportunity, which yield responsibility (Chomsky, 1967). Cultural institutions' promise is to provide an epistemological "culture of enquiry" to all citizens (Carr, 2003). The methodology adopted in this report, besides the hands-on experience of the internship, is primarily lecture and library-based, hence includes secondary sources. After the "state-of-the-art" overview, Fondazione Feltrinelli's scope is considered together with its predominant dialogue capabilities, analysis and countering of populism, through educational and historical approaches. Finally, this report includes a comparative analysis between Feltrinelli and Fondazione Basso, Istituto Sturzo and Istituto Dignitatis Humanae's functioning. With the exception of the latter, whose peculiarity is Bannon's endorsement, this research concludes that Italy's cultural institutions typically act counter-hegemonically to populism and strive for change through reflection.